Related Research Articles
The earliest texts of William Shakespeare's works were published during the 16th and 17th centuries in quarto or folio format. Folios are large, tall volumes; quartos are smaller, roughly half the size. The publications of the latter are usually abbreviated to Q1, Q2, etc., where the letter stands for "quarto" and the number for the first, second, or third edition published.
The Worshipful Company of Stationers and Newspaper Makers, usually known as the Stationers' Company, is one of the livery companies of the City of London. The Stationers' Company was formed in 1403; it received a royal charter in 1557. It held a monopoly over the publishing industry and was officially responsible for setting and enforcing regulations until the enactment of the Statute of Anne, also known as the Copyright Act of 1710. Once the company received its charter, "the company's role was to regulate and discipline the industry, define proper conduct and maintain its own corporate privileges."
Wynkyn de Worde was a printer and publisher in London known for his work with William Caxton, and is recognised as the first to popularise the products of the printing press in England.
Mr. William Shakespeare's Comedies, Histories, & Tragedies is a collection of plays by William Shakespeare, commonly referred to by modern scholars as the First Folio, published in 1623, about seven years after Shakespeare's death. It is considered one of the most influential books ever published.
Louis Booker Wright was an American author, educator and librarian.
The Stationers' Register was a record book maintained by the Stationers' Company of London. This was a trade guild given a royal charter in 1557 to regulate the various professions associated with England's publishing industry, including printers, bookbinders, booksellers, and publishers. The company's charter gave it the right to seize illicit editions of published works and to bar the publication of unlicensed books, and allowed publishers to document their right to produce a particular printed work in the register, which thus constituted an early form of copyright law.
John Benson was a London publisher of the middle seventeenth century, best remembered for a historically important publication of the Sonnets and miscellaneous poems of William Shakespeare in 1640.
False Folio is the term that Shakespeare scholars and bibliographers have applied to William Jaggard's printing of ten Shakespearean and pseudo-Shakespearean plays together in 1619, the first attempt to collect Shakespeare's work in a single volume. There are only two complete extant copies. One is part of the collection of the Folger Shakespeare Library in Washington, DC. The other is held in the Special Collections at Texas Christian University in Fort Worth, Texas.
William Jaggard was an Elizabethan and Jacobean printer and publisher, best known for his connection with the texts of William Shakespeare, most notably the First Folio of Shakespeare's plays. Jaggard's shop was "at the sign of the Half-Eagle and Key in Barbican."
The Beaumont and Fletcher folios are two large folio collections of the stage plays of John Fletcher and his collaborators. The first was issued in 1647, and the second in 1679. The two collections were important in preserving many works of English Renaissance drama.
Thomas Creede was a printer of the Elizabethan and Jacobean eras, rated as "one of the best of his time." Based in London, he conducted his business under the sign of the Catherine Wheel in Thames Street from 1593 to 1600, and under the sign of the Eagle and Child in the Old Exchange from 1600 to 1617. Creede is best known for printing editions of works in English Renaissance drama, especially for ten editions of six Shakespearean plays and three works in the Shakespeare Apocrypha.
Philip Chetwinde was a seventeenth-century London bookseller and publisher, noted for his publication of the Third Folio of Shakespeare's plays.
Peter Short was an English printer based in London in the later Elizabethan era. He printed several first editions and early texts of Shakespeare's works.
Thomas Cotes was a London printer of the Jacobean and Caroline eras, best remembered for printing the Second Folio edition of Shakespeare's plays in 1632.
Andrew Wise, or Wyse or Wythes, was a London publisher of the Elizabethan era who issued first editions of five Shakespearean plays. "No other London stationer invested in Shakespeare as assiduously as Wise did, at least while Shakespeare was still alive."
Nicholas Okes was an English printer in London of the Jacobean and Caroline eras, remembered for printing works of English Renaissance drama. He was responsible for early editions of works by many of the playwrights of the period, including William Shakespeare, Ben Jonson, John Webster, Thomas Middleton, Thomas Dekker, Thomas Heywood, James Shirley, and John Ford.
William Stansby (1572–1638) was a London printer and publisher of the Jacobean and Caroline eras, working under his own name from 1610. One of the most prolific printers of his time, Stansby is best remembered for publishing the landmark first folio collection of the works of Ben Jonson in 1616.
Edward Gordon Duff, known as Gordon Duff, was a British bibliographer and librarian known for his works on early English printing.
Thomas Judson was an Elizabethan printer, best known for printing William Jaggard's first two editions of The Passionate Pilgrim (1599), which Jaggard attributed to William Shakespeare.
The Sandars Readership in Bibliography is an annual lecture series given at Cambridge University. Instituted in 1895 at the behest of Mr Samuel Sandars of Trinity College (1837–1894), who left a £2000 bequest to the University, the series has continued down to the present day. Together with the Panizzi Lectures at the British Library and the Lyell Lectures at Oxford University, it is considered one of the major British bibliographical lecture series.
References
- ↑ “Blayney, Peter (1944).” The Oxford Companion to the Book 2010.
- 1 2 "Peter Blayney | Department of English". University of Toronto . Retrieved 2023-11-20.
- ↑ "Peter W. M. Blayney". John Simon Guggenheim Memorial Foundation . Retrieved 2023-11-20.
- ↑ "Peter W.M. Blayney". Folgerpedia. Folger Shakespeare Library . Retrieved 2023-11-20.
- ↑ Gadd, Ian. “A Companion to Blayney.” The Papers of the Bibliographical Society of America 111.3 (2017): 379–406.
