Otto Wilhelm Fischer was an Austrian film and theatre actor, a leading man of West German cinema during the Wirtschaftswunder era of the 1950s and 1960s.
Walter Giller was a German actor. He was very successful in the 1950s and 1960s, when he was often seen as a comedic leading man. One of his most successful and more serious roles was in Roses for the Prosecutor.
Ich suche Dich, is a 1956 German film based on the 1940 play Jupiter Laughs by A. J. Cronin. It is directed by O. W. Fischer, who also stars in the film, and also features Anouk Aimée, Nadja Tiller, and Otto Brüggemann. Seeleiten Castle in Murnau, Bavaria served as one of the filming locations.
Ludwig II is a 1955 West German historical drama film directed by Helmut Käutner and starring O.W. Fischer, Ruth Leuwerik and Marianne Koch. It is based on the life of the nineteenth century ruler Ludwig II of Bavaria. It was entered into the 1955 Cannes Film Festival. The film was shot in technicolor at the Bavaria Studios in Munich with sets designed by the art director Hein Heckroth and Fritz Lück. Location shooting took place at the historic residences of Ludwig II Herrenchiemsee, Neuschwanstein Castle and Hohenschwangau Castle.
Stanislav Ledinek was a German film actor. He appeared in more than 90 films between 1953 and 1968. He died in Istanbul, Turkey.
Peter Vogel was a German film actor. He appeared in more than 60 films between 1954 and 1978. He was born in Munich, Germany and died in Vienna, Austria, after committing suicide. His father was the actor Rudolf Vogel. He was married to the Austrian actress Gertraud Jesserer and is the father of actor-journalist Nikolas Vogel. was interred next to his father at Bogenhausener Friedhof, Germany.
Desires or The Last Prescription is a 1952 West German drama film directed by Rolf Hansen and starring Heidemarie Hatheyer, O.W. Fischer, Sybil Werden and René Deltgen. The film is based on a play of the same title by Otto Eis and Egon Eis, written under the pen name of Thomas B. Foster. It was shot at the Wiesbaden Studios and on location at the Salzburg Festival in Austria. The film's sets were designed by the art directors Paul Markwitz and Fritz Maurischat. It was entered into the 1952 Cannes Film Festival.
As Long as You're Near Me is a 1953 West German drama film directed by Harald Braun and starring Maria Schell and O.W. Fischer and Hardy Krüger. It was shot at the Bavaria Studios in Munich. The film's sets were designed by the art director Walter Haag. It was entered into the 1954 Cannes Film Festival.
Heidi Rosemarie Brühl was a German singer and actress who came to prominence as a young teenager and had a prolific career in film and television. She was also a successful recording artist, and is known for her participation in the 1963 Eurovision Song Contest.
The Heath Is Green is a 1932 German musical film directed by Hans Behrendt and starring Camilla Spira, Peter Voß and Theodor Loos. Three men go on holiday to a cabin in the middle of a heath. Soon growing bored they venture out to investigate their surroundings.
Abschied von den Wolken is a 1959 German aviation adventure film directed by Gottfried Reinhardt, written by Georg Hurdalek, based on a story by Ladislas Fodor. The film stars O. W. Fischer, Peter van Eyck, Sonja Ziemann, Horst Frank, Linda Christian and Paul Dahlke.
Pea Fröhlich was a German screenwriter and psychologist, best known for co-writing all three films of the BRD Trilogy: The Marriage of Maria Braun, Veronika Voss and Lola. She also wrote for Bloch.
Peter Voss, Thief of Millions is a 1913 comedy crime novel written by the German writer Ewald Gerhard Seeliger. The novel has been the basis for a number of films and one television series. The first adaptation was a 1921 silent film Peter Voss, Thief of Millions directed by Georg Jacoby. The 1959 film Peter Voss, Hero of the Day was an original story based on the character of the novel.
Peter Voss, Thief of Millions is a 1958 West German comedy crime film directed by Wolfgang Becker and starring O. W. Fischer, Ingrid Andree and Margit Saad. It was based on the 1913 novel Peter Voss, Thief of Millions by Ewald Gerhard Seeliger, which had been previously adapted into three films. The film was a popular success, and was followed by a sequel Peter Voss, Hero of the Day with Fischer reprising his role.
Cuba Cabana is a 1952 West German drama film directed by Fritz Peter Buch and starring Zarah Leander, O.W. Fischer and Paul Hartmann. It was the second film of an early 1950s comeback for Leander, who had been a major star during the Nazi era. The film was based on a short story of the same title by Tibor Yost. It was shot at the Bavaria Studios in Munich and on location in Madrid, Barcelona, Sevilla and Malga. The film's sets were designed by the art directors Bruno Monden and Hermann Warm.
The Golden Spider is a 1943 German thriller film directed by Erich Engels and starring Kirsten Heiberg, Jutta Freybe, and Harald Paulsen.
Peter Voss, Thief of Millions or The Man Without a Name is a 1921 German silent adventure film directed by Georg Jacoby and starring Harry Liedtke, Paul Otto, and Mady Christians. It was released in six separate parts. A number of such serials were made during the early Weimar Republic, including Joe May's The Mistress of the World.
War in Peace is a 1925 German silent film directed by Carl Boese and starring Trude Berliner, Hans Sternberg, and Charles Willy Kayser.
My Father, the Actor is a 1956 West German drama film directed by Robert Siodmak and starring O.W. Fischer, Hilde Krahl and Susanne von Almassy. The film's sets were designed by the art directors Otto Erdmann and Wilhelm Vorwerg. It was shot at the Spandau Studios and on location in West Berlin. It premiered at the Marmorhaus in the city.
A Love Story is a 1954 West German historical romantic drama film directed by Rudolf Jugert and starring Hildegard Knef, O.W. Fischer and Viktor de Kowa. It was shot at the Wandsbek Studios in Hamburg and on location in Celle and Umgebung. The film's sets were designed by the art directors Erich Kettelhut and Johannes Ott. It was produced by Erich Pommer's independent company Intercontinental Film. It was part of the tradition of Prussian films, which had enjoyed great popularity in the Weimair and Nazi eras.
