Philip Tinari

Last updated
Philip Tinari
Born1979 (age 4344)
Other namesPhil Tinari
Occupation(s)Director of UCCA Center for Contemporary Art, CEO of UCCA Group
Known for Contemporary Chinese art, founding editor of LEAP Magazine, founding editor of the Chinese edition of Artforum, director of UCCA Center for Contemporary Art

Philip Tinari (born 1979, Philadelphia) is an American writer, critic, art curator, and expert in Chinese contemporary art. Based in Beijing since 2001, Tinari is currently director and CEO of the UCCA Center for Contemporary Art (UCCA) in Beijing. [1] [2]

Contents

Education

Tinari holds a bachelor's degree from Duke and a Master's from Harvard. Fluent in Chinese, he was a Fulbright fellow at Peking University.

Career

Prior to arriving at UCCA in 2011, Tinari worked as China representative for Art Basel, and lecturer in art criticism at the China Central Academy of Fine Arts. He is a contributing editor at Artforum, having launched the magazine's Chinese edition artforum.com.cn in 2008. In 2009 he launched LEAP, "the international art magazine of contemporary China," and edited the magazine until 2012. He has written and lectured extensively on contemporary art in China, in particular on the artist Ai Weiwei.

Tinari joined UCCA as director in 2011, and assumed the concurrent post of CEO in 2017. At UCCA, Tinari oversees an exhibition program devoted to established and emerging artists both Chinese and international, aimed at UCCA's annual public of approximately a million visitors. Under his leadership the institution has built its international reputation and successfully transitioned from the ownership of its founders Guy and Myriam Ullens to that of a council of Chinese and international patrons. [3] In 2018 he led the museum through the opening of a second location, UCCA Dune, in Beidaihe, China. [4] A third location, UCCA Edge, is planned to open at the heart of Shanghai in spring 2021. [5]

Other activities

Tinari serves on advisory boards including the Guggenheim Asian Art Council and the gallery committee at the Asia Society Hong Kong Center. He is a World Economic Forum Young Global Leader and a fellow of the Public Intellectuals Program of the National Committee on US-China Relations. [6]

Tinari was a member of the jury that selected Lubaina Himid as recipient of the Maria Lassnig Prize in 2023. [7]

Exhibitions

Since arriving at UCCA in late 2011, Tinari has mounted exhibitions including Gu Dexin: The Important Thing is Not the Meat, Kan Xuan: Millet Mounds (later included in the 2013 Venice Biennale), Yung Ho Chang + FCJZ: Material-ism, ON|OFF: China's Young Artists in Concept and Practice, Duchamp and/or/in China, Wang Xingwei, Tino Sehgal, Wang Keping, and Taryn Simon: A Living Man Declared Dead and Other Chapters, I-XVIII. [8] In 2018, Tinari co-curated Xu Bing's most comprehensive retrospective, "Xu Bing: Thought and Method", in collaboration with independent curator Feng Boyi. [9] In 2021, Tinari led the curatorial team of "Cao Fei: Staging the Era", Cao Fei's first major institutional solo show and mid-career retrospective in China. [10] In the same year, Tinari is to curate the inaugural Diriyah Biennale in Saudi Arabia. [11]

Outside of UCCA, in 2014 he curated the Focus: China section of The Armory Show in New York. [12] Together with Alexandra Munroe and Hou Hanru, in 2017 he co-curated “Art and China after 1989: Theater of the World” which opened at the Solomon R. Guggenheim Museum in New York, before subsequently touring to the Guggenheim Bilbao and SFMOMA. [13]

Related Research Articles

<span class="mw-page-title-main">Hans Ulrich Obrist</span> Swiss art curator, critic and historian (born 24/5/1968)

Hans Ulrich Obrist is a Swiss art curator, critic, and historian of art. He is artistic director at the Serpentine Galleries, London. Obrist is the author of The Interview Project, an extensive ongoing project of interviews. He is also co-editor of the Cahiers d'Art review.

Taryn Simon is an American multidisciplinary artist who works in photography, text, sculpture, and performance.

Xu Zhen, born in 1977 in Shanghai, China, is a multimedia artist. Xu Zhen's body of work, which includes photography, installation art and video, entails theatrical humor and social critique. His projects are informed by performance and conceptual art. Xu's work focuses on human sensitivity and dramatizes the humdrum of urban living.

Lubaina Himid is a British artist and curator. She is a professor of contemporary art at the University of Central Lancashire. Her art focuses on themes of cultural history and reclaiming identities.

