Penland School of Crafts

Last updated
Penland School Historic District
Penland School of Crafts panorama.jpg
Penland School of Craft panorama
USA North Carolina location map.svg
Red pog.svg
Usa edcp location map.svg
Red pog.svg
LocationNC 1164 (Conley Ridge Rd.), Penland, North Carolina
Coordinates 35°56′16″N82°07′41.9″W / 35.93778°N 82.128306°W / 35.93778; -82.128306 Coordinates: 35°56′16″N82°07′41.9″W / 35.93778°N 82.128306°W / 35.93778; -82.128306
Area115 acres (47 ha)
Built1929 (1929)
ArchitectBeeson, D.R.; Van Wageningen & Cothran
Architectural styleBungalow/craftsman, Colonial Revival, Rustic Revival
NRHP reference No. 03001270 [1]
Added to NRHPDecember 10, 2003

The Penland School of Craft ("Penland" and formerly "Penland School of Crafts" [2] ) is an Arts and Crafts educational center located in the Blue Ridge Mountains in Spruce Pine, North Carolina, about 50 miles from Asheville.

Contents

History

The school was founded in the 1920s in the isolated mountain town of Penland, North Carolina. In 1923, Lucy Morgan (1889–1981), a teacher at the Appalachian School who had recently learned to weave at Berea College, created an association to teach the craft [3] [4] to local women so they could earn income from their homes. [5] The center, called Penland Weavers and Potters, [3] provided instruction, looms, and materials.[ citation needed ] Local volunteers built a cabin and then a larger hall. In 1929, Penland was officially founded as the Penland School of Handicrafts after Edward F. Worst, a weaving expert and author of the Foot Power Loom Weaving, visited the school to provide weaving instruction. [4] [5] Worst added classes in basketry and pottery. [4]

Bill Brown, who took over in 1962 after Morgan, created a resident artist program and expanded the number and length of courses. There are 51 buildings on 400 acres. [6] Penland buildings were designed primarily by North Carolinian architects, including Frank Harmond [7] and Cannon Architects in Raleigh, North Carolina [8] and Dixon Weinstein Architects in Chapel Hill. [9]

The school campus was added to the National Register of Historic Places in 2003 as the Penland School Historic District. [1] The district encompasses 31 contributing buildings, 1 contributing site, and 3 contributing structures. The district is characterized by one- and two-story frame farmhouses dating from the turn of the 20th century, associated agricultural outbuildings, and Rustic Revival style log buildings. Notable buildings include the Colonial Revival style Lily Loom House and Pines; the Craft Cabin; Homer Hall; Ridgeway; and Beacon Church. [10]

Overview

As of 2005, Penland offered Spring, Summer, and Fall workshops in craft disciplines, including weaving and dyeing, bead work, glassblowing, pottery, paper making, metalworking, and woodworking. It also offers fine arts subjects, such as printmaking, painting, and photography. [3] [5] Workshops are taught by visiting American and international artists and professors, [3] [5] a tradition that started with Worst and until he died in 1949. [4] [5] Academic degrees are not awarded by Penland, but students can receive college credit through Western Carolina University (WCU). [11] There are about 1200 people who study at Penland each year. [6]

Penland holds an annual Community Day in early March, when the school's studios are open and visitors can work on a small project with the help of the artists. [12]

An exhibition of works created at Penland was held at the Mint Museum. [13]

Related Research Articles

Lenore Tawney American artist

Lenore Tawney was an American artist known for her drawings, personal collages, and sculptural assemblages, who became an influential figure in the development of fiber art.

Haystack Mountain School of Crafts United States historic place

Haystack Mountain School of Crafts, commonly called "Haystack," is a craft school located at 89 Haystack School Drive on the coast of Deer Isle, Maine.

PlayMakers Repertory Company is the professional theater company in residence at the University of North Carolina at Chapel Hill. PlayMakers Repertory Company is the successor of the Carolina Playmakers and is named after the Historic Playmakers Theatre. PlayMakers was founded in 1976 and is affiliated with the Dramatic and performing arts at the University of North Carolina at Chapel Hill. The company consists of residents, guest artists, professional staff and graduate students in the Department for Dramatic Arts at UNC and produces seasons of six main stage productions of contemporary and classical works that run from September to April. PlayMakers Repertory Company has a second stage series, PRC², that examines controversial social and political issues. The company has been acknowledged by the Drama League of New York and American Theatre magazine for being one of the top fifty regional theaters in the country. PlayMakers operates under agreements with the Actors' Equity Association, United Scenic Artists, and the Society of Stage Directors and Choreographers.

Hunter Library is the university library at Western Carolina University and is located in Cullowhee, North Carolina. Hunter Library supports Western Carolina University's mission of teaching and learning. The Library provides intellectual content, and services related to its discovery and use, for the learning, teaching, and research activities of the University's students, faculty, and staff. By supporting the acquisition of learning and the production of knowledge and scholarship, Hunter Library intends to inspire the individual and the intellect, fostering professional, personal and social growth.

George Masa Japanese businessman and photographer

George Masa, born Masahara Izuka, in Osaka, Japan, was a businessman and professional large-format photographer.

Woven coverlet

A woven coverlet or coverlid is a type of bed covering with a woven design in colored wool yarn on a background of natural linen or cotton. Coverlets were woven in almost every community in the United States from the colonial era until the late 19th century.

Settlement schools are social reform institutions established in rural Appalachia in the early 20th century with the purpose of educating mountain children and improving their isolated rural communities.

