Passionate Summer | |
---|---|
Directed by | Rudolph Cartier |
Screenplay by | Joan Henry |
Based on | novel The Shadow and the Peak by Richard Mason |
Produced by | Kenneth Harper George Willoughby |
Starring | Virginia McKenna Bill Travers Yvonne Mitchell |
Cinematography | Ernest Steward |
Edited by | Reginald Mills |
Music by | Angelo Francesco Lavagnino Muir Mathieson (conductor) |
Production company | Harper-Willoughby |
Distributed by | Rank Film Distributors (UK) |
Release dates |
|
Running time | 101 minutes [1] |
Country | United Kingdom |
Language | English |
Passionate Summer is a 1958 British drama film directed by Rudolph Cartier and starring Virginia McKenna, Bill Travers and Yvonne Mitchell. [2] It is also known by the alternative title Storm Over Jamaica. It was based on a best-selling 1949 novel by Richard Mason called The Shadow and the Peak. [3]
A British schoolteacher moves to Jamaica to teach after a tumultuous divorce, and meets an exciting new woman.
The film was based on Richard Mason's novel The Shadow and the Peak which was published in 1949. [4] It was Mason's second novel, following The Wind Cannot Read, which the Rank Organisation had filmed with Dirk Bogarde. The New York Times called The Shadow and the Peak "diverting, it is humorous, it contains the necessary serious undertones." [5]
In March 1950 it was announced that Alec Guinness was weighing up whether to appear in The Mudlark at 20th Century Fox or The Shadow and the Peak from J. Arthur Rank. [6] Robert Hamer was to write and direct. [7]
Guinness elected to make The Mudlark and there were reportedly issues getting the script approved by the censor. In December 1951 Hamer said producer Michael Truman would be going to the US in January to negotiate changes to the script with the Breen Office (the US censor). [8] Hamer was to make the movie for Ealing and he wanted to star Vivien Leigh. Michael Balcon reportedly gave his approval, then changed his mind, worried about the film's erotic content. This led to Hamer leaving Ealing. [9]
In December 1957 it was reported that film rights were owned by Kenneth Harper, who had offered the lead to Van Johnson, who had just made Action of the Tiger with Harper. [10]
In March 1958 it was announced the film would be made in Jamaica and at Pinewood Studios under the title of Passionate Summer starring Virginia McKenna, Bill Travers and Yvonne Mitchell. McKenna was coming off two large hits, A Town Like Alice and Carve Her Name with Pride. She and Bill Travers had married in real life in 1957. Filming began on 28 April 1958 shortly after production had started on another Mason adaptation, The Wind Cannot Read. [11]
McKenna was pregnant during filming and it would be the last film she made for Rank (although she turned down a movie they wanted her to do afterwards). [12]
Director Rudolph Cartier was under contract to the BBC but was released to Rank to make the film. [13]
According to Bill Travers:
Neither of us [his wife Virginia McKenna] cared very much for Passionate Summer. Cartier was already an important person in television — that was how he got Passionate Summer — but I’m not sure that he translated well to the big screen. He did a lot of rehearsal, and, by this time, I’d begun to shed the idea of doing a tremendous amount of rehearsal. By then, I wanted to make things more natural and I found that Cartier was too bound by what had happened at rehearsal. I think the film needed something much more impressionistic than Cartier’s direction. It needed to be made like a French film. I also think that it was as a result of that film that Ginny and I became less than favourites with the Rank Organisation. [14]
Variety called it "the sort of glossy novelettish yarn that will do nothing for the reputation of the British film industry." [15]
The Monthly Film Bulletin said "any forebodings roused by the story outline of this film are thorough fulfilled." [16]
In the US, Passionate Summer was the name given to a French film starring Raf Vallone that came out in 1957. So the film was retitled in America as Storm Over Jamaica.
Film academic Philip Kemp wrote the film "was scripted (flatly) by Joan Henry, directed (turgidly) by Rudolph Cartier and acted (stolidly) by Bill Travers and Virginia McKenna. If [Robert] Hamer hadn't long since been driven to drink, this film would have been enough to do it." [17]
The film was a box office failure. Travers later said that because of this he and McKenna became "less than favourites with the Rank Organisation." [18]
Joan Mary Waller Greenwood was an English actress. Her husky voice, coupled with her slow, precise elocution, was her trademark. She played Sibella in the 1949 film Kind Hearts and Coronets, and also appeared in The Man in the White Suit (1951), Young Wives' Tale (1951), The Importance of Being Earnest (1952), Stage Struck (1958), Tom Jones (1963) and Little Dorrit (1987).
Kind Hearts and Coronets is a 1949 British crime black comedy film directed by Robert Hamer. It features Dennis Price, Joan Greenwood, Valerie Hobson and Alec Guinness; Guinness plays eight characters. The plot is loosely based on the novel Israel Rank: The Autobiography of a Criminal (1907) by Roy Horniman. It concerns Louis D'Ascoyne Mazzini, the son of a woman disowned by her aristocratic family for marrying out of her social class. After her death, a vengeful Louis decides to take the family's dukedom by murdering the eight people ahead of him in the line of succession to the title.
The Ealing comedies is an informal name for a series of comedy films produced by the London-based Ealing Studios during a ten-year period from 1947 to 1957. Often considered to reflect Britain's post-war spirit, the most celebrated films in the sequence include Kind Hearts and Coronets (1949), Whisky Galore! (1949), The Lavender Hill Mob (1951), The Man in the White Suit (1951) and The Ladykillers (1955). Hue and Cry (1947) is generally considered to be the earliest of the cycle, and Barnacle Bill (1957) the last, although some sources list Davy (1958) as the final Ealing comedy. Many of the Ealing comedies are ranked among the greatest British films, and they also received international acclaim.