Cui Jie is a Chinese artist who specializes in oil painting and 3-D printed sculpture. Cui's body of work is largely characterized by her play with space and dimensionality, which take shape in her geometric imaginings of Chinese cityscapes. The most common subjects of her works are models of Chinese cultural landmarks of the 1980s and 1990s, such as Shanghai Bank Tower, which are either already or soon-to-be demolished. These towering structures are often surrounded by organic, swirling shapes to place them in a constant state of motion and transition, yet a 'sinofuturistic' context which both revives and reinvents their initial purposes.

<span class="mw-page-title-main">UCCA Center for Contemporary Art</span> Chinese independent institution of contemporary art

UCCA Center for Contemporary Art or UCCA is a leading Chinese independent institution of contemporary art. Founded in 2007. Located at the heart of the 798 Art District in, China, it welcomes more than one million visitors a year. Originally known as the Ullens Center for Contemporary Art, UCCA underwent a major restructuring in 2017 and now operates as the UCCA Group, comprising two distinct entities: UCCA Foundation, a registered non-profit that organizes exhibitions and research, stages public programs, and undertakes community outreach; and UCCA Enterprises, a family of art-driven retail and educational ventures. In 2018, UCCA opened an additional museum, UCCA Dune, in Beidaihe, a seaside resort town close to Beijing. The museum had 385,295 visitors in 2020, and ranked 55th in the List of most-visited art museums in the world.

Fei Dawei is a Paris-based art critic and curator. Born in 1954, Shanghai, he attended the Central Academy of Fine Arts in Beijing in 1985 and belonged to the first generation of art critics and curators in China after the Cultural Revolution. Being largely involved in the 1985-1989 New Wave Movement, often known as the '85 New Wave, Fei is a pioneer of the field who participated in the organization of many influential events in the history of contemporary Chinese art. He is best known for his curatorial works overseas, in both Europe and Asia. He emphasizes cross-border cultural communication and denies the idea of "cultural exiles" come up with other domestic critics.

Jérôme Sans is a French artistic director, director of contemporary art institutions, art critic, and curator. He is based in Paris.

<span class="mw-page-title-main">Bice Curiger</span> Swiss art historian and critic

Beatrice "Bice" Curiger is a Swiss art historian, curator, critic and publisher who has been the Artistic Director of the Fondation Vincent van Gogh Arles since 2013. In 2011 she became only the third woman to curate the Venice Biennale.

<span class="mw-page-title-main">Post-Internet</span> 21st century art movement

Post-Internet is a 21st-century art movement involving works that are derived from the Internet or its effects on aesthetics, culture and society.

Karen Archey is an American art critic and curator based in New York City and Amsterdam. She is the Curator of Contemporary Art and Time-Based Media at Stedelijk Museum in Amsterdam, and the former editor of e-flux.

Sheela Gowda is a contemporary artist living and working in Bangalore. Gowda studied painting at Ken School of Art, Bangalore, India (1979) pursued a postgraduate diploma at Visva-Bharati University, Santiniketan, India (1982), and a MA in painting from the Royal College of Art in London in 1986. Trained as a painter Gowda expanded her practice into sculpture and installation employing a diversity of material like human hair, cow-dung, incense and kumkuma powder. She is known for her 'process-orientated' work, often inspired by the everyday labor experiences of marginalized people in India. Her work is associated with postminimalism drawing from ritualistic associations. Her early oils with pensive girls in nature were influenced by her mentor K. G. Subramanyan, and later ones by Nalini Malani towards a somewhat expressionistic direction depicting a middle class chaos and tensions underplayed by coarse eroticism. She is the recipient of the 2019 Maria Lassnig Prize.

Cao Fei is a Chinese multimedia artist born in Guangzhou. Her work, which includes video, performance, and digital media, examines the daily life of Chinese citizens born after the Cultural Revolution. Her work explores China's widespread internet culture as well as the borders between dreams and reality. Cao has captured the rapid social and cultural transformation of contemporary China, highlighting the impact of foreign influences from the United States and Japan.

Zhao Yao is an artist in installations as well as performance, video and photography. He grew up in Sichuan and currently lives and works in Beijing.

A Living Man Declared Dead and Other Chapters, I – XVIII is a photographic series by artist Taryn Simon that was executed in a four-year period (2008–2011), during which Simon travelled across the world tracing and researching different bloodlines. The series comprises 18 "chapters" that document individual bloodlines. The chapters are investigations of fate, blood, psychological inheritance and what the artist refers to as "a relentless persistence of birth and death, and an endless collection of stories in between."

