Patricia Neary (born October 27, 1942) is an American ballerina, choreographer and ballet director, who has been particularly active in Switzerland. She has also been an ambassador for the Balanchine Trust, bringing George Balanchine's ballets to 60 cities around the globe.
Born in Miami, Florida, she first studied there under George Milenoff and Thomas Armour until she attended the School of American Ballet in New York. [1]
At the age of 14, she joined the National Ballet of Canada as the youngest dancer in the company. In 1960, she became a member of the New York City Ballet where she performed almost all the ballerina roles in George Balanchine's major works, including two roles he created specially for her in Raymonda Variations (1961) and Jewels (1967). She also performed leading roles in ballets by Jerome Robbins, Antony Tudor, John Taras and Merce Cunningham. [2] [3]
In 1968, she joined the Geneva Ballet where she performed in and staged Balanchine's ballets. She also made guest appearances in Stuttgart, Hamburg and Hannover. She worked as assistant ballet mistress with the ballet of the Deutsche Oper Berlin from 1970 to 1973. With Balanchine acting as artistic advisor, she was appointed director of ballet at the Grand Théâtre de Genève (1973–78). From 1978 to 1985, she served as ballet director of the Zurich Ballet, then of La Scala in Milan (1986–87). As artistic director of Ballet British Columbia (1989–90), she choreographed Variations Concertantes with music by Alberto Ginastera. [2]
Since 1988, she has worked as an ambassador for the Balanchine Trust, bringing his works to about 60 cities in Europe, the Far East and across the United States. [3]
Gelsey Kirkland is an American ballerina. She received early ballet training at the School of American Ballet. Kirkland joined the New York City Ballet in 1968 at age 15, at the invitation of George Balanchine. She was promoted to soloist in 1969, and principal in 1972. She went on to create leading roles in many of the great twentieth century ballets by Balanchine, Jerome Robbins, and Antony Tudor, including Balanchine's revival of The Firebird, Robbins' Goldberg Variations, and Tudor's The Leaves are Fading.
Violette Verdy was a French ballerina, choreographer, teacher, and writer who worked as a dance company director with the Paris Opera Ballet in France and the Boston Ballet in the United States. From 1958 to 1977 she was a principal dancer with the New York City Ballet where she performed in the world premieres of several works created specifically for her by choreographers George Balanchine and Jerome Robbins. She was Distinguished Professor of Music (Ballet) at the Jacobs School of Music, Indiana University, in Bloomington, and the recipient of two medals from the French government.
Melissa Hayden was a Canadian ballerina at the New York City Ballet.
The Minnesota Ballet is a ballet company and school located in Duluth, Minnesota. Founded in 1965 by Donna Harkins and Jan Gibson as the Duluth Civic Ballet, the company has since expanded into a touring company with seventeen professional artists. From 1992 to 2007 the Artistic Executive Director of the Minnesota Ballet was Allen Fields, who retired to become Artistic Director Emirtus. Fields acquired rights to works by choreographers including Agnes de Mille, Antony Tudor, and George Balanchine. He was succeeded by Robert Gardner. In 2019 Karl von Rabenau was appointed Artistic Director. The Minnesota Ballet entered its 54th season in 2019/20.
Tchaikovsky Pas de Deux is a ballet choreographed by George Balanchine to a composition by Pyotr Ilyich Tchaikovsky originally intended for act 3 of Swan Lake. With costumes by Barbara Karinska and lighting by Jack Owen Brown, it was first presented by New York City Ballet at the City Center of Music and Drama, New York, on 29 March 1960. Robert Irving conducted the New York City Ballet Orchestra. The dancers were Violette Verdy and Conrad Ludlow.
Patricia McBride is a ballerina who spent nearly 30 years dancing with the New York City Ballet. McBride joined the New York City Ballet in 1959. She became a principal in 1961, becoming the company's youngest principal. She danced with the company for 30 years, including roles created for her by choreographers George Balanchine and Jerome Robbins.
Sofiane Sylve is a French ballet dancer. She is currently a principal dancer and ballet master with the Dresden Semperoper Ballett, and the artistic advisor and school director of Ballet San Antonio, and is set to run the latter's new school. She was previously a principal dancer with Dutch National Ballet, New York City Ballet and San Francisco Ballet.
