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Platform 4 is a national performance and visual arts company based in Winchester, Hampshire, in the UK. [1]
Founded in 1997, artistic director Catherine Church oversees the projects of Platform 4 and their associate artists. Longterm creative design partners for Platform 4 include Su Houser, who has designed many of their most recent projects, Simon Plumridge, designer and director, previously of the Ding Foundation (BAC supported artists) and composer and musician Jules Bushell. Platform 4 are Associate Artists at Lighthouse Poole's Centre for the Arts and are consultants in the venue's recent review process.
"Platform 4 is an artist-led company that creates playful and unexpected worlds in which performers and participants can explore their creativity and the things that matter to them. The work is highly visual, often intimate in scale and process, connects people and puts human relationships at the heart of the event."[ by whom? ] [2] The work is designer-led and often embraces this as starting points for work which is characterised by the visual and sonic worlds being as important as text.
The work of Platform 4 was documented as part of Dramaturgy and Performance, by Cathy Turner and Synne Behrndt. [3]
The Memory Points Book was written as a documentation of the company’s long running Memory Points Project. [4]
"Platform 4 make work that tours regionally and nationally and creates tailor-made participatory installations and celebratory events. In the last 25 years they have devised a wide range of projects for venues, schools and colleges, youth theatres and community groups." [5]
The company was formed in 1997, Artistic Director Church says "I had no idea how to get into making theatre - all doors seemed shut – so I felt the best way was to start making my own. I was obsessed with the artist Kurt Schwitters and his collage technique – constructing elements and fragments from everyday life and 're packaging them so to speak' so this turned into our first piece in 1997: 'The Paper Forest'". [6]
Platform 4 thereafter continued using visual stimuli - painters or paintings - as the starting point for their shows, and for many years toured devised works that were the result of collaboration between writers, designers and performers. Platform 4 have worked with Anna Maria Murphy, from Kneehigh Theatre, the writers Hattie Naylor and Matthew Wilkie and Nell Leyshon in a dramaturg role.
For many years Platform 4 shows were seen as separate from their participatory work but in 2008 they started to combine both strands of the companies work. The result was a project started with the Southampton's Connection Club, a social group for people with early onset dementia and their supporters. This resulted in the first two important pieces for the company: The Starlight Picture Palace, an installation piece made for the group and their extended families at the Nuffield Theatre, Southampton and Memory Points. which toured to the Point, Eastleigh, Winchester Theatre Royal, Lighthouse Poole Centre for the Arts and the South Bank Centre, London.
Platform 4 work is now centred firmly in the area of 'co creation' working with groups of people from all walks of life who inspire and influence the work.
The company spent years coming to the realisation that the vision for all the pieces of work created was in making 'artistic' experiences' inspired by and for the people who immediately surrounded them. Groups of people young and old that the company wanted to support, where the micro is presented on the macro scale - telling intimate stories or making manifest tiny moments in detailed pieces of work.
Platform 4's participatory work has been influenced by installation, creating magical shadow filled environments for all ages and kinds of groups, this work has evolved and become more important to the company ethos.
Invisible Music a musical journey fora 5 musicians with voices sampled within the music, is the company's latest project based on Artistic Director Catherine Church's work with Winchester's Lip Reading Community and her mother's deafness. Touring 2018, its Church's most personal piece to date.
"The theatre – long corridors, foyers, dusty dead-ends, unexpected nooks, empty stages, dressing rooms and lighting boxes – becomes a metaphor for the mind. Platform 4 animate these spaces through a mixture of music and installation, offering fragments and snatches, rather than a tidy narrative. The show operates like memory itself: sometimes full of clarity, sometimes fuzzy. On occasion, it's gaudy with colour and at other times faded and sepia-toned. Just when you think you've grasped the show, it slides away from you." [7]
"Memory Point(s) by Platform 4 is a mystery tour of the theatre in which the audience encounter images and sounds that create and trigger memories." [8] Memory Points is a deliberately disorientating journey using memory as an emotional trigger. Working together with the Connections Club, a group of people living with early onset dementia and their supporters, in association with the Alzheimers Society, Platform 4 used – snatches of songs, poems, commonplace family mementoes, even objects, photographs of special times, people and places. This piece was influenced by the current fascination in the contemporary theatre world with 'Site Specific' work.
