Percussion | |
---|---|
Classification | Percussion |
Hornbostel–Sachs classification | 112.12 (Frame rattles) |
Developed | 1922 |
Timbre | bright, metallic |
Volume | medium |
Attack | fast |
Decay | slow |
Playing range | |
medium | |
Related instruments | |
musical saw, ondes Martenot, slide whistle, vibraphone, water gong | |
Builders | |
Playatone, Kolberg Percussion [2] Steve Weiss Music |
The flexatone or fleximetal is a modern percussion instrument (an indirectly struck idiophone) consisting of a small flexible metal sheet suspended in a wire frame ending in a handle. [5] Used in classic cartoons for its glissando effect, its sound is comparable to the musical saw. [4]
[The] flexatone [is a] percussion instrument; shaking it causes two wooden balls, one on either side, to strike a metal blade subject to thumb pressure, which thereby can produce spooky glissando effects. [6]
An invention for a flexatone occurs in the British Patent Records of 1922 and 1923. In 1924 the 'Flex-a-tone' was patented in the USA by the Playatone Company of New York. "An instrument called the 'Flex-a-tone' was patented in the U.S.A. in 1924 by the Playertone Company of New York. It was introduced as a new instrument, making 'jazz jazzier' and announced as combining the tone effect of musical saw, orchestra bells, and song whistle." [7] "Small sheet of spring steel in a frame with wooden strikers mounted on either side. The player shakes the beater while bending the steel in order to change the pitch." [8]
The instrument was first used in 1920s jazz bands as an effect but is now mainly and rarely used in orchestral music. [9]
The flexatone is a small, thin, flexible metal plate fastened to its frame at one end. The plate is hit alternatively on each side by rubber or wooden beaters mounted on a clock spring. A tremolo is the normal effect, and thumb pressure on the free end of the plate alone changes the pitch, resulting in a glissando from note to note...It is usually employed as an abstract effect, since it is notoriously difficult to play specified pitches with any accuracy—the thumb pressure to sharpen or flatten is extremely subtle and difficult to gauge...The sound is quite clangy, a cross between the smoothness of a musical saw and a poor glockenspiel. [9]
Wooden knobs mounted on strips of spring steel lie on each side of the metal sheet. The player holds the flexatone in one hand with the palm around the wire frame and the thumb on the free end of the spring steel. The player then shakes the instrument with a trembling movement which causes the beaters to strike the sides of the metal sheet. While shaking the handle, the musician makes a high- or low-pitched sound depending on the curve given to the blade by the pressure from his or her thumb: "As the thumb depresses the vibrating metal sheet, the relative pitch of the instrument ascends; as the thumb pressure is released, the relative pitch of the instrument descends." [3] A vibrato is thus produced. While the instrument has a very limited dynamic range, volume can be controlled by how vigorously or delicately the player shakes the Flexatone. [10]
It cannot be pretended that its scope or range are wide, but such as it is, it is quite irreplaceable. Its curious penetrating whine is created by rapid oscillation of the little wooden knob at the end of the thin flexible strips against the broad curving metal plate, whose curvature—and hence pitch—is controlled by the thumb. This effect cannot be emulated by any other means except possibly the Ondes Martenot...or perhaps the musical saw. [11]
"Vibes generally make a perfectly acceptable alternative, especially when the music is somewhat indeterminate anyway." [12]
An alternate technique involves removing the two wooden knobs and their mounting springs, and then using a small metal rod (e.g., a triangle beater) held in the free hand striking the strip of spring steel. The pitch is altered in the same manner as the previous technique. "This method give the player greater control of the sound of the flexatone as it eliminates the need to shake the instrument." [3] This method of playing results in a different, more constrained sound. The flexatone may also be bowed along its edge with an orchestral string instrument bow.
The flexatone is notated using tremolo lines (rolls) to indicate shaking the instrument and lines to indicate the desired direction of the glissando or a wavy line (chevron) to indicate alternating thumb pressure. If using the instrument with the balls removed, indicate strikes with single notes followed by arrows indicating the direction of the glissando (similar to a guitar tab pitch bend). It is recommended that pitch designation should only be approximate, [3] as, "specific pitches are difficult but possible; glissandi without specific pitch are easily executed." [1]
In contemporary music of the 20th century between around 1920 and 1970 the term "Flexatone" has been used on one hand for the instrument flexatone, on the other hand for the musical saw. Composers who used it for the musical saw were: Arthur Honegger (Short opera Antigone , 1924/1927), [13] [14] [15] Ernst Krenek (opera Jonny spielt auf , 1927), [16] [ citation needed ] Dmitri Shostakovich ( The Nose (1929), [17] [18] [19] Lady Macbeth of the Mtsensk District (1934), and film music for The New Babylon (1929)), Aram Khachaturian (Piano Concerto 1936), [17] [20] [21] and Hans Werner Henze (opera Elegy for young lovers , 1961). [22]
The flexatone is sometimes heard in funk music, and occasionally in pop music for special effect. It is occasionally used in the soundtracks of films or cartoons to represent "ghosts" or other paranormal phenomena. The instrument is also typical and common in G-Funk music.
