"Polymorph" | |
---|---|
Red Dwarf episode | |
Episode no. | Series 3 Episode 3 |
Directed by | Ed Bye |
Written by | Rob Grant & Doug Naylor |
Original air date | 28 November 1989 |
Guest appearances | |
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"Polymorph" is the third episode of science fiction sitcom Red Dwarf Series III, [1] and the fifteenth in the series run. [2] It premiered on the British television channel BBC2 on 28 November 1989. It is considered by some to be the series' best. [3] Written by Rob Grant and Doug Naylor, and directed by Ed Bye, the episode has the crew fighting a shapeshifting, emotion-stealing creature. It is the only Red Dwarf episode to feature a pre-credits warning about the content. The episode was re-mastered, along with the rest of the first three series, in 1998.
A non-human life-form with shape-changing properties escapes from a waste pod floating in space and gets aboard Red Dwarf. Although Holly (Hattie Hayridge) detects it, despite scepticism by Arnold Rimmer (Chris Barrie) that it's a false alarm, the creature attacks Dave Lister (Craig Charles) while he is having a meal. As Rimmer and Cat (Danny John-Jules) wait for him to recover in the Medical Unit, Kryten (Robert Llewellyn) and Holly reveal the creature to be a man-made genetic mutant called a "Polymorph", designed to leech off its target's negative emotions, revealing that when Lister suffered immense fear when the creature attacked, it drained him of it and has now left him all too eager to face any danger. [4]
To avoid it, the others seal Lister away and prepare to escape with a Starbug for a getaway. [4] However, the Polymorph manages to capture each on their own, after an accident with heat-seeking bazookoids, and trick them into exposing a negative emotion – Cat loses his vanity; Kryten loses his guilt; and Rimmer loses his anger. [4] All four find themselves at a disadvantage against the creature as a result, but opt to confront it down in the ship's cargo decks. Although things don't start well, they defeat it by pure luck thanks to their earlier accident, causing them to recover their lost emotions. As the group leave the cargo decks, they are unaware of a second Polymorph having boarded the ship from the same waste pod floating past Red Dwarf, which follows them, mimicking Lister's appearance. [5]
When the episode was remastered, Doug Naylor opted to change the ending of the story – in the remastered version, the second Polymorph makes its appearance as a bouncing ball, whereupon a caption explains that it was less intelligent than the first, stowed away in Lister's clean underpants drawer, and died of old age many years later. Naylor stated the change of ending was due to his dislike of fans asking him about the second creature's fate in the original ending.[ citation needed ]
Director Ed Bye drew inspiration for the look and design of the episode from watching the 1979 film Alien just before shooting began. [6] For the cargo bay scenes a warehouse in Manchester was hired for the shooting. Empty cardboard boxes were strategically stacked up and down the warehouse floor to give the illusion of a stocked cargo bay. [6]
Although the episode had a pre-credits warning, about the episode's content, this was more of a plot device as the episode was broadcast past the 9:00 pm watershed. [7] [8] During the filming of the Polymorph morphing into Lister's boxer shorts scene the audience laughed so loud for so long that Chris Barrie had to wait several minutes until things had calmed down (the scene is now considered by many to be one of the funniest of the entire series). This also provided extra work in the editing room as the sequence required more work than usual to edit together a workable shot. [9]
The episode also had some of the show's most effects intensive scenes done yet. Animatronic versions of both the small and large Polymorph creature versions were created. The small version was voiced by production manager Mike Agnew. The larger model, which was prone to tipping over, collapsed before the final shot. Blue screen was used to shoot the creature and added to existing footage of the crew. To achieve the Polymorph morphing into all the different objects the traditional locked-off camera and jump-cut procedure was used. [10] The newly introduced Bazookoids provided more video effects as two heat-seeking laser bolts were fired and ended up chasing the Cat. The heat-seekers were given sound effects borrowed from the lightsabers of Star Wars . [10]
Guest appearances included actress Frances Barber who took on a scene as 'Genny Mutant', Kalli Greenwood, who played Rimmer's mother, and the show's first appearance of Rimmer as a young boy, played by Simon Gaffney. [11]
The theme of the episode is a parody of Ridley Scott's 1979 Alien film which features a Xenomorph. The Polymorph's transformations also resemble the Alien's various transformations, from the early small worm to its large incarnation with a huge jaw holding an extendable emotion sucking tongue. [12] The scene where the polymorph shapeshifts into Lister's boxer shorts has a literary parallel in Damon Knight's 1964 short story "Maid to Measure" where a jealous and witchy lady literally changes into a bikini for the use of the woman who's her deadly rival. [13]
Rimmer also says "What about the Rimmer directive, which states never tangle with anything that's got more teeth than the entire Osmond Family." This a reference to the band.
The episode was originally broadcast on the British television channel BBC2 on 21 November 1989 in the 9:00pm evening time slot, [8] and was well received by fans, many considering it to be the series' best. [3] It came second in a Red Dwarf Smegazine readers poll, gaining 9.3% of the votes. [3] DVD Talk described it as "a great episode because the actors really have fun with their newly transformed attitudes." [14] On the Series III DVD the producers mention "Polymorph" as one of their favorite episodes from the series. [15]
The remastering of Series I to III was carried out during the late 1990s. [16] General changes throughout the series included replacement of the opening credits, [17] giving the picture a colour grade and filmising, [18] computer generated special effects of Red Dwarf and many more visual and audio enhancements. [19]
Changes specific to "Polymorph" include:
Red Dwarf Remastered was an attempt in 1997 to bring the first three series of the BBC's cult sci-fi sitcom Red Dwarf up to date. A collaborative effort between BBC Worldwide and Grant Naylor Productions, it was hoped that remastered versions of the episodes would prove more appealing to broadcasters in international territories. Only Series I-III were remastered, although the BBC had commissioned for the remastering of Series IV and V as well. Doug Naylor decided to put the project on hold and wait for technology to catch up with their vision.
"Balance of Power" is the third episode of science fiction comedy Red Dwarf series one. It was first broadcast on the British television channel BBC2 on 29 February 1988. Written by Rob Grant and Doug Naylor, and directed by Ed Bye. The story revolves around Lister's desire to bring his one true love, Kristine Kochanski, back as a hologram.
"Waiting For God" is the fourth episode from science fiction sitcom Red Dwarf series one. It was first broadcast on the British television channel BBC2 on 7 March 1988. The episode's theme is religion: atheist Rimmer succumbs to a passionate belief in a superrace of aliens with the technology to give him a new body, while Lister reflects on his role as god of the Cat people.
"Confidence and Paranoia" is the fifth episode from series one of the science fiction sitcom Red Dwarf. It was first broadcast on the British television channel BBC2 on 14 March 1988. The plot involves Lister's mutated pneumonia which manifests solid hallucinations.
"Kryten" is the seventh episode from science fiction sitcom Red Dwarf, the first from series two, and was first broadcast on BBC2 on 6 September 1988. Written by Rob Grant and Doug Naylor, and directed by Ed Bye, this episode introduced the mechanoid character Kryten. The episode was re-mastered, along with the rest of the first three series, in 1998.
"Me2" (pronounced "me, squared") is the sixth and final episode from series one of the science fiction sitcom Red Dwarf, which was first broadcast on BBC2 on 21 March 1988. Written by Rob Grant and Doug Naylor, and directed by Ed Bye. The script was written as a late addition to the series following an electricians' strike at the BBC. The episode follows on from the cliffhanger set by "Confidence and Paranoia"—there are now two Rimmers on board Red Dwarf. The episode was remastered, along with the rest of the first three series, in 1998, to bring it up to a standard suitable for international broadcast.
"Thanks for the Memory" is the third episode of science fiction sitcom Red Dwarf series two and the ninth in the series run. It premiered on BBC2 on 20 September 1988. Written by Rob Grant and Doug Naylor, and directed by Ed Bye, the episode has the Red Dwarf crew investigating how, and why, they lost four days from their memory. The episode was re-mastered, along with the rest of the first three series, in 1998.
"Stasis Leak" is the fourth episode of the science fiction sitcom Red Dwarf series two and tenth in the series run. It premiered on the British television channel BBC2 on 27 September 1988. Written by Rob Grant and Doug Naylor, and directed by Ed Bye, the crew travelling back in time, before the accident had wiped out the crew of Red Dwarf. The episode was re-mastered, along with the rest of the first three series, in 1998.
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"Parallel Universe" is the sixth episode of science fiction sitcom Red Dwarf series two, and the twelfth in the show's run. It premiered on the British television channel BBC2 on 11 October 1988. Written by Rob Grant and Doug Naylor, and directed by Ed Bye, the plot involves the Red Dwarf crew travelling to a parallel universe where they meet alternative versions of themselves. This marked the final appearance of Norman Lovett as Holly, although he would return years later at the end of Series VII and then for the whole of Series VIII. The episode was remastered, along with the rest of the first three series, in 1998.
"Marooned" is the second episode of science fiction sitcom Red Dwarf Series III, and the fourteenth in the series run. It premiered on the British television channel BBC2 on 21 November 1989. Written by Rob Grant and Doug Naylor, and directed by Ed Bye, the story is about Lister and Rimmer being marooned together on a bleak ice planet. The episode was re-mastered, along with the rest of the first three series, in 1998.
"Bodyswap" is the fourth episode of science fiction sitcom Red Dwarf Series III, and the sixteenth overall. It premiered on the British television channel BBC2 on 5 December 1989. Written by Rob Grant and Doug Naylor, and directed by Ed Bye. This was the first episode to be recorded without a live studio audience. The plot has Rimmer suggesting that the perfect way to help Lister get "healthy" is swapping bodies. The episode was re-mastered, along with the rest of the first three series, in 1998.
"Timeslides" is the fifth episode of science fiction sit-com Red Dwarf Series III, and the seventeenth in the series run. It premiered on the British television channel BBC2 on 12 December 1989. Written by Rob Grant and Doug Naylor, and directed by Ed Bye, the plot deals with Lister's desire to change his life by going back in time and changing his past. The episode was re-mastered, along with the rest of the first three series, in 1998.
"The Last Day" is the sixth, and last, episode of science fiction sit-com Red Dwarf Series III, and the eighteenth in the series run. It premiered on the British television channel BBC2 on 19 December 1989. Written by Rob Grant and Doug Naylor, and directed by Ed Bye, the story is about Kryten's expiry date and how Lister decides to give him a last day to remember. The episode was re-mastered, along with the rest of the first three series, in 1998.
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