The 'Memory Points' performance followed a 2-year collaboration with members of the Alzheimer's Society Southampton-Eastleigh Connections Club, and the Eastleigh Singing For The Brain. [9]
Platform 4 used parts of a building which suited memories. By mirroring familiar occasions and selecting narratives from the group, they wanted the general public to compare their own journeys through life. Stopping to reflect on a series of rooms in a series of buildings the control box, the dressing room, an under-stage cinema. Memory Points was made for 4 buildings in the UK: The Point, Eastleigh, Winchester Theatre Royal, Lighthouse Poole Centre for the Arts and backstage and in the tunnels underneath the South Bank Centre, London.
The piece although inspired by the people the company met over a 5-year period was targeted for a general audience who met together in small groups and 'did the tour'. The piece highlighted the issues around dementia but also tried to raise awareness by making a unique piece of work that worked on nostalgia and personal memory.
Memory Points was voted one of the Top 10 pieces of theatre by Guardian Critic Lyn Gardner for 2013, receiving four stars. [10]
A book was published about the Memory Points journey and was sold in the Royal Festival Hall and sold through the Platform 4 website.
Memory Points was part of The Festival of Love [11] at the South Bank Centre in 2014.
Memory Points returned to South Bank Centre in 2015 running from September 24 to October 4, the opening coincided with World Alzheimer's Day. [12]
INVISIBLE MUSIC 2016–present
In 2016 Catherine Church started work on a follow up to Memory Points - and created a sound piece called INVISIBLE MUSIC inspired by her own mother's hearing loss. She describes it 'as a love letter to her Mum' based on a poem she wrote about losing her hearing. The Memory Point's band that formed for the previous show came together to develop this work further with long term collaborators Jules Bushell and Pete Flood (from the band Bellowhead).
The participant’s voices from Church's mum’s lip reading classes were metaphorically and literally at the heart of the piece - coming out of speakers in the centre of the space. The loose narrative of the piece centred around the idea of a tropical island with its beauty but isolation, setting sail to search for something, then drifting and sinking into underwater distortions and darker emotions, which then gives way to a gradual recovery and discovery of a new island at the end. This was all told through the voices of the lip reading group within the music. The piece also addressed the concept of communication - how do performers communicate and listen on stage to play their music? How do they get their cues? Watching the performers involved in this process enabled the audience to reflect on the communication and ‘visual listening’ that becomes even more important when you are losing your hearing. The piece embraced the universal themes of ageing / reflection on life and dealing with loss of sound - but crucially addresses what it means to communicate when there is a language barrier but loads of love and good will – so it works on the level of the musical journey but could be accessed on different levels depending on the types of audience – hearing impaired followed it through transcription and projection of text created by the Nottingham based digital artist Barret Hodgson.
This work premiered at Theatre Royal Winchester in February 2018 after a year's development and toured throughout 2018.
''''TRIFFID! 2022 is now finally touring in Feb and March 2022..''''
The John Wyndham Estate gave permission in 2019 for the company to create eclectic music inspired by the TRIFFIDS novel with the same team producing on the piece throughout 2020. John Wyndham
Winchester is a cathedral city in Hampshire, England. The city lies at the heart of the wider City of Winchester, a local government district, at the western end of the South Downs National Park, on the River Itchen. It is 60 miles (97 km) south-west of London and 14 miles (23 km) from Southampton, its nearest city. At the 2021 census, the built-up area of Winchester had a population of 48,478. The wider City of Winchester district includes towns such as Alresford and Bishop's Waltham and had a population of 127,439 in 2021. Winchester is the county town of Hampshire and contains the head offices of Hampshire County Council.
Southampton Airport is an international airport located in both Eastleigh and Southampton, Hampshire, in the United Kingdom. The airport is located 3.5 nautical miles north-north-east of central Southampton. The southern tip of the runway lies within the Southampton unitary authority boundary with most of the airport, including all of the terminal buildings, within the Borough of Eastleigh.
Eastleigh is a town in Hampshire, England, between Southampton and Winchester. It is the largest town and the administrative seat of the Borough of Eastleigh, with a population of 24,011 at the 2011 census.
The Borough of Eastleigh is a local government district with borough status in Hampshire, England. It is named after its main town of Eastleigh, where the council is based. The borough also contains the town of Hedge End along with several villages, many of which form part of the South Hampshire urban area.
Winchester railway station is a railway station in Winchester in the county of Hampshire, England. It is on the South West Main Line and was known as Winchester City from 1949–67 to distinguish it from Winchester (Chesil) station. It is 66 miles 39 chains (107.0 km) down the line from London Waterloo.
