Phallic processions are public celebrations featuring a phallus, a representation of an erect penis.
Phallic processions are public celebrations featuring a phallus, a representation of an erect penis.
Called phallika in ancient Greece, these processions were a common feature of Dionysiac celebrations; they advanced to a cult center, and were characterized by obscenities and verbal abuse. [1] The display of a fetishized phallus was a common feature. [2] [3] In a famous passage in chapter 4 of the Poetics , Aristotle formulated the hypothesis that the earliest forms of comedy originated and evolved from "those who lead off the phallic processions", which were still common in many towns at his time. [1] [4] [5]
The city of Tyrnavos holds an annual festival, a traditional phallophoric event on the first days of Lent. [6]
In August 2000, to promote a production of Aristophanes' The Clouds , a traditional Greek phallic procession was organized, with a 25-foot (7.6 m) long phallus paraded by the cast with the accompaniment of Balkan music; the phallic device was banned by the staff of the Edinburgh Festival. [ citation needed ]
Similar parades of Shinto origin have long been part of the rich traditions of matsuri (Japanese festivals). Although the practice is no longer common, a few, such as Kawasaki's Kanamara Matsuri and Komaki's Hōnen Matsuri, continue to this day. Typically, the phallus is placed in a mikoshi , a portable Shinto shrine.
Be that as it may, Tragedy - as also Comedy - was at first mere improvisation. The one originated with the authors of the Dithyramb, the other with those of the phallic songs, which are still in use in many of our cities.
A tragedy is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character or cast of characters. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain [that] awakens pleasure,” for the audience. While many cultures have developed forms that provoke this paradoxical response, the term tragedy often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it.
A Greek chorus in the context of ancient Greek tragedy, comedy, satyr plays, is a homogeneous group of performers, who comment with a collective voice on the action of the scene they appear in, or provide necessary insight into action which has taken place offstage. Historically, the chorus consisted of between 12 and 50 players, who variously danced, sang or spoke their lines in unison, and sometimes wore masks.
The Dionysia was a large festival in ancient Athens in honor of the god Dionysus, the central events of which were the theatrical performances of dramatic tragedies and, from 487 BC, comedies. It was the second-most important festival after the Panathenaia. The Dionysia actually consisted of two related festivals, the Rural Dionysia and the City Dionysia, which took place in different parts of the year.
The Lenaia was an annual Athenian festival with a dramatic competition. It was one of the lesser festivals of Athens and Ionia in ancient Greece. The Lenaia took place in Athens in Gamelion, roughly corresponding to January. The festival was in honour of Dionysus Lenaios. There is also evidence the festival also took place in Delphi.
A theatrical culture flourished in ancient Greece from 700 BC. At its centre was the city-state of Athens, which became a significant cultural, political, and religious place during this period, and the theatre was institutionalised there as part of a festival called the Dionysia, which honoured the god Dionysus. Tragedy, comedy, and the satyr play were the three dramatic genres emerged there. Athens exported the festival to its numerous colonies. Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements.
The dithyramb was an ancient Greek hymn sung and danced in honor of Dionysus, the god of wine and fertility; the term was also used as an epithet of the god. Plato, in The Laws, while discussing various kinds of music mentions "the birth of Dionysos, called, I think, the dithyramb." Plato also remarks in the Republic that dithyrambs are the clearest example of poetry in which the poet is the only speaker.
The Theatre of Dionysus is an ancient Greek theatre in Athens. It is built on the south slope of the Acropolis hill, originally part of the sanctuary of Dionysus Eleuthereus. The first orchestra terrace was constructed on the site around the mid- to late-sixth century BC, where it hosted the City Dionysia. The theatre reached its fullest extent in the fourth century BC under the epistates of Lycurgus when it would have had a capacity of up to 25,000, and was in continuous use down to the Roman period. The theatre then fell into decay in the Byzantine era and was not identified, excavated and restored to its current condition until the nineteenth century.
