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Patrick Baty FRSA (born 1956) is a British historian of architectural paint and colour, who works as a consultant in the decoration of historic buildings.
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Patrick Baty FRSA (born 1956) is a British historian of architectural paint and colour, who works as a consultant in the decoration of historic buildings.
He was educated at St Benedict's School, in London, and after a short period as a private soldier in the Parachute Regiment attended the Royal Military Academy Sandhurst being commissioned into the 9th/12th Royal Lancers in 1976. He resigned his commission in 1980 when his newly posted commanding officer opposed his secondment to the Sultan of Oman's Armed Forces. Reverting to the rank of Trooper he undertook Selection for the Artists Rifles leaving as a captain some ten years later.
After a brief spell with the Anthony d'Offay gallery he joined his family paint business Papers and Paints. Having always had an interest in historic buildings he began a study of the methods and materials employed in their decoration. In 1993 he completed a part-time degree in the subject at the University of East London. [1]
Patrick Baty has acted as a consultant on many major restoration projects in the United Kingdom. He was a long-standing committee member of the Georgian Group and a Fellow of both the Society of Antiquaries of Scotland and the Royal Society for the encouragement of Arts, Manufactures & Commerce. Baty is a founding member of both the Traditional Paint Forum and the Architectural Paint Group. [2]
Projects have ranged from King Henry VIII's heraldic Beasts; Baroque churches; country houses; wartime RAF stations and London housing estates to structures such as Tower Bridge and Holborn Viaduct. He also works in the USA.
In the 1980s Patrick Baty produced a range of paint colours based on those offered by a Scottish house-painter in 1807, this sparked off the present wave of historically-themed paint ranges which are still seen today. In April 2000, Homes & Gardens described him as being "Undoubtedly the most influential of our (paint) experts…whose breadth and depth of knowledge is unrivalled". In recent years, on two separate occasions, he has been employed by ICI (Dulux) and The Little Greene to develop ranges of traditional paint colours for English Heritage. Colour ranges have also been produced for the French and German markets. [3] The colours traditionally employed on the exteriors of buildings in Bath, Edinburgh, Penzance and in Gloucester have been investigated for the local planning authorities and guidelines produced for them. The colours used on the exteriors of Chelsea houses in the 19th century have also been identified and an article published for the Chelsea Society. He has recently finished work on a range of exterior colours based on regional use in France. A similar project looking at regional colour in the United Kingdom is in progress. [4]
In 2007 his company, Papers and Paints, was awarded a Royal Warrant for his work with colour.
He is married with a daughter and two sons.
Patrick Baty is the great grandson of the artists Robert Polhill Bevan and his wife, Stanisława de Karłowska. [5] His direct ancestors also include Silvanus Bevan (The Banker), and his wife, Louise Kendall Bevan, Timothy Bevan and his wife, Elizabeth Barclay Bevan, David Bevan and his wife, Favell Bourke Lee Bevan, Robert Cooper Lee Bevan, and his wife, Lady Agneta Elizabeth Yorke Bevan, Robert Barclay (The Quaker Apologist), David Barclay) among several others. Sir Philip Hendy, Director of the National Gallery (1946–1967), commented that the aforementioned Robert Polhill Bevan was perhaps the first Englishman to use pure colour in the 20th Century. [6]
Baty lectures often on the general subject of paint and colour of the 18th and 19th centuries. The audiences range widely from the staff of the national amenity organisations, to preservation enthusiasts. He has been a frequent lecturer on graduate and postgraduate courses at several universities, to architects on Continuing Professional Development courses, and to conservation officers. He has spoken at a number of international symposia in Europe, and lectured and run courses along the East coast of the United States. [7]
His published works are listed here and he has also contributed to and edited various other books on the subject of paint and colour; Robert Bevan and also on The Artists Rifles.
Stained glass is coloured glass as a material or works created from it. Throughout its thousand-year history, the term has been applied almost exclusively to the windows of churches and other significant religious buildings. Although traditionally made in flat panels and used as windows, the creations of modern stained glass artists also include three-dimensional structures and sculpture. Modern vernacular usage has often extended the term "stained glass" to include domestic lead light and objets d'art created from foil glasswork exemplified in the famous lamps of Louis Comfort Tiffany.
