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Sergei Prokofiev's Piano Sonata No. 6 in A major, Op. 82 is a sonata for solo piano, the first of the "War Sonatas". It was composed in 1940 and first performed on 8 April of that year in Moscow, with the composer at the piano. [1]
The first movement introduces the main motto, where the melody is played in minor thirds and parallel major thirds. This makes the movement tonally unstable, since both A major and A minor are established. Also, the motto is accompanied by a rising and falling augmented 4th between notes A and D#, creating sharp dissonances. Thus, it already introduces the uncertainty of the work. The greater part of it is dominated by grinding dissonances and frequent modulation, further increasing the despair of the work. Throughout most of the piece, there is a lack of key signature. [2]
The second movement has been described as having a march-like sound with staccato chords. There is also a very bouncy, humorous, and jaunty character to the outer sections of the piece. The middle section is more melodic and a little more pensive and mysterious. [2]
The third movement is similar to a waltz, slower and romantic in the outer sections, but with an stormy, bell-like middle section. [2]
The closing movement is a headlong rondo. The middle section recalls the opening motto from the first movement, albeit with the first note missing. [2] In the extremely virtuosic coda, the motto, transformed and abbreviated, is hammered out violently amid swirls of harried notes, and then played in full in rapid, stammering descending chords.[ citation needed ]
The Piano Sonata No. 11 in A major, K. 331 / 300i, by Wolfgang Amadeus Mozart is a piano sonata in three movements.
The Piano Quintet in F minor, Op. 34, by Johannes Brahms was completed during the summer of 1864 and published in 1865. It was dedicated to Her Royal Highness Princess Anna of Hesse. As with most piano quintets composed after Robert Schumann's Piano Quintet (1842), it is written for piano and string quartet.
Ludwig van Beethoven's Piano Sonata No. 29 in B♭ major, Op. 106 is a piano sonata that is widely viewed as one of the most important works of the composer's third period and among the greatest piano sonatas of all time. Completed in 1818, it is often considered to be Beethoven's most technically challenging piano composition. The first documented public performance was in 1836 by Franz Liszt in the Salle Erard in Paris to an enthusiastic review by Hector Berlioz.
Beethoven's Piano Sonata No. 21 in C major, Op. 53, known as the Waldstein, is one of the three most notable sonatas of his middle period. Completed in summer 1804 and surpassing Beethoven's previous piano sonatas in its scope, the Waldstein is a key early work of Beethoven's "Heroic" decade (1803–1812) and set a standard for piano composition in the grand manner.
The Piano Sonata No. 32 in C minor, Op. 111, is the last of Ludwig van Beethoven's piano sonatas. The work was written between 1821 and 1822. Like other late period sonatas, it contains fugal elements. It was dedicated to his friend, pupil, and patron, Archduke Rudolf.
Ludwig van Beethoven's Piano Sonata No. 3 in C major, Op. 2, No. 3, was written in 1795 and dedicated to Joseph Haydn. It was published simultaneously with his first and second sonatas in 1796.
Frédéric Chopin's Fantaisie-Impromptu in C♯ minor, Op. posth. 66, WN 46 is a solo piano composition. It was composed in 1834 and published posthumously in 1855 despite Chopin's instruction that none of his unpublished manuscripts be published. The Fantaisie-Impromptu is one of Chopin's most frequently performed and popular compositions.
Piano Concerto No. 3 in C major, Op. 26, is a piano concerto by Sergei Prokofiev. It was completed in 1921 using sketches first started in 1913.
The Piano Sonata No. 9 in E major, Op. 14, No. 1, is an early-period work by Ludwig van Beethoven, dedicated to Baroness Josefa von Braun, one of his patrons at that time. It was composed in 1798 and arranged for string quartet by the composer in 1801, the result containing more quartet-like passagework and in the more comfortable key of F major.
Ludwig van Beethoven's Piano Sonata No. 1 in F minor, Op. 2 No. 1, was written in 1795 and dedicated to Joseph Haydn. It was published simultaneously with his second and third piano sonatas in 1796.