Tschaikovsky Piano Concerto No. 2, also titled Ballet Imperial, is a ballet choreographed by George Balanchine to Tchaikovsky's Piano Concerto No. 2. Ballet Imperial was choreographed for American Ballet Caravan's 1941 South American tour, and was aimed at showing that the Americans were capable of the classical ballet traditions. The ballet pays tribute to Tchaikovsky, the classical ballet choreographer Marius Petipa, and Imperial Saint Petersburg, where Balanchine received his ballet training. The ballet featured academic steps and alludes to Imperial Russia through the costumes and scenery. Ballet Imperial premiered on June 25, 1941, at Teatro Municipal, Rio de Janeiro.
Susan Coxe Hendl was an American ballet dancer and répétiteur. She danced with the New York City Ballet between 1963 and 1983, then staged and coached works by George Balanchine and Jerome Robbins for both NYCB and other companies.
Raymonda Variations, formerly titled Valses et Variations, is a ballet choreographed by George Balanchine to excepts from Alexander Glazunov's score for the 1898 ballet Raymonda. Instead of following the plot of the 1898 ballet, the Balanchine ballet is plotless. It premiered on December 7, 1961, at the City Center of Music and Drama. Raymonda Variations was made for the New York City Ballet, with the two lead roles originated by Patricia Wilde and Jacques d'Amboise.
The Four Temperaments or Theme and Four Variations is an orchestral work and ballet by Paul Hindemith. Although it was originally conceived as a ballet for Léonide Massine, the score was ultimately completed as a commission for George Balanchine, who subsequently choreographed it as a neoclassical ballet based on the theory of the four temperaments.
Who Cares? is a ballet choreographed by George Balanchine to songs by George Gershwin that were orchestrated by Hershy Kay. The ballet is split in two parts, the first danced by an ensemble, and the second focuses on four principal dancers. Who Cares? premiered on February 5, 1970, at the New York State Theater, danced by the New York City Ballet.
The Oklahoma City Ballet is a professional dance company and school located in Oklahoma City. The company began under the artistic direction of Ballet Russe de Monte Carlo dancers Yvonne Chouteau and Miguel Terekhov in the Science and Arts Foundation building on the Oklahoma City Fairgrounds.
Los Angeles Ballet (LAB) is a classical ballet company based in Los Angeles. While rehearsals take place at the Los Angeles Ballet Center, the company tours venues across LA County, such as the Dolby Theatre and Royce Hall, during its performances. LAB typically hosts two classical ballets each season, with an additional Balanchine performance in the spring. The company was founded and co-directed by husband-and-wife team Thordal Christensen and Colleen Neary, and founding executive director Julie Whittaker. The company debuted December 2006 with an original production of The Nutcracker.
Alfonso Catá was a Cuban ballet dancer, choreographer, teacher, and company director, active in the United States, Switzerland, Germany, and France.
Sally Harrington, known professionally as Sara Leland, was an American ballet dancer and répétiteur. She started her career with the Joffrey Ballet in 1959, and was recruited to join the New York City Ballet by George Balanchine in 1960. She was promoted to principal dancer in 1972, and created roles for both Balanchine and Jerome Robbins.
Ballett Zürich, formerly known as Zürich Ballet, is the largest professional ballet company in Switzerland. Its principal venue is the Zürich Opera House and it regularly tours across the country. The company includes an ensemble cast of 36 dancers and 14 junior members. Christian Spuck has directed the company since 2012, assuming the role from Heinz Spoerli.
Patricia Wilde was a Canadian-born ballerina and dance instructor. She was a principal ballerina of New York City Ballet, where she danced every major role in the repertoire, many of them created especially for her by George Balanchine. Following her retirement from NYCB, she became a famed ballet mistress and teacher. In 1982, she was appointed artistic director of Pittsburgh Ballet Theatre where she served until 1997. She is a recipient of the Dance Magazine Award and the 56th Inductee into the National Museum of Dance Hall of Fame. Her biography Wilde Times: Patricia Wilde, George Balanchine and the Rise of New York City Ballet, by Joel Lobenthal was published in 2015 by the University Press of New England.
Maria Calegari is an American ballet dancer, teacher and répétiteur. She joined the New York City Ballet in 1974 and became a principal dancer in 1983. She left the company in 1994, then occasionally performed until 2004. She also teaches ballet and began working as a répétiteur for the Balanchine Trust and Robbins Rights Trust in 1996 and 2003 respectively.
La Valse is a ballet choreographed by George Balanchine to Maurice Ravel's Valses Nobles et Sentimentales and La Valse. It premiered on February 20, 1951, at the City Center of Music and Drama, performed by the New York City Ballet. The ballet depicts dancers waltzing in a ballroom, during which a woman becomes attracted to a figure of death, and ultimately dies.
| International | |
|---|---|
| National | |
| Other | |
