Robert Ross is an American blues singer, songwriter, acoustic and electric guitarist, slide guitarist, and harmonica player. He is the leader of the Robert Ross Band and The Jazz-Manian Devils. He also performs as a solo artist.
Joseph Vernon "Big Joe" Turner Jr. was an American blues shouter from Kansas City, Missouri. According to songwriter Doc Pomus, "Rock and roll would have never happened without him". Turner's greatest fame was due to his rock and roll recordings in the 1950s, particularly "Shake, Rattle and Roll", but his career as a performer endured from the 1920s into the 1980s.
James Edwards Yancey was an American boogie-woogie pianist, composer, and lyricist. One reviewer described him as "one of the pioneers of this raucous, rapid-fire, eight-to-the-bar piano style".
Boogie-woogie is a genre of blues music that became popular during the late 1920s, developed in African-American communities since the 1870s. It was eventually extended from piano to piano duo and trio, guitar, big band, country and western music, and gospel. While standard blues traditionally expresses a variety of emotions, boogie-woogie is mainly dance music. The genre had a significant influence on rhythm and blues and rock and roll.
Anderson Meade Lewis, known as Meade Lux Lewis, was an American pianist and composer, remembered for his playing in the boogie-woogie style. His best-known work, "Honky Tonk Train Blues", has been recorded by many artists.
John Len Chatman, known professionally as Memphis Slim, was an American blues pianist, singer, and composer. He led a series of bands that, reflecting the popular appeal of jump blues, included saxophones, bass, drums, and piano. A song he first cut in 1947, "Every Day I Have the Blues", has become a blues standard, recorded by many other artists. He made over 500 recordings.
Albert Clifton Ammons was an American pianist and player of boogie-woogie, a blues style popular from the late 1930s to the mid-1940s.
Pete Johnson was an American boogie-woogie and jazz pianist.
Clarence Smith, better known as Pinetop Smith or Pine Top Smith, was an American boogie-woogie style blues pianist. His hit tune "Pine Top's Boogie Woogie" featured rhythmic "breaks" that were an essential ingredient of ragtime music, but also a fundamental foreshadowing of rock and roll. The song was also the first known use of the term "boogie woogie" on a record, and cemented that term as the moniker for the genre.
The origins of rock and roll are complex. Rock and roll emerged as a defined musical style in the United States in the early to mid-1950s. It derived most directly from the rhythm and blues music of the 1940s, which itself developed from earlier blues, the beat-heavy jump blues, boogie woogie, up-tempo jazz, and swing music. It was also influenced by gospel, country and western, and traditional folk music. Rock and roll in turn provided the main basis for the music that, since the mid-1960s, has been generally known simply as rock music.
Joe Willie "Pinetop" Perkins was an American blues pianist. He played with some of the most influential blues and rock-and-roll performers of his time and received numerous honors, including a Grammy Lifetime Achievement Award and induction into the Blues Hall of Fame.
"Honky Tonk Train Blues" is a song written by Meade Lux Lewis, and first recorded in 1927. A proto boogie-woogie song, it has many of the traits that would come to be identified with rock and roll. It is also the first recorded use of the term "honky-tonk" in a song.
Clarence Lofton, credited as Cripple Clarence Lofton, was an American boogie-woogie pianist and singer born in Tennessee.
After Hours is the debut solo-album of the blues piano player Pinetop Perkins. He is backed by the New York-based blues band, Little Mike and the Tornadoes, using the Chicago blues approach. Released in 1988 by Blind Pig Records, the album, produced by Edward Chmelewski and Jerry Del Giudice, featured 12 songs, including blues standards and original material. The album was recorded in New York City at Chelsea Sound by Natasha Turner.
Aaron "Pinetop" Sparks was an American blues pianist active in St. Louis in the early 1930s. He died in his twenties from either poisoning or exhaustion.
Victor Lawton Wainwright, Jr. is an American blues and boogie-woogie singer, songwriter, and pianist. Wainwright's musical style was described by the American Blues Scene magazine in 2013 as "honky-tonk and boogie, with a dose of rolling thunder. Wainwright's playing is simply beautiful madness."
Boogie Woogie is a compilation album containing four 10-inch, 78 rpm records of boogie-woogie music. The songs on the album were recorded over a period of three years from 1936 to 1939, then released in 1941 on this compilation album by Columbia Records (C44). Artists featured on the album include Harry James, Count Basie, Big Joe Turner, and the three prominent boogie-woogie pianists of the time, Albert Ammons, Pete Johnson, and Meade Lux Lewis.
Ernest Ray Lane was an American blues pianist. He played various blues musicians and bands, including with Pinetop Perkins, Robert Nighthawk, Ike Turner, George "Harmonica" Smith, and Canned Heat. Lane also released singles and album as a solo artist.
