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Original title | Живописная Россия |
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Country | Russia |
Language | Russian |
Publisher | M. O. Wolff's Partnership |
Published | 1881 - 1901 |
No. of books | 19 |
Picturesque Russia (Russian : Живописная Россия, romanized: Zhivopisnaya Rossiya; also Picturesque Russia: Our fatherland in its land, historical, tribal, economic and everyday meaning) is a Russian 19-volume edition prepared by the M. O. Wolff's Partnership in the 1870s and published in 1881–1901. [1] It is one of the most expensive publications in the history of Russian book printing.
The edition consists of 19 books with 6984 pages in total and containing 220 individual essays written by 93 writers and illustrated with 3815 drawings. In total, 423 people participated in the preparation of the publication.
At the beginning of the 21st century, an attempt was made to reprint the book.
The idea of publishing a large work, which includes a detailed, comprehensive artistic and scientific description of the Russian Empire and the peoples inhabiting it, appeared to Maurycy Wolff a long time ago. But, due to the huge risk of significant costs and the difficulty of finding writers, scientists, and artists suitable for the implementation of the very idea, he did not dare to start implementing his plan for a long time.
The core or cell of Picturesque Russia was conceived at the beginning of publishing, in 1856, an illustrated description of Poland, edited by the famous Polish writer Józef Kraszewski, but for political reasons it was not implemented.
In addition to journals, Wolff published large illustrated and scientific publications by subscription. The best scientific and literary forces were invited to participate in this edition.
Julian Alexandrovich Scriabin was a Swiss-born Russian composer and pianist who was the youngest son of Alexander Scriabin and Tatiana de Schloezer.
Oleg Nikolayevich Trubachyov was a Soviet and Russian linguist. A researcher of the etymology of Slavic languages and Slavic onomastics, specialist in historical linguistics and lexicographer. He was a Doctor of Sciences in Philological Sciences, an academician of the Russian Academy of Sciences and served as the editor-in-chief of the Etimologiya yearbook. His works are on the etymology of Slavic languages and on East Slavic onomastics.
Sergei Ivanovich Osipov was a Soviet painter, graphic artist, and art teacher, who lived and worked in Leningrad, a member of the Leningrad branch of Union of Artists of Russian Federation. He regarded as one of the representatives of the Leningrad school of painting, most known for his landscape and still life paintings.
Alexander Nikolayevich Samokhvalov was a Soviet Russian painter, watercolorist, graphic artist, illustrator, art teacher and Honored Arts Worker of the RSFSR, who lived and worked in Leningrad. He was a member of the Leningrad branch of Union of Artists of Russian Federation, and was regarded as one of the founders and brightest representatives of the Leningrad school of painting, most famous for his genre and portrait painting.
Victor Kuzmich Teterin was a Russian painter, watercolorist, and art teacher, who lived and worked in Leningrad. He is regarded as one of the important representatives of the Leningrad school of painting.
Jasef Alexandrovich Serebriany was a Soviet painter and stage decorator, who lived and worked in Leningrad, a member of the Leningrad Union of Artists, People's Artist of the Russian Federation, professor of the Repin Institute of Arts, regarded as one of the leading representatives of the Leningrad school of painting, well known for his portrait paintings.
Alexander Petrovich Kotsubinsky is a Russian psychiatrist, a spokesman of St. Petersburg psychiatric school.
Boris Yakovlevich Maluev was a Soviet Russian painter, a member of the Leningrad Union of Artists, Honored Artist of the RSFSR, lived and worked in Leningrad, regarded as one of representatives of the Leningrad school of painting, most famous for his historical and genre paintings.
Anatoli Pavlovich Levitin was a Soviet Russian painter and art educator, People's Artist of the Russian Federation, a member of the Saint Petersburg Union of Artists, who lived and worked in Saint Petersburg and Krasnoyarsk, regarded as one of representatives of the Leningrad school of painting, most famous for his genre and portrait paintings.
The Kórmchaia Book, also known as the Books of the Pilot (Russian: Ко́рмчая книга, Ко́рмчая from кормчий, Church Slavonic: кръмьчии 'helmsman, ship's pilot'; Pidalion or Nomocanon, are collections of church and secular law, which constituted guide books for the management of the church and for the church court of Orthodox Slavic countries and were also the transmission of several older texts. They were written in Old Church Slavonic and Old East Slavic.
Mothers, Sisters is a 1967 painting by Russian artist Yevsey Moiseyenko (1916–1988).
The House of Creativity "Staraya Ladoga" was an all-Russian centre for artistic creativity, which existed in the Volkhovsky District of Leningrad Oblast from the mid-20th century up to the 1990s. It was located opposite the ancient village of Staraya Ladoga on the right bank of the Volkhov River.
Philipp Fyodorovich Bulykin was a Soviet counter-admiral (1946) and a navigator of the Soviet Navy. He was the author of navigation books.
The Lopukhin family was a noble family of the Russian Empire, forming one of the branches of the Sorokoumov-Glebov family.
Fedor Maksimovich Putintsev was a Soviet propagandist of atheism and a scientific worker in the study of problems of religion and atheism. He was also a journalist and writer.
Anatoly Vasilyevich Belov was a Soviet religion scholar and atheist propagandist. He was a First Deputy Chairman of the Council for Religious Affairs under the Council of Ministers of the USSR, an expert on Adventism and one of the authors of the Atheistic Dictionary and Atheist Handbook.
The Komi language, a Uralic language spoken in the north-eastern part of European Russia, has been written in several different alphabets. Currently, Komi writing uses letters from the Cyrillic script. There have been five distinct stages in the history of Komi writing:
Since its inception in the 18th century and up to the present, it is based on the Cyrillic alphabet to write the Udmurt language. Attempts were also made to use the Latin alphabet to write the Udmurt language. In its modern form, the Udmurt alphabet was approved in 1937.
Lev (Leo) Platonovich Karsavin was a Russian religious philosopher, historian-medievalist, and poet.
Udege alphabets are the alphabets used to write the Udege language. During its existence, it functioned on different graphic bases and was repeatedly reformed. Currently, the Udege script functions on two versions of the Cyrillic alphabet for two emerging literary languages, but does not have a generally accepted norm. There are 2 stages in the history of Udege writing: