![]() Pink Floyd's 1975–1977 "Rotating flower-petal mirror ball" at the V&A | |
Date | 13 May 2017 –present |
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Type | Museum exhibition |
Theme | Pink Floyd |
Website | www |
Pink Floyd: Their Mortal Remains is a touring exhibition of the history of the English rock band Pink Floyd, which opened on 13 May 2017 (with a museum members' preview on 12 May) at the Victoria and Albert Museum in London, England, and was originally scheduled to run until 1 October. [1] [2] [3] [4] [5] [6] [7] After high visitor numbers, the exhibition's run was extended by two weeks, to 15 October 2017. [8] It followed the V&As successful David Bowie Is exhibition. [5]
The exhibition's title reflects the lyric "I've got a grand piano to prop up my mortal remains", from the song "Nobody Home", on The Wall . It was promoted with media appearances by all three surviving band members (David Gilmour, Nick Mason, and Roger Waters), and designer Aubrey Powell; [6] as well as the flying of an inflatable pig over the V&A, [5] and at the BBC's Broadcasting House. [9]
Treating the band's history in chronological order, the exhibition ends with their 2005 reunion at Live 8, [3] with footage of the band performing "Comfortably Numb", using specially-remixed audio, delivered via AMBEO, a Sennheiser 3D audio technology, over 17 channels and 25 speakers, seven of which are subwoofers. [6] [4]
Objects shown include documents such as a page from Nick Mason's diary for 1968 and a 1975 tour rider, a "flower petal" shaped mirrorball used from 1973 to 1975, instruments, plus equipment including the Azimuth Co-ordinator and the band's Binson Echorec Baby effects unit. [2] [5] There are several props from the 1980 and 1981 The Wall concerts, including the face masks worn by members of the 'surrogate band', to make them look like Pink Floyd. [5] [2] [10] Also on show are a hand-written letter from Syd Barrett to Jenny Spires, his then girlfriend; and his bicycle. [5]
The organisers plan to tour the exhibition internationally, for up to ten years. [4] In November 2017, it was announced that the second venue would be Rome, Italy, opening on 19 January 2018. [11] The Los Angeles exhibition was originally scheduled to begin in August, 2021. It was delayed for 3 weeks due to global shipping delays caused by the Covid-19 pandemic. The show opened on September 3, 2021 instead. In October 2022, it was announced that the exhibition would be shown in Montreal, Canada, from November 4, 2022, to December 31, 2022. [12] It would be extended three times to close April 2, 2023. [13]
By late August 2017, the London exhibition had been seen by 300,000 visitors and was extended by two weeks to 15 October. [14]
Opening Date | Closing Date | Duration (days) | City | Country | Venue |
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13 May 2017 | 15 October 2017 | 155 | London | United Kingdom | Victoria and Albert Museum [8] |
19 January 2018 | 27 May 2018 | 127 | Rome | Italy | Museum of Contemporary Art of Rome [11] |
15 September 2018 | 10 February 2019 | 148 | Dortmund | Germany | Dortmunder U [15] |
10 May 2019 | 27 October 2019 | 170 | Madrid | Spain | IFEMA Espacio 5.1 [16] |
3 September 2021 | 9 January 2022 | 131 | Los Angeles | United States | Vogue Multicultural Museum [17] |
4 November 2022 | 2 April 2023 | 123 | Montreal | Canada | Arsenal art contemporain [18] [19] |
16 June 2023 | 1 October 2023 | 107 | Toronto | Canada | Better Living Centre |
10 September 2024 | Buenos Aires | Argentina | Pabellón Frers – La Rural |
The Wall is the eleventh studio album by the English rock band Pink Floyd, released on 30 November 1979 by Harvest/EMI and Columbia/CBS Records. It is a rock opera which explores Pink, a jaded rock star, as he constructs a psychological "wall" of social isolation. The Wall topped the US charts for 15 weeks and reached number three in the UK. It initially received mixed reviews from critics, many of whom found it overblown and pretentious, but later received accolades as one of the greatest albums of all time.
Animals is the tenth studio album by the English rock band Pink Floyd, released on 21 January 1977, by Harvest Records and Columbia Records. Pink Floyd produced it at their new studio, Britannia Row Studios, in London throughout 1976. The album continued the long-form compositions that made up such previous works as Meddle (1971) and Wish You Were Here (1975).
George Roger Waters is an English musician and singer-songwriter. In 1965, he co-founded the rock band Pink Floyd as the bassist. Following the departure of the songwriter, Syd Barrett, in 1968, Waters became Pink Floyd's lyricist, co-lead vocalist and conceptual leader until his departure in 1985.
The Division Bell is the fourteenth studio album by the English rock band Pink Floyd, released on 28 March 1994 by EMI Records in the United Kingdom and on 5 April by Columbia Records in the United States.