The satyr play is a form of Attic theatre performance related to both comedy and tragedy. It preserves theatrical elements of dialogue, actors speaking verse, a chorus that dances and sings, masks and costumes. Its relationship to tragedy is strong; satyr plays were written by tragedians, and satyr plays were performed in the Dionysian festival following the performance of a group of three tragedies. The satyr play's mythological-heroic stories and the style of language are similar to that of the tragedies. Its connection with comedy is also significant – it has similar plots, titles, themes, characters, and happy endings. The remarkable feature of the satyr play is the chorus of satyrs, with their costumes that focus on the phallus, and with their language, which uses wordplay, sexual innuendos, references to breasts, farting, erections, and other references that do not occur in tragedy. As Mark Griffith points out, the satyr play was "not merely a deeply traditional Dionysiac ritual, but also generally accepted as the most appropriate and satisfying conclusion to the city’s most complex and prestigious cultural event of the year."
Ancient Greek comedy was one of the final three principal dramatic forms in the theatre of classical Greece. Athenian comedy is conventionally divided into three periods: Old Comedy, Middle Comedy, and New Comedy. Old Comedy survives today largely in the form of the eleven surviving plays of Aristophanes; Middle Comedy is largely lost, i.e. preserved only in relatively short fragments by authors such as Athenaeus of Naucratis; and New Comedy is known primarily from the substantial papyrus fragments of Menander.
Old Comedy is the first period of the ancient Greek comedy, according to the canonical division by the Alexandrian grammarians. The most important Old Comic playwright is Aristophanes – whose works, with their daring political commentary and abundance of sexual innuendo, de facto define the genre. The only extant plays of Old Comedy are credited to Aristophanes. There are only fragments and 'testimonia' of all other Old Comedy playwrights and plays.
Philoxenus of Cythera was a Greek dithyrambic poet, an exponent of the "New Music". He was one of the most important dithyrambic poets of ancient Greece.
Harvest Festival is a fertility festival celebrated every year on March 15 in some locations in Aichi Prefecture, Japan. Hōnen means prosperous year in Japanese, implying a rich harvest, while a matsuri is a festival. The Hōnen festival and ceremony celebrate the blessings of a bountiful harvest and all manner of prosperity and fertility.
The Shinto Kanamara Matsuri is an annual Japanese festival held each spring at the Kanayama Shrine in Kawasaki, Japan. The exact dates vary: the main festivities fall on the first Sunday in April. The phallus, as the central theme of the event, is reflected in illustrations, candy, carved vegetables, decorations, and a mikoshi parade. The shrine is part of the Wakamiya Hachimangu Shrine and located near Kawasaki-Daishi Station.
Comedy is a genre of dramatic performance having a light or humorous tone that depicts amusing incidents and in which the characters ultimately triumph over adversity. For ancient Greeks and Romans, a comedy was a stage-play with a happy ending. In the Middle Ages, the term expanded to include narrative poems with happy endings and a lighter tone. In this sense Dante used the term in the title of his poem, the Divine Comedy.
In ancient Roman religion and magic, the fascinus or fascinum was the embodiment of the divine phallus. The word can refer to phallus effigies and amulets, and to the spells used to invoke his divine protection. Pliny called it a medicus invidiae, a "doctor" or remedy for envy or the evil eye.
A phallus is a penis, an object that resembles a penis, or a mimetic image of an erect penis. In art history, a figure with an erect penis is described as ithyphallic.
Comedy is a genre that consists of discourses or works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. The term originated in ancient Greece: In Athenian democracy, the public opinion of voters was influenced by political satire performed by comic poets in theaters. The theatrical genre of Greek comedy can be described as a dramatic performance pitting two groups, ages, genders, or societies against each other in an amusing agon or conflict. Northrop Frye depicted these two opposing sides as a "Society of Youth" and a "Society of the Old". A revised view characterizes the essential agon of comedy as a struggle between a relatively powerless youth and the societal conventions posing obstacles to his hopes. In this struggle, the youth then becomes constrained by his lack of social authority, and is left with little choice but to resort to ruses which engender dramatic irony, which provokes laughter.
High comedy or pure comedy is a type of comedy characterized by witty dialogue, satire, biting humor, wordplay, or criticism of life. The term high comedy was coined in England in 1877 by George Meredith for his Essay on Comedy.
Ritual clowns, also known as sacred clowns, are a characteristic feature of the ritual life of many traditional religions, and they typically employ scatology and obscenities. Ritual clowning is where comedy and satire originated; in Ancient Greece, ritual clowning, phallic processions and ritual aischrologia found their literary form in the plays of Aristophanes.
Tagata Shrine (田縣神社) is a small shrine located in Komaki City, Aichi Prefecture, Japan, near Nagoya Airfield.