Aram Khachaturian's Piano Concerto in D-flat major, Op. 38, was composed in 1936. It was his first work to bring him recognition in the West, and it immediately entered the repertoire of many notable pianists.[ citation needed ]
The Piano Concerto was the first of three concertos Khachaturian wrote for the individual members of a renowned Soviet piano trio that performed together from 1941 until 1963. The others were the Violin Concerto for David Oistrakh (1940) and the Cello Concerto for Sviatoslav Knushevitsky (1946).
The Piano Concerto in D-flat was written for Lev Oborin, who premiered it in Moscow on 12 July 1937, with the Moscow Philharmonic Orchestra under Lev Steinberg. [1] The only piano available for the premiere was an upright piano, and the orchestra had just one rehearsal. The venue was an open-air stage in Sokolniki Park, and during the performance a strong wind blew Steinberg's glasses off, so that he could no longer see the score and had to conduct the remainder from memory. [2] The British premiere was on 13 April 1940, at the Queen's Hall, London, with pianist Moura Lympany (who was approached after Clifford Curzon had declined), conducted by Alan Bush. It received its American debut on 14 March 1942, by Maro Ajemian at the Juilliard School in New York, conducted by Albert Stoessel. [3]
The piece is in three movements:
The first movement, Allegro ma non troppo e maestoso, makes extensive use of the three-note theme of F, B , and A♭, illustrated above.
Although the term "flexatone" is used, the second movement, Andante con anima, is one of the few classical pieces to make use of a musical saw, [4] [5] [6] although this instrument is often omitted in performances and recordings of the concerto. [7] [8]
The third movement, Allegro brillante, caps the piece in an exciting manner.
The work is scored for 2 flutes, 2 oboes, 2 clarinets, bass clarinet, 2 bassoons, 4 horns, two trumpets, three trombones, tuba, timpani, percussion, and strings.
The concerto was first recorded in 1945, by Moura Lympany with the London Symphony Orchestra under Anatole Fistoulari. [9] [10] [11] It was recorded the following year by William Kapell with the Boston Symphony Orchestra under Serge Koussevitzky. The Kapell recording became a jukebox favourite, and Kapell was so associated with the work that he was often called "Khachaturian Kapell". [12] [13] Lympany and Fistoulari recorded the work again in the mid 1950s. Since then it has been recorded by, among others, Lev Oborin, Oscar Levant, Peter Katin, Boris Berezovsky, Mindru Katz, Dora Serviarian Kuhn, Constantine Orbelian, Alicia de Larrocha, Leonard Pennario, Lorin Hollander, Gintaras Januševičius, Iyad Sughayer and Alberto Portugheis. [1]
Dame Moura Lympany DBE was an English concert pianist.
Lev Nikolayevich Oborin was a Soviet and Russian pianist, composer and pedagogue. He was the winner of the first International Chopin Piano Competition in 1927.
The Piano Concerto No. 2 in G minor, Op. 22 by Camille Saint-Saëns was composed in 1868 and is probably Saint-Saëns' most popular piano concerto. It was dedicated to Madame A. de Villers. At the première on 13 May the composer was the soloist and Anton Rubinstein conducted the orchestra. Saint-Saëns wrote the concerto in three weeks and had very little time to prepare for the première; consequently, the piece was not initially successful. The capricious changes in style provoked Zygmunt Stojowski to quip that it "begins with Bach and ends with Offenbach."
Alexander Grigori Arutiunian, also known as Arutunian, Arutyunyan, Arutjunjan, Harutyunian or Harutiunian, was a Soviet and Armenian composer and pianist, widely known for his 1950 Trumpet Concerto. A professor at Yerevan State Conservatory, he was recognized with many awards for his work, including the Stalin Prize in 1949 and People's Artist of the USSR in 1970, as well as numerous honors from his homeland of Armenia.
Piano Concerto No. 3 in C major, Op. 26, is a piano concerto by Sergei Prokofiev. It was completed in 1921 using sketches first started in 1913.
