| Popular Favorites | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | September 10, 1996 | |||
| Recorded | December 20–21, 1995 - Jan 1996 | |||
| Studio |
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| Genre | Garage punk, punk blues | |||
| Length | 34:22 | |||
| Label | Crypt [1] | |||
| Oblivians chronology | ||||
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Popular Favorites is the second studio album by the Oblivians. [2] It was released in 1996 on Crypt Records. [3]
The album was recorded in Memphis and New York City. [4] "Christina" is a cover of the Brownie McGhee song. [5]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [6] |
| The Commercial Appeal | [7] |
The Toronto Sun called the album "supremely filthy," writing that "it makes Jon Spencer sound like Pat Boone." [8] Miami New Times deemed it "a 34-minute slugfest that highlights the band's blues chops ... and showcases their ability to pulverize a riff into fine powder." [4] The Commercial Appeal noted that "for manic deranged 'blooze' with a healthy dose of unleashed libido, the Oblivians are truth in packaging." [7]
Soul Food is the Oblivians' first album. It was recorded at Easley Studios in Memphis, Tennessee and released on May 23, 1995, by Crypt Records.
Sympathy Sessions is the first compilation album released by the Oblivians. It was released on April 5, 1996 by Sympathy for the Record Industry. The album is a collection of two prior 10-inch releases, Never Enough and Six of the Best, as well as four additional single sides, all of which were recorded for and released by the label Sympathy for the Record Industry, hence the title.
Reigning Sound is an American rock and roll band originally based in Memphis, Tennessee, United States, now located in Asheville, North Carolina. In 2012, it signed to Merge Records. The band's current lineup includes songwriter Greg Cartwright, Benny Trokan (bass), Mike Catanese (guitar), Mikey Post (drums) and Dave Amels (organ).
The Gories are an American garage rock trio that formed in Detroit, Michigan, United States, in 1986. They were among the first 1980s garage rock bands to incorporate overt blues influences. The band features Mick Collins, Dan Kroha on guitar and vocals, and Peggy O'Neill on drums.
James Lee Lindsey Jr., known professionally as Jay Reatard, was an American musician from Memphis, Tennessee. He was signed to Matador Records. He released recordings as a solo artist and as a member of the Reatards and Lost Sounds.
Goner Records is an independent record label and record store co-owned by Eric Friedl of The Oblivians and Zac Ives and based in Memphis, Tennessee. It is known for releasing albums by punk, garage rock, and more recently post-punk and synth-oriented bands, such as the King Khan & BBQ Show, Nots, Low Life, and the late Jay Reatard. The label also hosts Gonerfest, an annual Memphis music festival.
Greg Cartwright, also known by his stage name Greg Oblivian, is an American singer, songwriter, and guitarist from Memphis, Tennessee. He currently fronts Reigning Sound and is signed to Merge Records. After moving away from Memphis in the mid-2000s, he has since lived with his family in Asheville, North Carolina.
...Play Nine Songs with Mr. Quintron is the third studio album by the Oblivians, released in 1997 on Crypt Records. The album features noted Ninth Ward nightclub organist Mr. Quintron playing organ and percussion on a number of tracks.
Compulsive Gamblers were an American garage rock group formed in Memphis, Tennessee, in 1990 by Greg Cartwright and Jack Yarber, both future members of the Oblivians.
Eric Friedl, also known by his stage name, Eric Oblivian, is a musician and the founder and owner of Goner Records, an independent music label and record store located in Memphis, Tennessee.
Jack Yarber, also known by his stage name Jack Oblivian, is an American singer, songwriter, and guitarist based in Memphis, Tennessee. He was a founding member of the garage bands The Compulsive Gamblers, and The Oblivians and currently fronts Jack O & the Tennessee Tearjerkers.
'68 Comeback is an American garage rock band formed in Memphis, Tennessee in 1992 by singer, songwriter, and musicologist, Jeffrey Evans. For the purposes of the band, Jeffrey Evans is frequently billed as either "Monsieur Evans" or "Monsieur Jeffrey Evans." The group contains a revolving cast of musicians, the only constant member being Evans himself.
