Pedro Ruiz Martínez and Odilia Pineda are husband and wife Mexican potters, who work in Capula, Michoacán. This town is noted for its ceramics distinguished by having its designs painted on with small dots in a technique called “punteaje.” [1] [2]
The couple’s work is noted not only for its precise punteaje, but also the use of “petatillo”, the use of fine crosshatching used to fill in background space, normally associated with Jalisco pottery. [1]
Ceramics of Jalisco, Mexico has a history that extends far back in the pre Hispanic period, but modern production is the result of techniques introduced by the Spanish during the colonial period and the introduction of high-fire production in the 1950s and 1960s by Jorge Wilmot and Ken Edwards. Today various types of traditional ceramics such as bruñido, canelo and petatillo are still made, along with high fire types like stoneware, with traditional and nontraditional decorative motifs. The two main ceramics centers are Tlaquepaque and Tonalá, with a wide variety of products such as cookware, plates, bowls, piggy banks and many types of figures.
The couple works in their own workshop in the town, along with their children, to whom they have taught the craft. Using clay from local deposits, most pieces are formed with the use of molds, but some are formed by hand. Most of their pieces are pots with lids, cantaros, small jugs, miniature figures, water glasses with their own tray, platters, bowls. After forming and drying, the pieces are fired for the first time in wood or gas kilns. Then they are painted using commercial enamel paint mixed with a slip. Principal decorative elements are daisies, fish and butterflies. Then the pieces are glazed and fired a second time. [1]
The cantaro is a percussion instrument. It is a clay pot that is struck in its outer surface or mouth with a hand, creating different effects. Water can be used to pitch the instrument to a desired sound.
The couple were named "grand masters" by the Fomento Cultural Banamex in 2001. [1]
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