Piazza della Rotonda | |
|---|---|
| City square | |
 Piazza della Rotonda seen from the north, showing the Pantheon and fountain with the Pantheon obelisk. | |
| Location | Rome, Italy |
 Click on the map to see marker | |
| Coordinates: 41°53′58″N12°28′36″E / 41.89931°N 12.47675°E | |
The Piazza della Rotonda is a piazza (city square) in Rome, Italy, on the south side of which is located the Pantheon. The square gets its name from the Pantheon's informal title as the church of Santa Maria Rotonda.
Although the Pantheon has stood from antiquity, the area in front of it had over the centuries become choked with a maze of sheds and small shops that had grown up around its columns. These medieval accretions were cleared by order of Pope Eugenius IV (1431–39) and the piazza was laid out and paved. [1] It took its name from the Pantheon, which had been converted in the 7th century AD into a Christian church dedicated to "St. Mary and the Martyrs" but informally known as Santa Maria Rotonda. [2] The piazza is roughly rectangular, approximately 60 meters north to south and 40 meters east to west, with a fountain and obelisk in the center and the Pantheon on the south side.
During the 19th century, the piazza was especially noted for its market of bird-sellers, who brought their cages with live parrots, nightingales, owls, and other birds into the piazza. [3] A traveler in 1819 remarked that during Twelfth Night celebrations in Rome the Piazza della Rotonda was "in particular distinguished by the gay appearance of the fruit and cake-stalls, dressed with flowers and lighted with paper lanterns." [4]
Charlotte Anne Eaton, an English traveller who visited in 1820, was much less impressed with the piazza and deplored how a visitor would find himself "surrounded by all that is most revolting to the senses, distracted by incessant uproar, pestered with a crowd of clamorous beggars, and stuck fast in the congregated filth of every description that covers the slippery pavement ... Nothing resembling such a hole as this could exist in England; nor is it possible that an English imagination can conceive a combination of such disgusting dirt, such filthy odours and foul puddles, such as that which fills the vegetable market in the Piazza della Rotonda at Rome." [5] An 1879 Baedeker guidebook noted that the "busy scene" of the piazza "affords the stranger opportunities of observing the characteristics of the peasantry." [6]
Its present appearance was threatened with destruction under the French administration of 1809–1814, when Napoleon signed decrees calling for the demolition of the buildings around the Pantheon. The short life of French rule in Rome meant that the scheme never went ahead but it re-emerged in an altered form in the urban plan of 1873. This scheme proposed that the piazza should be enlarged and made into the focus of new boulevards converging on it from the direction of Piazza Borghese and Largo Magnanapoli. In the event, this did not happen, though several structures adjoining the north end of the square and the Pantheon were demolished under Popes Pius VII and Pius IX. [7]
In the center of the piazza is a fountain, the Fontana del Pantheon, surmounted by an Egyptian obelisk. The fountain was constructed by Giacomo della Porta under Pope Gregory XIII in 1575, and the Pantheon obelisk was added to it in 1711 under Pope Clement XI.
The Aqua Virgo, one of the eleven aqueducts that supplied ancient Rome with drinking water, served the area of the Campus Martius, but had fallen into disrepair and disuse by the late Middle Ages. It was reconstructed under Pope Nicholas V and consecrated in 1453 as the Acqua Vergine. In 1570, Giacomo della Porta was commissioned under Pope Gregory XIII to oversee a major project to extend the distribution of water from the Vergine to eighteen new public fountains. [8]
Construction of the fountain in the Piazza della Rotonda was authorized on September 25, together with a fountain for Piazza Colonna, and two more for Piazza Navona; the fountain for the Rotonda, completed in 1575, was of a chalice-type design, around 3.5 to 4 meters in height, and fed with the Vergine water through a terracotta conduit. [9] Della Porta designed the fountain, and Leonardo Sormani executed it. [10] Due to the slope of the piazza, the fountain is approached by five steps on the south side, and only two on the north. [11]
Under the pontificate of Alexander VII Chigi, projects were set afoot to systematize the piazza and its setting, grading and enlarging it and widening the incident streets, in which Gian Lorenzo Bernini participated. [12] An engraving by Giovanni Battista Falda [13] records the work that had been completed at the time of Alexander's death in 1667.
