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David Edward Gatten is an American experimental filmmaker and moving image artist. Since 1996 Gatten's films have explored the intersection of the printed word and moving image, cataloging the variety of ways in which texts functions in cinema as both language and image, often blurring the boundary between these categories. His 16mm films often employee cameraless techniques, combined with close-up cinematography and optical printing processes. In addition to the ongoing 16mm films, Gatten is now making hybrid 16mm/digital works and has completed an entirely digital feature-length project called The Extravagant Shadows.
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The merits of digital versus film photography were considered by photographers and filmmakers in the early 21st century after consumer digital cameras became widely available. Digital photography and digital cinematography have both advantages and disadvantages relative to still film and motion picture film photography. In the 21st century, photography came to be predominantly digital, but traditional photochemical methods continue to serve many users and applications.
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Triste is a 1996 American avant-garde short film directed by Nathaniel Dorsky. It is the first in a set of "Four Cinematic Songs", which also includes Variations, Arbor Vitae, and Love's Refrain.
Music Makes a City is a 2010 American documentary film directed by Owsley Brown III and Jerome Hiler. It examines the history of the Louisville Orchestra.
Alaya is a 1987 American avant-garde short film directed by Nathaniel Dorsky. It shows sand filmed in different ways.
17 Reasons Why is a 1987 American avant-garde short film directed by Nathaniel Dorsky. Working with a collection of secondhand portable cameras, Dorsky used the unslit 8 mm footage to create a split screen with four quadrants. Normally screened on 16 mm film at 16 frames per second, it is one of his only works to have been shown as a digital transfer.
References
- ↑ Barnett, Daniel (2017). Movement as Meaning in Experimental Cinema. Bloomsbury Academic. pp. 205–206. ISBN 978-1-5013-4965-2.
- 1 2 3 4 5 MacDonald, Scott (2001). "Sacred Speed: An Interview with Nathaniel Dorsky". Film Quarterly . 54 (4): 8. doi:10.1525/fq.2001.54.4.2.
- 1 2 Delabre, Patrick (1985). "Acting/Being on the Surface of Film: Conversation with Nathaniel Dorsky". Cinematograph. 1. San Francisco Cinematheque: 96–98.
- ↑ MacDonald, Scott (2006). A Critical Cinema 5: Interviews with Independent Filmmakers. University of California Press. ISBN 978-0-520-93908-0.
- 1 2 Kleinhans, Chuck (February 1988). "Margin notes". Afterimage . Vol. 15, no. 7. p. 21. doi:10.1525/aft.1988.15.7.21.
- ↑ "Bay calendar". San Francisco Examiner . June 6, 1983. p. B11.
- ↑ Taubin, Amy (October 27, 1987). "Being Here Now". The Village Voice .