Watercolor or watercolour, also aquarelle, is a painting method in which the paints are made of pigments suspended in a water-based solution. Watercolor refers to both the medium and the resulting artwork. Aquarelles painted with water-soluble colored ink instead of modern water colors are called aquarellum atramento by experts. However, this term has now tended to pass out of use.
Whitewash, calcimine, kalsomine, calsomine, or lime paint is a type of paint made from slaked lime (calcium hydroxide, Ca(OH)2) or chalk (calcium carbonate, CaCO3), sometimes known as "whiting". Various other additives are sometimes used.
Polychrome is the "practice of decorating architectural elements, sculpture, etc., in a variety of colors." The term is used to refer to certain styles of architecture, pottery, or sculpture in multiple colors.
Roger W. Moss is an historian, educator, administrator and author in Philadelphia, Pennsylvania. Throughout a long career he has also been an aggressive and entrepreneurial advocate for the preservation and authentic restoration of historic buildings. For forty years Moss directed the Athenaeum of Philadelphia, a special collections library near Independence Hall, and for 25 of those years he also taught in the Graduate Program in Historic Preservation at the University of Pennsylvania.
Edwyn Robert Bevan OBE, FBA was a versatile British philosopher and historian of the Hellenistic world.
Hand-colouring refers to any method of manually adding colour to a monochrome photograph, generally either to heighten the realism of the image or for artistic purposes. Hand-colouring is also known as hand painting or overpainting.
Magnolia is a color named after the flowering plant of the genus Magnolia. As magnolias have flowers of more than one color, mainly cream or pale purple, magnolia may refer to different colors in different countries.
Historic paint analysis, or architectural paint research, is the scientific analysis of a broad range of architectural finishes, and is primarily used to determine the color and behavior of surface finishes at any given point in time. This helps us to understand the building's structural history and how its appearance has changed over time.
Stanisława de Karłowska was a Polish-born artist who was a founder member of the London Group. Her work combined a modernist style with elements of Polish folk art.
The British Colour Council (BCC) was an industry standards organisation, active from the 1930s to the 1950s, which produced indexes of named colours for use by government, industry, academia, and horticulture.
Robert Polhill Bevan was a British painter, draughtsman and lithographer who was married to the Polish-born artist Stanisława de Karłowska. He was a founding member of the Camden Town Group, the London Group, and the Cumberland Market Group.
John Beresford Fowler was an English interior designer.
Robert Alexander Polhill Bevan CBE was a significant figure in British communications and advertising during the mid-20th century. He was the second child of the artists Robert Polhill Bevan and Stanisława de Karłowska and was born at the Bevan house, Horsgate, in Cuckfield, Sussex.
Johannes Rach was a Danish painter and draughtsman whose works from Copenhagen and Indonesia are a valuable source of architectural and cultural historic knowledge. He began his artistic career painting topographical views for the royal court in Copenhagen, mosrlt in close collaboration with Hans Heinrich Eegberg without any clear indication of who painted whatm and credits are therefore often given to Rach & Eegberg. Later he traveled to the Dutch East Indies, by way of Saint Petersburg and the Netherlands, where he settled in Batavia, and had a military career in the Royal Dutch East Indies Army. At the same time he continued to pursue his artistic work with considerable commercial success. He set up a large studio with local employees who worked in his style, and produced depictions of the city and surrounding countryside for the local elite.
Morgan W. Phillips (1943–1996) was an American founder of the field of architectural conservation. He is credited with coining the term "architectural conservation" in the early 1970s and was among the first to call himself an architectural conservator. Phillips worked for most of his career at the Society for the Preservation of New England Antiquities (SPNEA) in Boston, now Historic New England, and the organization's Conservation Center was largely built around his research and that of his apprentices.
David Ramsay Hay was a Scottish artist, interior decorator and colour theorist.
Royal Talens is a Dutch company located in Apeldoorn that specializes in art materials. The company produces and markets its own products, apart from commercializing other licensed brands, such as Van Gogh, Rembrandt, and Bruynzeel. Products commercialised include acrylic paints, oil paints, watercolor paintings, brushes, markers, inks, pastels, pencils, pens, gouache, canvas, papers.
Richard Alexander Bevan was a British banker and philanthropist. He is known as "the father of Cuckfield."
ResenePaints LTD is a New Zealand paint and building materials manufacturer and retailer.
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