<span class="mw-page-title-main">May Xue</span>

May Xue (born July 5, 1973) was the CEO of the Ullens Center for Contemporary Art in Beijing, China from 2011 to 2017. Prior to becoming CEO, Xue was the UCCA Store retail director. In 2015, Xue was named one of the 7Women in Contemporary Chinese Art You Need to Know by ArtNet News.

<i>Free and Easy</i> (2016 film) 2016 film

Free and Easy is a 2016 comedy film directed by Chinese filmmaker Geng Jun. It was screened at the Ullens Center for Contemporary Art (UCCA) in Beijing on 5 November 2016. It was also screened in the World Cinema Dramatic Competition section of the 2017 Sundance Film Festival.

Young In Hong is a visual artist from Seoul, Korea, based in Bristol, England. Hong graduated with an MA and a PhD in Art from Goldsmith College in London UK in 2012. From 1992 to 1998, she studied Sculpture at Seoul National University. Hong currently works from her studio at Spike Island in Bristol and is represented by PKM Gallery in Seoul. She teaches at Bath School of Art as Reader in Performance and Textiles.

Art and China after 1989: Theater of the World is an exhibition that took place at Solomon R. Guggenheim Museum in New York between October 6, 2017 – January 7, 2018. The exhibition presents works by seventy-one artists and artist collectives across China and worldwide, who define contemporary experience in and of China. Looking at a period between the Tiananmen Square Protests, which also coincides with the end of the Cold War, and the Beijing Olympics in 2008, the exhibition explores a time when "anything seemed possible" and artists from China sought visibility in the global art world. The curators of the exhibition write that the works in this exhibition respond to how China went through a radical transformation between 1989 and 2008, which had an unmatchable impact at the global level. The exhibition has been considered as "an invaluable window" onto the intersection of contemporary art, politics, and history, and as an opportunity to ask questions about the role of museums as sites of learning how one could be a global citizen today. It also traveled to Guggenheim Museum Bilbao and the San Francisco Museum of Modern Art in 2018 and 2019, respectively.

<span class="mw-page-title-main">Chengdu Biennale</span>

The Chengdu Biennale is a contemporary art biennale event in Chengdu, China, started in 2001.

References

  1. Goldstein, Andrew (2 March 2014). "Ullens Center Director Philip Tinari on China's Evolving Art Scene". Artspace. Retrieved 3 April 2015.
  2. Jansen, Chiu-Ti (7 March 2014). "The China that Philip Tinari Wants You to Know". Sothebys. Retrieved 3 April 2015.
  3. "Sold to Investors, Beijing's UCCA Will Now Be a Nonprofit Run by Director Philip Tinari". artnet News. 2017-10-09. Retrieved 2019-07-26.
  4. "UCCA Dune, a New 'Guggenheimian' Museum by the Sea". The Artling. Retrieved 2019-07-26.
  5. Giles, Oliver (2021-01-04). "How UCCA Center For Contemporary Art's Expansion Project Is Bringing New Life To Shanghai's Art Scene". Tatler Hong Kong. Retrieved 2021-04-15.
  6. "Public talk: Philip Tinari on Chinese Art and its Global Context | Happening @ Michigan". events.umich.edu. Retrieved 2019-07-26.
  7. Lubaina Himid – Maria Lassnig Prize 2023 Maria Lassnig Foundation, press release of 28 June 2023.
  8. "How artist Taryn Simon and curator Philip Tinari are tackling censorship in China — FT.com". www.ft.com. Retrieved 2016-08-02.
  9. "UCCA Presents 'Xu Bing: Thought and Method', an Artistic Career that Spans More than Four Decades". The Artling. Retrieved 2021-04-15.
  10. "Cao Fei: Staging the Era". www.e-flux.com. Retrieved 2021-04-15.
  11. "Philip Tinari appointed curator of inaugural Ad-Diriyah Biennale in Saudi Arabia". www.theartnewspaper.com. Retrieved 2021-04-15.
  12. Guiducci, Mark (7 March 2014). "Inside the Armory Show: A Conversation with Philip Tinari, Curator of "Armory Focus: China"". Artspace. Retrieved 3 April 2015.
  13. Press, Clayton. "Art And China After 1989, Theatre Of The World At The Guggenheim Museum, New York". Forbes. Retrieved 2019-07-26.