Gambling Days Are Over is the debut studio album by the Compulsive Gamblers. It was released in 1995 by Sympathy for the Record Industry. The album, with the exception of the last three songs, was recorded on an 8-track recorder in vocalist Jack Oblivian's apartment. The album was released after the band had already broken up, and was essentially a collection of the group's three 7-inch releases, "Church Goin'," "Joker," and Goodtime Gamblers." During the recording of the album the Compulsive Gamblers lineup consisted of Jack Oblivian and Greg Oblivian on guitar and vocals, Bushrod Thomas on drums, Fields Trimble on bass, and Greg Easterly on violin. The first three songs on the album are cover songs reflecting the band's diverse influences; the album contains covers by The Tornados, the Bar-Kays, and Tom Waits. The song "Sour and Vicious Man" was covered by Jay Reatard of the Reatards on their third album, Not Fucked Enough.
Break Up, Break Down is the first studio album by the Reigning Sound. It was released on May 15, 2001, by Sympathy for the Record Industry.
Bluff City is the second studio album by the Compulsive Gamblers. It was released on April 27, 1999, by the independent music label, Sympathy for the Record Industry. The album was recorded after the band returned from a four-year hiatus in which members Greg Cartwright and Jack Yarber were recording under the name, the Oblivians. Bluff City was written while the Compulsive Gamblers were a threesome, with Cartwright and Yarber joined by Bushrod Thomas on drums. After the recording of Bluff City, the group recruited bassist Jeff Meier for a European tour in support of the album.
Crystal Gazing Luck Amazing is the third and final studio album by The Compulsive Gamblers. The album was released June 20, 2000 by Sympathy for the Record Industry. The album's lineup consisted of Gamblers mainstays Greg Cartwright and Jack Yarber on guitar and vocals. The Compulsive Gamblers began recording the album following their first European tour, which saw the addition of bassist Jeff Meier and keyboardist Brendan Lee Spengler to the Compulsive Gamblers' formerly three-piece outfit. The track Rock & Roll Nurse was covered by the band The Von Bondies on their 2001 debut album Lack of Communication.
Live & Deadly: Memphis–Chicago is a live album recorded by the Compulsive Gamblers. It is the final release by the band, released on April 15, 2003 by the independent record label Sympathy for the Record Industry. The album contains 16 tracks recorded during two May 2002 performances, one in Memphis, Tennessee, and the other in Chicago, Illinois. Live & Deadly was released just prior to the second and final time the Compulsive Gamblers disbanded. The album contains cover songs by the Bar-Kays, Tom Waits, and Nolan Strong & The Diablos. The song "Sour and Vicious Man" was in turn covered by The Reatards on their third album, Not Fucked Enough.
Rock'n Roll Holiday: Live in Atlanta was an early live show of Memphis-based garage punk rockers Oblivians, recorded in August 1994 in Atlanta, Georgia. The recording was originally issued in 1995 as a vinyl bootleg on Negro Records, of which 500 copies were produced. It was later re-released by Sympathy for the Record Industry in 2003 on both vinyl LP and CD.
The Oblivians are an American garage punk trio that has existed since 1993. In the 1990s, their blues-infused brand of bravado, crudely recorded music made them one of the most popular and prominent bands within the underground garage rock scene.
The Reatards were an American garage punk band formed in Memphis, Tennessee, in 1995. Originally a one-man project by guitarist Jay Reatard, the group's sound was marked by raw, stripped-down instrumentals and lo-fi recording quality. After distributing privately pressed cassettes and EPs, most notably Fuck Elvis, Here's the Reatards, the band released their debut album Teenage Hate in 1998, followed by Grown Up, Fucked Up a year later. By 1999, the group only sporadically performed as Reatard began exploring other endeavors, but in 2005 he reformed the band for their third and final studio album. Much of the Reatards' discography remains a subject of interest, leading to reissues of their work years later.