The South West Main Line (SWML) is a 143-mile major railway line between Waterloo station in central London and Weymouth on the south coast of England. A predominantly passenger line, it serves many commuter areas including south western suburbs of London and the conurbations based on Southampton and Bournemouth. It runs through the counties of Surrey, Hampshire and Dorset. It forms the core of the network built by the London and South Western Railway, today mostly operated by South Western Railway.
South Hampshire is a term used mainly to refer to the conurbation formed by the city of Portsmouth, city of Southampton and the non-metropolitan boroughs of Gosport, Fareham, Havant and Eastleigh in southern Hampshire, South East England. The area was estimated to have a population of over 1.5 million in 2013. It is the most populated part of South East England excluding London. The area is sometimes referred to as Solent City particularly in relation to local devolution, but the term is controversial.
Bournemouth railway station is the main railway station serving the seaside town of Bournemouth, Dorset, England. It was previously known as Bournemouth East and then Bournemouth Central. It has long been treated as an obligatory stop on the South West Main Line from London Waterloo to Weymouth. It is 108 miles 2 chains (173.8 km) down the main line from Waterloo and is situated between Pokesdown and Branksome.
Woking railway station is a major stop in Woking, England, on the South West Main Line used by many commuters. It is 24 miles 27 chains (39.2 km) down the line from London Waterloo. The station is managed by South Western Railway, who operate all trains serving it.
Chandler's Ford is a largely residential area and civil parish in the Borough of Eastleigh in Hampshire, England. It has a population of 21,436 in the 2011 Census.
Eastleigh railway station serves the town of Eastleigh in the county of Hampshire in England. It is located on the South West Main Line and is the junction station for two other routes, the Eastleigh-Fareham Line and the Eastleigh-Romsey Line. It is 73 miles 35 chains (118.2 km) from London Waterloo. South of the station are Eastleigh Railway Works and Eastleigh Depot.
Fleet railway station serves the town of Fleet in Hampshire, England. It is situated on the South West Main Line, which has four tracks through the station. There are two platforms on the outer pair of tracks, which are served by trains between London Waterloo and Basingstoke and Southampton. The centre pair of tracks have no platforms and are used by through-services.
Lighthouse is an arts centre in Poole, Dorset, England. According to Arts Council England it is the largest arts centre in the United Kingdom outside London.
Solent Blue Line Limited, trading under the name Bluestar, is a bus operator providing services in Southampton and the surrounding areas of Hampshire. It is a subsidiary of the Go South Coast sector of the Go-Ahead Group.
The Didcot, Newbury and Southampton Railway (DN&SR) was a cross-country railway running north–south between Didcot, Newbury and Winchester. Its promoters intended an independent route to Southampton and envisaged heavy traffic from the Midlands and North of England to the port, but they ran out of funds to complete the line to Southampton. The intended heavy through traffic never materialised, and the line was dependent on larger railways—the Great Western Railway and the London and South Western Railway—for support, which was not freely given. The line opened in two stages, in 1882 and 1885.
North Stoneham is a settlement between Eastleigh and Southampton in south Hampshire, England. Formerly an ancient estate, manor, and civil parish, it is currently part of the Borough of Eastleigh. Until the nineteenth century, it was a rural community comprising a number of scattered hamlets, including Middle Stoneham, North End, and Bassett Green, and characterised by large areas of woodland.
Esther Richardson is a British theatre director and script editor. She directed an adaptation of Stephen Poliakoff's Breaking the Silence, and A Pair of Pinters. In 2016, she was appointed the artistic director of Pilot Theatre.
Xelabus Limited is an independent bus and coach operator, based in Eastleigh, Hampshire. It primarily operates public bus services within the Southampton area. All their operations come under their parent, Xelagroup Ltd.
Earl Carpenter is an English musical theatre actor and singer, recognized chiefly for his work in London’s West End. He is known for his performances as Inspector Javert in the stage musical Les Misérables and as the title character in The Phantom of the Opera, both roles he has played on and off for two decades. He is widely known for his rich, deep baritone singing voice.
Cathy Turner is a British artist and researcher, specialising in dramaturgy, site-specific performance and walking art. She is a founder member of Wrights & Sites, and a Senior Lecturer in Drama at the University of Exeter. Turner's practice and research explore how one's life experience can influence one's perception of their environment.