Philip Aguirre y Otegui (born 1961 in Schoten) is a Belgian artist who mainly works as a sculptor and painter. His work usually centers around migration and refugees, [1] water, and the shelter of architecture. [2]
His father Juan Martin Aguirre originally came from Las Arenas, in Spanish Basque Country, but moved as a child to Antwerp, Belgium in 1936, when the Spanish Civil War started. His mother's family suffered under the German occupation and the persecution of Jews in Belgium during the second World War. [2] Aguirre studied in Antwerp and now lives in Borgerhout. [3] [4]
In 2017 he won the International Award for Public Art for his 2010 installation Théatre Source in Douala, Cameroon. [5] In 2015 a 45-minute documentary with a voice-over by Jan Decleir, about the making of this work was created by cineast Koen Van den Bril. It showed how a muddy well was transformed in 9 months time into a meeting place for a village. Art publisher Ludion also made a book about the installation. [4]
His work is influenced by Frans Masereel (for the humanistic vision and the effort to bring art to the people), the sculptors Constantin Brâncuși and Alberto Giacometti, photographer Manuel Alvarez Bravo, and contemporary Belgian artist Francis Alÿs. [2]
He is a nephew of TV presenter Phara de Aguirre. [3]
Jan Fabre, born on December 14, 1958, in Antwerp, Belgium, is a versatile artist known for his contributions to theater, literature, and visual arts. With a career spanning nearly four decades, Fabre has established himself as an influential figure in the artistic landscape.
The Campine or De Kempen is a natural region situated chiefly in north-eastern Belgium and parts of the south-eastern Netherlands which once consisted mainly of extensive moors, tracts of sandy heath, and wetlands. It encompasses a large northern and eastern portion of Antwerp Province and adjacent parts of Limburg in Belgium, as well as portions of the Dutch province of North Brabant and Dutch Limburg around Weert.
The Royal Museum of Fine Arts Antwerp is a museum in Antwerp, Belgium, founded in 1810, that houses a collection of paintings, sculptures and drawings from the fourteenth to the twentieth centuries. This collection is representative of the artistic production and the taste of art enthusiasts in Antwerp, Belgium and the Northern and Southern Netherlands since the 15th century.
Etiyé Dimma Poulsen (born 1968) is an Ethiopian-born Danish sculptor, known for her work in ceramics.
Baroque sculpture is the sculpture associated with the Baroque style of the period between the early 17th and mid 18th centuries. In Baroque sculpture, groups of figures assumed new importance, and there was a dynamic movement and energy of human forms—they spiralled around an empty central vortex, or reached outwards into the surrounding space. Baroque sculpture often had multiple ideal viewing angles, and reflected a general continuation of the Renaissance move away from the relief to sculpture created in the round, and designed to be placed in the middle of a large space—elaborate fountains such as Gian Lorenzo Bernini‘s Fontana dei Quattro Fiumi, or those in the Gardens of Versailles were a Baroque speciality. The Baroque style was perfectly suited to sculpture, with Bernini the dominating figure of the age in works such as The Ecstasy of St Theresa (1647–1652). Much Baroque sculpture added extra-sculptural elements, for example, concealed lighting, or water fountains, or fused sculpture and architecture to create a transformative experience for the viewer. Artists saw themselves as in the classical tradition, but admired Hellenistic and later Roman sculpture, rather than that of the more "Classical" periods as they are seen today.
Artus Quellinus the Elder, Artus Quellinus I or Artus (Arnoldus) Quellijn was a Flemish sculptor. He is regarded as the most important representative of the Baroque in sculpture in the Southern Netherlands. He worked for a long period in the Dutch Republic and operated large workshops both in Antwerp and Amsterdam. His work had a major influence on the development of sculpture in Northern Europe.
Mark Manders is a Dutch artist, currently living and working in Ronse, Belgium. His work consists mainly of installations, drawings and sculptures. He is probably best known for his large bronze figures that look like rough-hewn, wet or peeling clay. Typical of his work is also the arrangement of random objects, such as tables, chairs, light bulbs, blankets and dead animals.
Erasmus Quellinus the Younger or Erasmus Quellinus II was a Flemish painter, engraver, draughtsman and tapestry designer who worked in various genres including history, portrait, allegorical, battle and animal paintings. He was a pupil of Peter Paul Rubens and one of the closest collaborators of Rubens in the 1630s. Following Rubens' death in 1640 he became one of the most successful painters in Flanders. He was a prolific draughtsman who made designs for decorative programmes in the context of official celebrations, for publications by the local publishers and for tapestries and sculptures realised by the local workshops. His work reveals the Classicist trend in the Baroque.
M. Fred Bild is a Canadian former diplomat who served within Global Affairs Canada, the foreign ministry of Canada. During his 34-year diplomatic career, he served as the Canadian ambassador to China (1990–1994), Mongolia (1992–1994), and to Thailand, Vietnam, Myanmar, and Laos (1979–1983).
Hervé Yamguen is a Cameroonian painter and sculptor. A self-taught artist, he launched himself in painting, sculpture and he discovered a passion for the writing which enables him to wonder about its daily live. He currently works on plays.
The Mu.ZEE is a museum in Ostend, Belgium, specializing in Belgian art from 1830 onwards. It was created in 2008 by the fusion of the former Provinciaal Museum voor Moderne Kunst and the Museum voor Schone Kunsten Oostende, both located in Ostend. The museum has two dependencies, the Ensorhuis in Ostend, and the Permekemuseum in Jabbeke. Mu.ZEE is an abbreviation of "Kunstmuseum aan Zee".
Jan Claudius de Cock was a Flemish painter, sculptor, print artist and writer. De Cock produced both religious and secular sculpture on a small as well as monumental scale. De Cock completed many commissions in the Dutch Republic. He worked on decorations for the courtyard of the Breda Palace for William III, King of England, Ireland, and Scotland and stadtholder. He is credited with introducing neoclassicism in Flemish sculpture. He was a prolific draughtsman and designed prints for the Antwerp publishers. As a writer, he wrote a poem about the 1718 fire in the Jesuit Church in Antwerp and a book of instructions on the art of sculpture.
Despite its size, Belgium has a long and distinguished artistic tradition that goes back to the Middle Ages, considerably pre-dating the foundation of the current state in 1830. Art from the areas making up modern Belgium is called in English Netherlandish up to the separation with the Netherlands from 1570 on, and Flemish until the 18th century.
Marc Jozef Magareta van den Broek is a Belgian artist and sculptor.
Pascale Marthine Tayou is a Cameroonian artist born in Nkongsamba, Cameroon. He lives and works in Ghent, Belgium and in Yaoundé, Cameroon.
Mattheus van Beveren was a Flemish sculptor and medalist who is mainly known for his monumental Baroque church sculptures and small wood and ivory sculptures. He also made medals and die designs for the Antwerp Mint.
Frank Thierry Boya is a Cameroonian international footballer who plays as a midfielder for French Ligue 2 club Amiens.
The Belfius Art Collection is a collection of Belgian art owned by the Belfius Bank.
Renato Nicolodi is a Belgian painter and sculptor.