Sir Michael Elias Balcon was an English film producer known for his leadership of Ealing Studios in west London from 1938 to 1956. Under his direction, the studio became one of the most important British film studios of the day. In an industry short of Hollywood-style moguls, Balcon emerged as a key figure, and an obdurately British one too, in his benevolent, somewhat headmasterly approach to the running of a creative organization. He is known for his leadership, and his guidance of young Alfred Hitchcock.
Rudolph Cartier was an Austrian television director, filmmaker, screenwriter and producer who worked predominantly in British television, exclusively for the BBC. He is best known for his 1950s collaborations with screenwriter Nigel Kneale, most notably the Quatermass serials and their 1954 adaptation of George Orwell's dystopian novel Nineteen Eighty-Four.
Yvonne Mitchell was an English actress and author. After beginning her acting career in theatre, Mitchell progressed to films in the late 1940s. Her roles include Julia in the 1954 BBC adaptation of George Orwell's novel Nineteen Eighty-Four. She retired from acting in 1977.
Richard Mason, published also under the pen name Richard Lakin, was a British novelist best known for his 1957 publication The World of Suzie Wong. His novels usually concerned Britons' experiences in exotic foreign locations, especially in Asia.
The Cruel Sea is a 1953 British war film based on the best-selling 1951 novel of the same name by former naval officer Nicholas Monsarrat, though the screenplay by Eric Ambler omits some of the novel's grimmest moments. The film stars Jack Hawkins, Donald Sinden, Denholm Elliott, Stanley Baker, Liam Redmond, Virginia McKenna and Moira Lister. The movie was made by Ealing Studios seven years after the end of World War II, and was directed by Charles Frend and produced by Leslie Norman.
Dame Virginia Anne McKenna is a British stage and screen actress, author, animal rights activist, and wildlife campaigner. She is best known for the films A Town Like Alice (1956), Carve Her Name with Pride (1958), Born Free (1966), and Ring of Bright Water (1969), as well as her work with the Born Free Foundation.
William Inglis Lindon Travers was a British actor, screenwriter, director and animal rights activist. Before his show business career, he served in the British Army with Gurkha and special forces units.
Seth Holt was a Palestinian-born British film director, producer and editor. His films are characterized by their tense atmosphere and suspense, as well as their striking visual style. In the 1960s, Movie magazine championed Holt as one of the finest talents working in the British film industry, although his output was notably sparse.
Ring of Bright Water is a 1969 British comedy-drama film directed by Jack Couffer and starring Bill Travers and Virginia McKenna. It is a story about a Londoner and his pet otter living on the Scottish coast. The story is fictional, but is adapted from the 1960 autobiographical book of the same name by Gavin Maxwell. It featured the stars of Born Free (1966), another film about a close relationship between humans and a wild animal.
Robert Hamer was a British film director and screenwriter best known for the 1949 black comedy Kind Hearts and Coronets and the now acknowledged 1947 classic It Always Rains on Sunday.
Associated British Picture Corporation (ABPC), originally British International Pictures (BIP), was a British film production, distribution and exhibition company active from 1927 until 1970 when it was absorbed into EMI. ABPC also owned approximately 500 cinemas in Britain by 1943, and in the 1950s and 60s owned a station on the ITV television network. The studio was partly owned by Warner Bros. from about 1940 until 1969; the American company also owned a stake in ABPC's distribution arm, Warner-Pathé, from 1958. It formed one half of a vertically integrated film industry duopoly in Britain with the Rank Organisation.
Wylie Watson was a Scottish actor. Among his best-known roles were those of "Mr Memory", an amazing man who commits "50 new facts to his memory every day" in Alfred Hitchcock's film The 39 Steps (1935), and wily storekeeper Joseph Macroon in the Ealing comedy Whisky Galore! (1949). He emigrated to Australia in 1952, and made his final film appearance there in The Sundowners (1960).
Charles Herbert Frend was an English film director and editor, best known for his films produced at Ealing Studios. He began directing in the early 1940s and is known for such films as Scott of the Antarctic (1948) and The Cruel Sea (1953).
Nowhere to Go is a 1958 British crime film directed by Seth Holt in his directorial debut. It stars George Nader, Maggie Smith, Bernard Lee, Harry H. Corbett and Bessie Love. It was written by Kenneth Tynan and Holt, based on the 1956 novel of the same title by Donald MacKenzie.
Samuel George Herbert Mason was a British film director, producer, stage actor, army officer, presenter of some revues, stage manager, stage director, choreographer, production manager and playwright. He was a recipient of the Military Cross the prestigious award for "gallantry during active operations against the enemy." He received the gallantry award for his part in the Battle of Guillemont where British troops defeated the Germans to take the German stronghold of Guillemont.
The Oracle is a 1953 British second feature ('B') comedy film directed by C.M. Pennington-Richards and starring Robert Beatty, Michael Medwin and Virginia McKenna. The film was based on the radio play To Tell You the Truth by Robert Barr. A journalist goes on holiday to Ireland and encounters a fortune-teller.
William Morell Lindon Travers is an English director, writer, broadcaster and animal rights activist. He is president of the Born Free Foundation, Born Free USA and Species Survival Network. He is the son of English actors and wildlife campaigners Bill Travers (1922–1994) and Virginia McKenna, and nephew of actress Linden Travers.