The Violin Concerto No. 3 in B minor, Op. 61, by Camille Saint-Saëns is a piece for violin and orchestra written in March 1880. Saint-Saëns dedicated the concerto to fellow composer-virtuoso Pablo de Sarasate, who performed the solo part at the premiere in October 1880 in Hamburg.
Maro Ajemian was an American pianist. Ajemian's career in contemporary music grew from her Armenian heritage. She became known as a contemporary pianist after performing the U.S. premiere of Aram Khachaturian's Piano Concerto, which she chose to play based on their shared Armenian heritage.
Sergei Rachmaninoff composed his Piano Concerto No. 1 in F♯ minor, Op. 1, in 1891, at age 17-18. He dedicated the work to Alexander Siloti. He revised the work thoroughly in 1917.
Albert Frederic Stoessel was an American composer, violinist and conductor.
Pyotr Ilyich Tchaikovsky's Piano Concerto No. 3 in E-flat major was at first conceived by him as a symphony in the same key. But he abandoned that idea, jetisoned all but the planned first movement, and reworked this in 1893 as a one-movement Allegro brillante for piano and orchestra. His last completed work, it was duly published as Opus 75 the next year, after he died, but given by publisher Jurgenson the title "Concerto No. 3 pour Piano avec accompagnement d'Orchestre".
The Andante and Finale is a composition for piano and orchestra that was reworked by Sergei Taneyev from sketches by Pyotr Ilyich Tchaikovsky for the abandoned latter movements of his single-movement Piano Concerto No. 3 in E-flat, Op. 75.
Hyacinthe Jadin was a French composer who came from a musical family. His uncle Georges Jadin was a composer in Versailles and Paris, along with his father Jean Jadin, who had played bassoon for the French Royal Orchestra. He was one of five musical brothers, the best known of whom was Louis-Emmanuel Jadin.
Saint-Saëns' Cello Concerto No. 2 in D minor, Op. 119, is written in two movements, like his Fourth Piano Concerto. It was composed in 1902 and is dedicated to the Dutch cellist, Joseph Hollman, who gave the first performance on February 5, 1905 in Paris. The Second Concerto is much more virtuosic than the First, but does not possess the thematic inventiveness and harmonic intricacy of the First.
Great Pianists of the 20th Century – Martha Argerich is the second volume of the Great Pianists of the 20th Century box set and is the first of two volumes dedicated to her. The album features music by the composers Johann Sebastian Bach, Franz Liszt, Sergei Prokofiev, Sergei Rachmaninoff, and Maurice Ravel. The works were recorded between 1967 and 1982.
Gintaras Januševičius is a Lithuanian pianist, music educator, event producer, radio presenter, and philanthropist. He is renowned for narrative recitals and original interpretations; particularly that of Rachmaninoff, Chopin, Beethoven, and Shostakovich. His repertoire also includes numerous works of Lithuanian composers, partially dedicated to or premiered by him.
August Winding was a Danish pianist, teacher and composer.
Aram Khachaturian wrote his Cello Concerto in E minor in 1946 for Sviatoslav Knushevitsky. It was the last of the three concertos he wrote for the individual members of a renowned Soviet piano trio that performed together from 1941 until 1963. The others were: the Piano Concerto for Lev Oborin (1936); and the Violin Concerto for David Oistrakh (1940).
The Toccata in E-flat minor is a piece for solo piano written in 1932 by Aram Khachaturian. It is a favorite of piano students, and has been recorded many times.
The Piano Concerto No. 3 in E minor "Ballade", Op. 60, was one of Nikolai Medtner's last major compositions, completed in 1943, when he was 63.
The Symphony No. 2 in E minor, is one of the Armenian composer Aram Khachaturian's most well-known pieces of music. Completed in 1943, it was nicknamed The Bell or Symphony with Bells by Georgi Khubov for its bell motif that begins and ends the piece. A typical performance lasts about 50 minutes.