Katherine Pettit

Katherine Rebecca Pettit was an American educator and suffragist from Kentucky who contributed to the settlement school movement of the early 20th century.

Valle Crucis Episcopal Mission United States historic place

Valle Crucis Episcopal Mission, also known as Valle Crucis Conference Center, is a historic Episcopal mission church complex and national historic district located near Valle Crucis, Watauga County, North Carolina. The Gothic Revival style, gable-front stone Church of the Holy Cross was built about 1924. Other contributing resources are the church cemetery with the earliest burial dated to 1808, Auchmutv Hall dormitory (1910-1911), The Annex, "The Farm House" (1915), Former Dairy Barn, Former Apple Barn, The Mission House (1896), the Power Dam (1903-1930), the Valley / Field, and the Apple Orchard. The Valle Crucis Episcopal Mission was established by the Episcopal Church in 1844-1845.

Cristina Córdova is an American-born, Puerto Rican sculptor who works and lives in Penland, North Carolina.

Polly Barton is an American textile artist. She was born in New York City. As a student she studied art history at Barnard College and has lived and traveled in Paris, Florence, and Rome. In 1981, she moved to Kameoka, Japan, to study with master weaver Tomohiko Inoue, living in the religious heart of the Oomoto Foundation. She returned to New York in 1982 and continued to weave on her Japanese tsumugi silk kimono looms.

Penland, North Carolina Unincorporated community in North Carolina, United States

Penland is an unincorporated community in Mitchell County, North Carolina, United States. Penland is 2.9 miles (4.7 km) west-northwest of Spruce Pine. Approximately 200 year-round residents live in the community, the center of which is the Penland Road bridge crossing the North Toe River and CSX railroad line.

Bhakti Ziek is an American artist known for narrative weavings incorporating contemporary jacquard technology. She has been active in the contemporary fiber field for over four decades as an artist, author, teacher and lecturer. Ziek currently resides in Randolph, Vermont.

Cynthia Schira is an American textile artist and former university professor. Her work is represented in the collections of many major public museums.

Mary Meigs Atwater was an American weaver. She revived handweaving in America by collecting weaving drafts, teaching and writing; Handweaver and Craftsman called Atwater "the grand dame and grand mother of the revival of handweaving in [the United States]".

Susie Ganch is a first generation American artist of Hungarian heritage. She is a sculptor, jeweler, educator, and founder and director of Radical Jewelry Makeover.

Susan Morgan Leveille is a weaver and teacher from Dillsboro, North Carolina. Part of a long line of weavers and educators in the state, Morgan has been a central figure in the craft movement in western North Carolina. In 2014 Leveille received a North Carolina Heritage Award from the North Carolina Arts Council in honor of her work.

Lottie Queen Stamper

Lottie Queen Stamper was an American Cherokee basket weaver and educator.

Suzie Liles is an American fiber artist, master weaver, the owner of the Eugene Textile Center and co-owner of Glimakra USA, in Eugene, Oregon.

References

  1. 1 2 "National Register Information System". National Register of Historic Places . National Park Service. July 9, 2010.
  2. Hall, Mia. "A Note from the Director – The Penland Sketchbook". Penland School of Craft. Archived from the original on 2019-07-26. Retrieved 2019-07-26.
  3. 1 2 3 4 "Penland School of Craft". Craft in America. Archived from the original on 24 December 2013. Retrieved 23 December 2013.CS1 maint: discouraged parameter (link)
  4. 1 2 3 4 Hunter Library Digital Initiatives. "Making History: Penland Weaving Institutes, 1929-1938". Western Carolina University. Archived from the original on 24 December 2013. Retrieved 23 December 2013. There is much more information about the history of Penland in this article.CS1 maint: discouraged parameter (link)
  5. 1 2 3 4 5 Fiber artist Edwina & potter Cynthia Bringle talk about Penland School. [Craft in America]. Archived from the original on January 23, 2014. Retrieved December 23, 2013.CS1 maint: discouraged parameter (link)
  6. 1 2 "A short history". Penland School of Crafts. Archived from the original on 6 January 2014. Retrieved 23 December 2013.CS1 maint: discouraged parameter (link)
  7. "Penland School of Arts and Crafts". Frank Harmon. Archived from the original on 24 December 2013. Retrieved 23 December 2013.CS1 maint: discouraged parameter (link)
  8. "Penland School of Crafts - Phase II". Cannon Architects. Archived from the original on March 25, 2014. Retrieved December 23, 2013.CS1 maint: discouraged parameter (link)
  9. "About Dail Dixon". Dail Dixon. Archived from the original on 24 December 2013. Retrieved 23 December 2013.CS1 maint: discouraged parameter (link)
  10. Clay Griffith (September 2003). "Penland School Historic District" (pdf). National Register of Historic Places - Nomination and Inventory. North Carolina State Historic Preservation Office. Retrieved 2015-02-01.CS1 maint: discouraged parameter (link)
  11. "Enrolled". Penland School of Crafts. Archived from the original on 6 January 2014. Retrieved 23 December 2013.CS1 maint: discouraged parameter (link)
  12. "Open House". Penland School of Crafts. Archived from the original on 24 December 2013. Retrieved 23 December 2013.CS1 maint: discouraged parameter (link)
  13. "The Nature of Craft and the Penland Experience". Mint Museum. Archived from the original on December 24, 2013. Retrieved December 23, 2013.CS1 maint: discouraged parameter (link)

Further reading