In 1711, the fountain was given its current appearance when Pope Clement XI had the Late Baroque sculptor Filippo Barigioni top it with a 20-foot red marble Egyptian obelisk. The obelisk, originally constructed by Pharaoh Ramses II for the Temple of Ra in Heliopolis, had been brought to Rome in ancient times where it was reused in the Iseum Campense, a shrine to the Egyptian god Isis that stood to the southeast of the Pantheon. [7] It was rediscovered in 1374 underneath the apse of the nearby Basilica of Santa Maria sopra Minerva. [14] In the mid-15th century, the obelisk had been erected in the small Piazza di San Macuto some 200 meters east of the Pantheon, where it remained until its 1711 move to the Piazza della Rotonda. [15] It is still called the Obelisco Macuteo after its previous location. [7]
Piazza Navona is a public open space in Rome, Italy. It is built on the site of the 1st century AD Stadium of Domitian and follows the form of the open space of the stadium in an elongated oval. The ancient Romans went there to watch the agones ("games"), and hence it was known as "Circus Agonalis". It is believed that over time the name changed to in avone to navone and eventually to navona.
GiacomoBarozzida Vignola, often simply called Vignola, was one of the great Italian architects of 16th century Mannerism. His two great masterpieces are the Villa Farnese at Caprarola and the Jesuits' Church of the Gesù in Rome. The three architects who spread the Italian Renaissance style throughout Western Europe are Vignola, Serlio and Palladio. He is often considered the most important architect in Rome in the Mannerist era.
Saint Peter's Square is a large plaza located directly in front of St. Peter's Basilica in Vatican City, the papal enclave in Rome, directly west of the neighborhood (rione) of Borgo. Both the square and the basilica are named after Saint Peter, an apostle of Jesus whom Catholics consider to be the first Pope.
Fontana dei Quattro Fiumi is a fountain in the Piazza Navona in Rome, Italy. It was designed in 1651 by Gian Lorenzo Bernini for Pope Innocent X whose family palace, the Palazzo Pamphili, faced onto the piazza as did the church of Sant'Agnese in Agone of which Innocent was the sponsor.
Giacomo della Porta (1532–1602) was an Italian architect and sculptor, who worked on many important buildings in Rome, including St. Peter's Basilica.
Fontana del Moro is a fountain located at the southern end of the Piazza Navona in Rome, Italy. It depicts a nautical scene with tritons, dolphins, and a conch shell. It was originally designed by Giacomo della Porta in the 1570s with later contributions from Gian Lorenzo Bernini in the 1650s. Bernini sculpted a large terracotta model of the central figure, which Giovanni Antonio Mari used as a guide when sculpting the final figure. There is a debate around whether or not the central figure was intended by Bernini to depict a Moor. Some of the original sculptures were moved to the Galleria Borghese in 1874. In 2011, the fountain was vandalized.
The Aqua Virgo was one of the eleven Roman aqueducts that supplied the city of ancient Rome. It was completed in 19 BC by Marcus Agrippa, during the reign of the emperor Augustus and was built mainly to supply the contemporaneous Baths of Agrippa in the Campus Martius.
The Acqua Vergine is one of several Roman aqueducts that deliver pure drinking water to Rome. Its name derives from its predecessor Aqua Virgo, which was constructed by Marcus Vipsanius Agrippa in 19 BC. Its terminal castellum is located at the Baths of Agrippa, and it served the vicinity of Campus Martius through its various conduits. In an effort to restore fresh water to Rome during the Renaissance, Pope Nicholas V, in 1453, renovated the main channels of the Aqua Virgo and added numerous secondary conduits under Campo Marzio. The original terminus, called a mostra, which means showpiece, was the stately, dignified wall fountain designed by Leon Battista Alberti in Piazza dei Crociferi. Due to several additions and modifications to the end-most points of the conduits during the years that followed, during the Renaissance and Baroque periods, the Acqua Vergine culminated in several magnificent mostre - the Trevi Fountain and the fountains of Piazza del Popolo.