Frédéric Chopin's Piano Sonata No. 3 in B minor, Op. 58, is the last of the composer's piano sonatas. Completed in 1844 and dedicated to Countess Élise de Perthuis, the work is considered to be one of Chopin's most difficult compositions, both technically and musically. The work has a structure similar to Johann Nepomuk Hummel's Piano Sonata No. 5 in F Sharp Minor, Op. 81.
Cello Sonatas No. 1 and No. 2, Op. 5, are two sonatas for cello and piano written by Ludwig van Beethoven in 1796, while he was in Berlin. While there, Beethoven met the King of Prussia Friedrich Wilhelm II, an ardent music-lover and keen cellist. Although the sonatas are dedicated to Friedrich Wilhelm II, Ferdinand Ries tells us that Beethoven "played several times at the court, where he also played the two cello sonatas, opus 5, composed for Duport and himself". Although Jean-Pierre Duport was one of the King's teachers, it is now thought to have been his brother Jean-Louis Duport who had the honor of premiering these sonatas.
The Piano Sonata No. 3 in F minor, Op. 5 of Johannes Brahms was written in 1853 and published the following year. The sonata is unusually large, consisting of five movements, as opposed to the traditional three or four. When he wrote this piano sonata, the genre was seen by many to be past its heyday. Brahms, enamored of Beethoven and the classical style, composed Piano Sonata No. 3 with a masterful combination of free Romantic spirit and strict classical architecture. As a further testament to Brahms' affinity for Beethoven, the Piano Sonata is infused with the instantly recognizable motive from Beethoven's Symphony No. 5 during the first, third, and fourth movements. Composed in Düsseldorf, it marks the end of his cycle of three sonatas, and was presented to Robert Schumann in November of that year; it was the last work that Brahms submitted to Schumann for commentary. Brahms was barely 20 years old at its composition. The piece is dedicated to Countess Ida von Hohenthal of Leipzig.
Sergei Prokofiev's Piano Sonata No. 7 in B♭ major, Op. 83 is a sonata for solo piano, the second of the three "War Sonatas", composed in 1942. The sonata was first performed on 18 January 1943 in Moscow by Sviatoslav Richter. Performances of this sonata can last anywhere from 17 to about 20 minutes.
The Piano Sonata in A minor D. 845 (Op.42) by Franz Schubert is a sonata for solo piano. Composed in May 1825 and entitled Premiere Grande Sonata, it is the first of three sonatas published during the composer's lifetime, the others being D.850 and D.894. Conceived as a set, these works were composed during what was reportedly a period of relatively good health and spirits for Schubert, and are praised for their quality and ambition. This first sonata in particular marks a significant step toward the composer’s mature piano sonata style; the format and several characteristic stylistic elements continue through the last.
Sergei Prokofiev's Piano Sonata No. 8 in B♭ major, Op. 84 is a sonata for solo piano, the third and longest of the three "war sonatas", with performances typically lasting around 30 minutes. He completed it in 1944 and dedicated it to his partner Mira Mendelson, who later became his second wife. The sonata was first performed on 30 December 1944, in Moscow, by Emil Gilels.
Piano Sonata No. 2, Op. 36, is a piano sonata in B-flat minor composed by Sergei Rachmaninoff in 1913, who revised it in 1931, with the note, "The new version, revised and reduced by author."
Franz Schubert's Piano Sonata in D major D. 850, Op. 53, known as the Gasteiner, was written during August 1825 whilst the composer was staying in the spa town of Bad Gastein. A year later, it became only the second of his piano sonatas to be published.
Sergei Prokofiev's Piano Sonata No. 4 in C minor, Op. 29, subtitled D’après des vieux cahiers, or After Old Notebooks, was composed in 1917 and premiered on April 17 the next year by the composer himself in Petrograd. The work was dedicated to Prokofiev's late friend Maximilian Schmidthof, whose suicide in 1913 had shocked and saddened the composer.
Sergei Prokofiev's Piano Sonata No. 3 in A minor, Op. 28 (1917) is a sonata composed for solo piano, using sketches dating from 1907. Prokofiev gave the première of this in Saint Petersburg on 15 April 1918, during a week-long festival of his music sponsored by the Conservatory.
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