Piano Concerto | |
---|---|
by Teddy Abrams | |
Genre | Contemporary classical, Orchestral jazz |
Composed | 2022 |
Duration | c. 38 minutes |
Scoring | Piano concerto |
Premiere | |
Date | January 7, 2022 |
Location | Kentucky Center for the Performing Arts |
Conductor | Teddy Abrams |
Performers | Louisville Orchestra, Yuja Wang |
The American composer and conductor Teddy Abrams composed his Piano Concerto for pianist Yuja Wang, who was his classmate during their student days at the Curtis Institute of Music. [1] [2] Wang performed its world premiere in Whitney Hall at the Kentucky Center for the Performing Arts with the Louisville Orchestra conducted by Abrams on 7 January 2022. [3] [4] An audio recording of the performance on the next day, 8 January, was released by Deutsche Grammophon on 12 January 2023 as the main piece in the album The American Project. [5] The album received a Grammy Award for Best Classical Instrumental Solo on February 4, 2024 for Wang and Abrams. [6] [7] [8]
Abrams initially developed this composition as a short companion to Gershwin's Rhapsody in Blue , [9] then following a discussion with Wang about her recording the Rhapsody with the orchestra, the work transformed into a standalone orchestral showpiece and was dedicated to Wang. [10] [11] [5]
The Gershwin influence is apparent in the big-band overture and an “orchestra break”. [5] Orchestration is more than big-band, however: the premiere employed more than 60 orchestral players, "including several imported for the occasion (on three saxophones, electric guitar and bass, drum kit, etc.), a band within the larger group". [12] [4] Four semi-improvised cadenzas in the classical style showcase the virtuosity of the soloist. [13] [14] Several other instrumental solos are featured throughout the piece, including violin, oboe, trumpet, and saxophone. [15]
A performance of the piano concerto has a duration of roughly 35 to 40 minutes. [9] [12] [16] The single-movement concerto is constructed in eleven sections, traversing multiple genres and styles. [13]
Annette Skaggs of Arts-Louisville thought it was "a marvelous and charismatic concerto", though it "needs to be honed a little more", and sometimes "it was very difficult to hear the sax". [15]
David Mermelstein of the Wall Street Journal found "it lacks originality, even as it revels in craft", and is "missing a vision beyond the sum of its parts". [12]
Richard S. Ginell of San Francisco Classical Voice said "I rather like this piece" even though the “Solos” section "gets a bit awkward". [2]
Nathan Cone of Texas Public Radio was "immediately taken from the get-go", only wishing "the strings could have been mixed a little hotter, as they sometimes get overpowered by the brass and saxophones". [14]
An American in Paris is a jazz-influenced symphonic poem for orchestra by American composer George Gershwin first performed in 1928. It was inspired by the time that Gershwin had spent in Paris and evokes the sights and energy of the French capital during the Années folles.
Rhapsody in Blue is a 1924 musical composition written by George Gershwin for solo piano and jazz band, which combines elements of classical music with jazz-influenced effects. Commissioned by bandleader Paul Whiteman, the work premiered in a concert titled "An Experiment in Modern Music" on February 12, 1924, in Aeolian Hall, New York City. Whiteman's band performed the rhapsody with Gershwin playing the piano. Whiteman's arranger Ferde Grofé orchestrated the rhapsody several times including the 1924 original scoring, the 1926 pit orchestra scoring, and the 1942 symphonic scoring.
A piano concerto, a type of concerto, is a solo composition in the classical music genre which is composed for piano accompanied by an orchestra or other large ensemble. Piano concertos are typically virtuosic showpieces which require an advanced level of technique. Piano concertos are typically written out in music notation, including sheet music for the pianist, orchestral parts, and a full score for the conductor.
Esa-Pekka Salonen is a Finnish conductor and composer. He is the music director of the San Francisco Symphony and conductor laureate of the Los Angeles Philharmonic, Philharmonia Orchestra in London and the Swedish Radio Symphony Orchestra.
The Cello Concerto in A minor, Op. 129, by Robert Schumann was completed in a period of only two weeks, between 10 October and 24 October 1850, shortly after Schumann became the music director at Düsseldorf.