Piazza del Popolo is a large urban square in Rome. The name in modern Italian literally means "People's Square", but historically it derives from the poplars after which the church of Santa Maria del Popolo, in the northeast corner of the piazza, takes its name.
Filippo Barigioni (1690–1753) was an Italian sculptor and architect working in the Late Baroque tradition.
The Fontana di Piazza Nicosia is a fountain in Rome, Italy, is the first of the modern fountains of Rome. It is located in the square with the same name.
The fountain in the Piazza d'Aracoeli is a fountain in Rome, Italy, located at the base of the Capitoline Hill, in the little square with the same name.
The fountain in the Piazza Colonna is a fountain in Rome, Italy, designed by the architect Giacomo Della Porta and constructed by the Fiesole sculptor Rocco Rossi between 1575 and 1577.
The Fontana del Pantheon was commissioned by Pope Gregory XIII and is located in the Piazza della Rotonda, Rome, in front of the Roman Pantheon. It was designed by Giacomo Della Porta in 1575 and sculpted out of marble by Leonardo Sormani.
Piazza Barberini is a large piazza in the centro storico or city center of Rome, Italy and situated on the Quirinal Hill. It was created in the 16th century but many of the surrounding buildings have subsequently been rebuilt.
The Fontana delle Tartarughe is a fountain of the late Italian Renaissance, located in Piazza Mattei, in the Sant'Angelo district of Rome, Italy. It was built between 1580 and 1588 by the architect Giacomo della Porta and the sculptor Taddeo Landini. The bronze turtles around the upper basin, usually attributed either to Gian Lorenzo Bernini or Andrea Sacchi, were added in either 1658 or 1659 when the fountain was restored.
The Fontana dell'Acqua Felice, also called the Fountain of Moses, is a monumental fountain located in the Quirinale District of Rome, Italy. It marked the terminus of the Acqua Felice aqueduct restored by Pope Sixtus V. It was designed by Domenico Fontana and built in 1585–1588. It is located at the intersection of Largo Santa Susanna and Via Venti Settembre; across and diagonal from the Largo, is the church of Santa Susanna, while across Via Venti Settembre is the church of Santa Maria della Vittoria.
The Baths of Nero or Baths of Alexander were a complex of ancient Roman baths on the Campus Martius in Rome, built by Nero in either 62 or 64 and rebuilt by Alexander Severus in 227 or 229. It stood between the Pantheon and the Stadium of Domitian and were listed among the most notable buildings in the city by Roman authors and became a much-frequented venue. These thermae were the second large public baths built in Rome, after the Baths of Agrippa, and it was probably the first "imperial-type" complex of baths, with a monumental scale and symmetrical, axially-planned design. While in the sixteenth century the foundations of the caldarium were still visible, nothing else of the structure remains above ground except some fragments of walls incorporated into the structure of Palazzo Madama.
The Pantheon obelisk or Obelisco Macuteo is an Egyptian obelisk in Rome in Piazza della Rotonda in front of the Pantheon on a fountain. It is one of the 13 obelisks in Rome and one of relatively few ancient monoliths. It is 6.34 m high.
piazza della rotonda.; Lanciani, Rodolfo (1899). The Destruction of Ancient Rome. London: MacMillan. p. 112 . Retrieved May 6, 2011.
piazza della rotonda.
{{cite book}}: CS1 maint: location missing publisher (link)piazza della rotonda.; Eaton, Charlotte A. (1860). Rome in the Nineteenth Century. Vol. 1. London: Henry G. Bohn. p. 354. Retrieved May 6, 2011.
41°53′57.5″N12°28′36.3″E / 41.899306°N 12.476750°E
| International | |
|---|---|
| National | |