The instrument is not often used in classical music, but it appears in the work of Arnold Schoenberg, Hans Werner Henze, Sofia Gubaidulina, György Ligeti and others. [23] Schoenberg employed it, "unrealistically...accurate bursts of widely spaced sounds being hardly obtainable with such abruptness," [11] in his Variations for Orchestra Op.31 (1928) and his unfinished opera Moses und Aron (1932). [23] The cellist in Sofia Gubaidulina's The Canticle of the Sun (1998) plays a bowed flexatone before the final section. [24] Alfred Schnittke used it in his Faust Cantata (1983), in the Tuba Mirum movement of his Requiem (1975), in his Viola Concerto (1985), [25] and in his score for the ballet Peer Gynt (1987), the flexatone represents the sound of the moaning wind. György Ligeti used it in many of his works, such as his 1988 concerto for piano [26] [27] [28] [29] second movement and his opera Le Grand Macabre (1977). [29] Peter Maxwell Davies uses it in the third movement of his Symphony No. 1 (1976),[ citation needed ] as well as three of them at the climax of his opera The Lighthouse (1980). [30] Vivian Fine owned a flexatone, [31] and used flexatone music in compositions such as The Race of Life (1937). [32]
The violoncello ( VY-ə-lən-CHEL-oh, Italian pronunciation:[vjolonˈtʃɛllo]), often simply abbreviated as cello ( CHEL-oh), is a bowed (sometimes plucked and occasionally hit) string instrument of the violin family. Its four strings are usually tuned in perfect fifths: from low to high, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef, with tenor clef, and treble clef used for higher-range passages.
The double bass, also known as the upright bass, the acoustic bass, or simply the bass, is the largest and lowest-pitched chordophone in the modern symphony orchestra. Similar in structure to the cello, it has four or five strings.
A musical saw, also called a singing saw, is a hand saw used as a musical instrument. Capable of continuous glissando (portamento), the sound creates an ethereal tone, very similar to the theremin. The musical saw is classified as a plaque friction idiophone with direct friction (132.22) under the Hornbostel-Sachs system of musical instrument classification, and as a metal sheet played by friction (151) under the revision of the Hornbostel-Sachs classification by the MIMO Consortium.
An orchestra is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments:
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments. In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of idiophone, membranophone, aerophone and chordophone.
The snare drum is a percussion instrument that produces a sharp staccato sound when the head is struck with a drum stick, due to the use of a series of stiff wires held under tension against the lower skin. Snare drums are often used in orchestras, concert bands, marching bands, parades, drumlines, drum corps, and more. It is one of the central pieces in a drum set, a collection of percussion instruments designed to be played by a seated drummer and used in many genres of music. Because basic rhythms are very easy to learn to play on a snare drum even for children, the instrument is also suitable for the music education for young children and a rhythm band.
The violin, sometimes referred as a fiddle, is a wooden chordophone, and is the smallest, and thus highest-pitched instrument (soprano) in regular use in the violin family. Smaller violin-type instruments exist, including the violino piccolo and the pochette, but these are virtually unused. Most violins have a hollow wooden body, and commonly have four strings, usually tuned in perfect fifths with notes G3, D4, A4, E5, and are most commonly played by drawing a bow across the strings. The violin can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow.
The bass drum is a large drum that produces a note of low definite or indefinite pitch. The instrument is typically cylindrical, with the drum's diameter much greater than the drum's depth, with a struck head at both ends of the cylinder. The heads may be made of calfskin or plastic and there is normally a means of adjusting the tension either by threaded taps or by strings. Bass drums are built in a variety of sizes, but size does not dictate the volume produced by the drum. The pitch and the sound can vary much with different sizes, but the size is also chosen based on convenience and aesthetics. Bass drums are percussion instruments and vary in size and are used in several musical genres. Three major types of bass drums can be distinguished.
Orchestration is the study or practice of writing music for an orchestra or of adapting music composed for another medium for an orchestra. Also called "instrumentation", orchestration is the assignment of different instruments to play the different parts of a musical work. For example, a work for solo piano could be adapted and orchestrated so that an orchestra could perform the piece, or a concert band piece could be orchestrated for a symphony orchestra.
The vibraphone is a percussion instrument in the metallophone family. It consists of tuned metal bars and is typically played by using mallets to strike the bars. A person who plays the vibraphone is called a vibraphonist,vibraharpist, or vibist.
A slide whistle is a wind instrument consisting of a fipple like a recorder's and a tube with a piston in it. Thus it has an air reed like some woodwinds, but varies the pitch with a slide. The construction is rather like a bicycle pump. Because the air column is cylindrical and open at one end and closed at the other, it overblows the third harmonic. "A whistle made out of a long tube with a slide at one end. An ascending and descending glissando is produced by moving the slide back and forth while blowing into the mouthpiece." "Tubular whistle with a plunger unit in its column, approximately 12 inches long. The pitch is changed by moving the slide plunger in and out, producing ascending and descending glisses."
Timpani or kettledrums are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionally made of copper. Thus timpani are an example of kettle drums, also known as vessel drums and semispherical drums, whose body is similar to a section of a sphere whose cut conforms the head. Most modern timpani are pedal timpani and can be tuned quickly and accurately to specific pitches by skilled players through the use of a movable foot-pedal. They are played by striking the head with a specialized drum stick called a timpani stick or timpani mallet. Timpani evolved from military drums to become a staple of the classical orchestra by the last third of the 18th century. Today, they are used in many types of ensembles, including concert bands, marching bands, orchestras, and even in some rock bands.
An idiophone is any musical instrument that creates sound primarily by the vibration of the instrument itself, without the use of air flow, strings (chordophones), membranes (membranophones) or electricity (electrophones). It is the first of the four main divisions in the original Hornbostel–Sachs system of musical instrument classification. The early classification of Victor-Charles Mahillon called this group of instruments autophones. The most common are struck idiophones, or concussion idiophones, which are made to vibrate by being struck, either directly with a stick or hand or indirectly, with scraping or shaking motions. Various types of bells fall into both categories. A common plucked idiophone is the Jew's harp.
The triangle is a musical instrument in the percussion family, classified as an idiophone in the Hornbostel-Sachs classification system. Triangles are made from a variety of metals including aluminum, beryllium copper, brass, bronze, iron, and steel. The metal is bent into a triangular shape with one open end. The instrument is usually held by a loop of some form of thread or wire at the top curve, to enable the triangle to vibrate and it is struck with a metal rod called a "beater". The triangle theoretically has indefinite pitch, and produces a plurality of overtones when struck with an appropriate beater.
The term Chinese orchestra is most commonly used to refer to the modern Chinese orchestra that is found in China and various overseas Chinese communities. This modern Chinese orchestra first developed out of Jiangnan sizhu ensemble in the 1920s into a form that is based on the structure and principles of a Western symphony orchestra but using Chinese instruments. The orchestra is divided into four sections – wind, plucked strings, bowed strings, and percussion, and usually performs modernized traditional music called guoyue. The orchestra may be referred to as Minzu Yuetuan or Minyuetuan in mainland China, Chung Ngok Tuen in Hong Kong, Huayuetuan in Southeast Asia, or Guoyuetuan in Taiwan.
Orchestral percussion refers to the various percussion instruments used in an orchestral setting. It may also refer to the act of playing such instruments in an orchestral style. Many music schools and conservatories offer training for musicians interested in developing their skills as orchestral percussionists. Typically, an orchestral percussionist does not specialize in one particular instrument. Although there is no exhaustive list of all instruments that an orchestral percussionist must be able to play, there are particular instruments that are frequently used in the orchestral repertoire. This includes timpani, snare drum, bass drum, xylophone, glockenspiel, triangle, and tambourine.
A bell tree, also known as tree bells or Chinese bell tree, is a percussion instrument, consisting of vertically nested inverted metal bowls. The bowls, placed on a vertical rod, are arranged roughly in order of pitch. The number of bowls can vary between approximately 14 and 28. An effective glissando is produced by sliding a triangle beater, a glockenspiel mallet, or a xylophone mallet down the length of the tree. The bells are usually pitched to microtonal intervals and do not represent any formal scale. When a glissando is played, the inexactness of the order of the bowls' pitch is unnoticeable, merely creating a fuller sound.
Aram Khachaturian's Piano Concerto in D-flat major, Op. 38, was composed in 1936. It was his first work to bring him recognition in the West, and it immediately entered the repertoire of many notable pianists.
Castanets, also known as clackers or palillos, are a percussion instrument (idiophone), used in Spanish, Calé, Moorish, Ottoman, Italian, Mexican, Sephardic, Portuguese, Brazilian and Swiss music. In ancient Greece and ancient Rome there was a similar instrument called the crotalum.
A horn is any of a family of musical instruments made of a tube, usually made of metal and often curved in various ways, with one narrow end into which the musician blows, and a wide end from which sound emerges. In horns, unlike some other brass instruments such as the trumpet, the bore gradually increases in width through most of its length—that is to say, it is conical rather than cylindrical. In jazz and popular-music contexts, the word may be used loosely to refer to any wind instrument, and a section of brass or woodwind instruments, or a mixture of the two, is called a horn section in these contexts.