Obscured by Clouds is the seventh studio album by the English progressive rock band Pink Floyd, released on 2 June 1972 by Harvest and Capitol Records. It serves as the soundtrack for the French film La Vallée, by Barbet Schroeder. It was recorded in two sessions in France, while Pink Floyd were in the midst of touring, and produced by the band.
The Australian Pink Floyd Show, more frequently referred to as the Australian Pink Floyd, is a Pink Floyd tribute band formed in 1988 in Adelaide, South Australia. Their live shows attempt to recreate the look, feel, and sound of Pink Floyd's later world tours, employing visual aids such as lasers, inflatables and a large display panel similar to Mr Screen. The Australian Pink Floyd Show plays venues worldwide.
"Comfortably Numb" is a song by the English rock band Pink Floyd, released on their eleventh studio album, The Wall (1979). It was released as a single in 1980, with "Hey You" as the B-side.
"Have a Cigar" is the third track on Pink Floyd's 1975 album Wish You Were Here. It follows "Welcome to the Machine" and on the original LP opened side two. In some markets, the song was issued as a single. English folk-rock singer Roy Harper provided lead vocals on the song. It is one of only three Pink Floyd recordings with a guest singer on lead vocals, the others being "The Great Gig in the Sky" (1973) with Clare Torry and "Hey Hey Rise Up" (2022) with Andriy Khlyvnyuk. The song, written by Waters, is his critique of the rampant greed and cynicism so prevalent in the management of rock groups of that era.
Inside Out: A Personal History of Pink Floyd is Nick Mason's personal memoir of Pink Floyd, published on 7 October 2004, in the United Kingdom. Initially a hardback release, it has since appeared in at least two different paperback editions. The book marks the first time that a group member has written a recollection of his experiences of life in the band. Mason – the only member of the band to have been a part of it in all incarnations and line-ups – covers Floyd's entire career, from the initial coming together and the Syd Barrett–led psychedelic era of the late 1960s through their success in the 1970s to the present day, via the acrimonious splits of the 1980s.
Inflatable flying pigs were one of the staple props of Pink Floyd's live shows. The first balloon was a sow, with a male pig balloon later introduced in their 1987 tour. Pigs appeared numerous times in concerts by the band, promoting concerts and record releases, and on the cover of their 1977 album Animals.
"Nobody Home" is a song from the Pink Floyd album The Wall. This song was one of several to be considered for the band's "best of" album, Echoes: The Best of Pink Floyd.
"Run Like Hell" is a song by English progressive band Pink Floyd, written by David Gilmour and Roger Waters. It appears on the album The Wall. It was released as a single in 1980, reaching #15 in the Canadian singles chart and #18 in Sweden, but it only reached #53 in the U.S. A 12" single of "Run Like Hell," "Don't Leave Me Now" and "Another Brick in the Wall " peaked at #57 on the Disco Top 100 chart in the U.S. To date, it is the last original composition written by both Gilmour and Waters, the last of such under the Pink Floyd banner, and the last composition recorded by all four members of the 1970s-era Floyd lineup.
The Azimuth Co-ordinator was the first panning control for a quadraphonic sound system, at that time a new concept. Pink Floyd became the first band to use it in their early shows.
Pink Floyd are an English progressive rock band, formed in the mid-1960s in London.
Pink Floyd are an English rock band formed in London in 1965. Gaining an early following as one of the first British psychedelic groups, they were distinguished by their extended compositions, sonic experiments, philosophical lyrics, and elaborate live shows. They became a leading band of the progressive rock genre, cited by some as the greatest progressive rock band of all time.
The Binson Echorec is a delay effects unit produced by Italian company Binson. Unlike most other electromechanical delays, the Echorec uses an analog magnetic drum recorder instead of a tape loop.
The In the Flesh Tour, also known as the Animals Tour, was a concert tour by the English rock band Pink Floyd in support of their 1977 album Animals. It was divided in two legs: one in Europe and another in North America. The tour featured large inflatable puppets, as well as a pyrotechnic "waterfall", and one of the biggest and most elaborate stages to date, including umbrella-like canopies that would rise from the stage to protect the band from the elements.
Ian Ronald Emes was a British artist and film director. He is known for using innovative and experimental film techniques, and for being Pink Floyd's original animator.
"One of These Days" is the opening track from Pink Floyd's 1971 album Meddle. The composition is instrumental except for the spoken line from drummer Nick Mason, "One of these days, I'm going to cut you into little pieces."
Nick Mason's Saucerful of Secrets are an English rock band formed in 2018 to perform the early music of Pink Floyd. The band comprises the Pink Floyd drummer and co-founder Nick Mason, the bassist Guy Pratt, the guitarists Gary Kemp and Lee Harris, and the keyboardist Dom Beken. As many fans had discovered Pink Floyd with their bestselling 1973 album The Dark Side of the Moon, Mason wanted to bring their earlier material to a wider audience.