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Self portrait (1556)
Pierre Woeiriot de Bouzey (1532–1596?) was a French engraver, goldsmith, painter, sculptor and medallist. [1]
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Pierre Woeiriot de Bouzey (1532–1596?) was a French engraver, goldsmith, painter, sculptor and medallist. [1]
Woeiriot was born in Neufchâteau, Vosges. His father and grandfather had been goldsmiths, and he followed their trade until about 1555, after which he devoted all his time to engraving. [1] In that year he received two commissions for Lilio Gregorio Giraldi and Clément Baudin's Pinax iconicus antiquorum ac variorum in sepulturis rituum, published in 1556, and the Livre d'anneaux published in 1561, dedicated to the poet Barthélemy Aneau. About 1556 he created three engravings with historical or mythological allusions, the Bull of Phalaris, Hasdrubal's Wife Throwing Herself on the Pyre and Phocas Led Captive before Heraclius .
Contrary to what was previously thought, Woeiriot did not go to Italy in 1550, but stayed in Lyon until about 1559-60 after which he left for Rome. By the end of 1561 he was in Nancy, making frequent visits to Lyon until 1571. On 1 December 1561 he agreed to engrave 36 plates illustrating the Old Testament for the dealer Antoine God, and these appeared in 1580. Influenced by the poet Louis Des Masures, he became a Protestant. Between 1566 and 1571 he illustrated the Emblemes ou devises chrestiennes by Georgette de Montenay, lady-in-waiting to Jeanne d'Albret, mother of Henry IV of France. [2] He moved to Damblain, Haute-Marne, in 1572, and died there.
French Renaissance literature is, for the purpose of this article, literature written in French from the French invasion of Italy in 1494 to 1600, or roughly the period from the reign of Charles VIII of France to the ascension of Henry IV of France to the throne. The reigns of Francis I and his son Henry II are generally considered the apex of the French Renaissance. After Henry II's unfortunate death in a joust, the country was ruled by his widow Catherine de' Medici and her sons Francis II, Charles IX and Henry III, and although the Renaissance continued to flourish, the French Wars of Religion between Huguenots and Catholics ravaged the country.
Charles-Émile Jacque was a French painter of Pastoralism and engraver who was, with Jean-François Millet, part of the Barbizon School. He first learned to engrave maps when he spent seven years in the French Army.
Theodor de Bry was an engraver, goldsmith, editor and publisher, famous for his depictions of early European expeditions to the Americas. The Spanish Inquisition forced de Bry, a Protestant, to flee his native, Spanish-controlled Southern Netherlands. He moved around Europe, starting from his birth on the city of Liège in the Prince-Bishopric of Liège, then to Strasbourg, Antwerp, London and Frankfurt, where he settled.
Jacques Besson (1540?–1573) was a French Protestant inventor, mathematician, and philosopher, chiefly remembered for his popular treatise on machines Theatrum Instrumentorum (1571–1572), which saw many reprints in different languages.
The former French Catholic diocese of Comminges existed at least from the sixth century, to the French Revolution. The seat of the bishops was at Saint-Bertrand-de-Comminges, now no more than a village, in the modern department of Haute-Garonne in south-west France. The territory of the old diocese now belongs to the archdiocese of Toulouse. The name of Comminges was incorporated into the titulature of the archbishop of Toulouse on 19 January 1935. He is now the archbishop of Toulouse-Saint Bertrand de Comminges-Rieux.
Jean Duvet was a French Renaissance goldsmith and engraver, now best known for his engravings. He was the first significant French printmaker. He produced about seventy-three known plates, that convey a highly personal style, often compared to that of William Blake, with very crowded compositions, a certain naive quality, and intense religious feeling. According to Henri Zerner, his work has a "freedom and immediacy that have no equivalent in Renaissance printmaking". A degree of mystery surrounds his biography, as there is disagreement as to whether or not he was the Jean Duvet from Dijon who spent sixteen years in the militantly Calvinist city-state of Geneva.
Jean Cousin was a French painter, sculptor, etcher, engraver, and geometrician. He is known as "Jean Cousin the Elder" to distinguish him from his son Jean Cousin the Younger, also an artist.
The Drevet Family were leading portrait engravers of France for over a hundred years. Their fame began with Pierre, and was sustained by his son, Pierre-Imbert, and by his nephew, Claude.
Thomas Macklin was a British printseller and picture dealer. He commissioned many noted painters and engravers for his "Poets Gallery" project and his illustrated folio Bible project.
Martino Rota, also Martin Rota and Martin Rota Kolunić was an artist, now mainly known for his printmaking, from Dalmatia.
Georgette de Montenay (1540–1581) was the French author of Emblemes ou devises chrestiennes, published in Lyon between 1567 and 1571. Montenay has always been regarded as a lady-in-waiting to Jeanne d'Albret, the Protestant Queen of Navarre, partly because she dedicated her work to the Queen. An intriguing aspect of Montenay's Calvinist life is that she was married in 1562 to Guyon de Gout, a devout Catholic.
Henri Loÿs Delteil, also known as Léo Delteil was a French engraver, lithographer, illustrator, and art historian.
Sébastien Leclerc or Le Clerc was a French artist from the Duchy of Lorraine. He specialized in subtle reproductive drawings, etchings, and engravings of paintings; and worked mostly in Paris, where he was counseled by the King's painter, Charles Le Brun, to devote himself entirely to engraving. Leclerc joined the Académie Royale de Peinture et de Sculpture in 1672 and taught perspective there. He worked for Louis XIV, being made "graveur du Roi", doing engraving work for the royal house. Leclerc also engaged in periodic work as a technical draftsman and military engineer.
Nicolas-Henri Tardieu, called the "Tardieu the elder", was a prominent French engraver, known for his sensitive reproductions of Antoine Watteau's paintings. He was appointed graveur du roi to King Louis XV of France. His second wife, Marie-Anne Horthemels, came from a family that included engravers and painters. She is known as an engraver in her own right. Nicolas-Henri and Marie-Anne Tardieu had many descendants who were noted artists, most of them engravers.
Lucas Jennis (1590–1630) was a German engraver. He was the leading publisher of alchemical works of his time.
Jean de Tournes (1504–1564) was a French printer, book publisher and bookseller, and the founder of a long-lasting family printing business. From 1559 he was the imprimeur du Roi, printer to the French king.
Bernard Salomon (1506–1561), also known as the Little Bernard B. Gallus or Gallo, was a French painter, draftsman and engraver.
Gilles Demarteau or Gilles Demarteau the Elder was an etcher, engraver and publisher who was active in Paris for his entire career. He is one of the persons to whom has been attributed the invention of the crayon manner of engraving. He is recognized as playing an important role in the development of this engraving technique. He was one of the key reproductive engravers and publishers of the work of François Boucher.
Pierre-François Laurent (1739-1809) was an engraver and co-director with Louis-Nicolas-Joseph Robillard de Péronville of the publication Le Musée français. As an engraver, he specialised in landscapes and genre subjects after Dutch artists. He also produced several engravings of subjects from the recent national history.
Pierre Eskrich, born Pierre Krug and known variously as Pierre Cruche or Pierre Vase, was a French engraver, illustrator and painter. Connected with humanists during the Reformation, one of his major works was the 16 piece Mappe-Monde Nouvelle Papistique made in 1566 for Jean Baptiste Trento to depict the Protestant's satirical view of the Catholic world. He also illustrated an unpublished project on birds.
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