The Piano Sonata No. 10, Op. 70, was written by Alexander Scriabin in 1913. It was his final work in this form. The piece is highly chromatic and tonally ambiguous like Scriabin's other late works, although arguably less dissonant than most of his late works. It is characterized by frequent trills and tremolos. It is sometimes called his "Insect Sonata", referring to his words:
Mendelssohn's Piano Concerto No. 1 in G minor, Op. 25, was written in 1830–31, around the same time as his fourth symphony ("Italian"), and premiered in Munich on 17 October 1831. This concerto was composed in Rome during a travel in Italy after the composer met the pianist Delphine von Schauroth in Munich. The concerto was dedicated to her. Mendelssohn attended one party after another in Munich in October 1831, the month of the premiere, but he also played chamber music and taught double counterpoint. He performed the piece himself at the premiere, which also included performances of his Symphony No. 1 and the Overture from Midsummer Night's Dream. He had already written a piano concerto in A minor with string accompaniment (1822) and two concertos with two pianos (1823–24).
Gary Graffman is an American classical pianist, teacher and administrator.
Piano Concerto No. 3 in C major, Op. 26, is a piano concerto by Sergei Prokofiev. It was completed in 1921 using sketches first started in 1913.
Kenneth Daniel Fuchs is a Grammy Award-winning American composer. He currently serves as Professor of Music Composition at the University of Connecticut in Storrs.
The Albany Symphony Orchestra is a professional symphony orchestra based in Albany, New York.
The Piano Concerto No. 2 in G major, Sz. 95, BB 101 of Béla Bartók is a musical composition for piano and orchestra. The work, which was composed between 1930 and 1931, is notorious for being one of the most difficult pieces in the repertoire.
This is a complete list of recordings by the Los Angeles Philharmonic, shown alphabetically by conductor, and then by recording label.
Yuja Wang is a Chinese pianist. Born in Beijing, she began learning piano there at age six, and went on to study at the Central Conservatory of Music in Beijing and the Curtis Institute of Music in Philadelphia.
Yuja Wang is a Chinese classical pianist who records on the Deutsche Grammophon label. She has released six CDs on with Deutsche Grammophon: Sonatas & Etudes in 2009; Transformation in 2010; Rachmaninov in 2011; and Fantasia, in March 2012. She has also performed on the soundtrack to the film Summer in February. A fifth Deutsche Grammophon album, released internationally in February, 2014, featured the Piano Concerto no. 2 of Sergei Prokofiev and Piano Concerto no. 3 of Sergei Rachmaninov, with Gustavo Dudamel conducting the Simón Bolívar Symphony Orchestra; and in another 2014 release for DGG, she partnered the violinist Leonidas Kavakos in the violin sonatas of Johannes Brahms.
The Piano Concerto is a concerto for solo piano and orchestra by the American composer Jennifer Higdon. It was commissioned by the National Symphony Orchestra and was first performed December 3, 2009 at the John F. Kennedy Center for the Performing Arts in Washington, D.C. The premiere featured pianist Yuja Wang and the National Symphony Orchestra under conductor Andrew Litton.
Edward "Teddy" Paul Maxwell Abrams is an American conductor, pianist, clarinetist, and composer. He is currently Music Director of the Louisville Orchestra and the Britt Festival Orchestra.
Stephen Goss is a Welsh composer, guitarist and academic. His compositional output includes orchestral and choral works, chamber music, and solo pieces. His music draws freely on a number of styles and genres. He is particularly known for his guitar music, which is widely performed and recorded.
Must the Devil Have All the Good Tunes? is a piano concerto by the American composer John Adams. Its title is taken from a saying attributed to Martin Luther. The work was premiered on March 7, 2019 by Yuja Wang and the Los Angeles Philharmonic, conducted by Gustavo Dudamel. A recording, made by Wang, Dudamel, and the Los Angeles Philharmonic in November 2019, was released digitally by Deutsche Grammophon on April 17, 2020. The piece is Adams' third piano concerto, after Eros Piano (1989) and Century Rolls (1997).
The Piano Concerto No. 3 is a composition for solo piano and orchestra by the Finnish composer Magnus Lindberg. The work was jointly commissioned by China National Centre for The Performing Arts, San Francisco Symphony, Toronto Symphony Orchestra, Philharmonie de Paris - Orchestre de Paris, NDR Elbphilharmonie Orchester, and the New York Philharmonic.