The Woman I Murdered is a 1948 French drama film directed by Jacques Daniel-Norman and starring Armand Bernard, Pierre Larquey and Micheline Francey. The film's sets were designed by the art director Raymond Druart.
Beautiful Days is a 1935 French comedy film directed by Marc Allégret and starring Simone Simon, Jean-Pierre Aumont and Raymond Rouleau. The film's sets were designed by the art directors Jean d'Eaubonne and Lazare Meerson.
The Scandalous Couple is a 1935 French comedy film directed by Georges Lacombe and starring Suzy Vernon, René Lefèvre and Maurice Escande. The film's sets were designed by the art director Roland Quignon.
The President is a 1938 French comedy film directed by Fernand Rivers and starring Elvire Popesco, Henri Garat and André Lefaur. It is based on the 1912 play of the same title by Maurice Hennequin. The film's sets were designed by the art director René Renoux. The play was adapted again for the 1952 Italian film Mademoiselle Gobete.
Wolves Between Them is a 1936 French spy thriller film directed by Léon Mathot and starring Roger Duchesne, Jules Berry and Renée Saint-Cyr. The film's sets were designed by the art director Jacques Colombier. It is a sequel to the 1935 film Second Bureau. Two further entries in the series A Man to Kill (1937) and Captain Benoît (1938) were released. The film was remade as the 1939 British release Secret Journey.
A Man to Kill is a 1937 French spy thriller film directed by Léon Mathot and starring Jean Murat, Jules Berry and Viviane Romance. It was based on a novel of the same title by Charles Robert-Dumas. The film's sets were designed by the art director Jacques Colombier. It was the third in a series of four films, followed by Captain Benoît in 1938.
Coquecigrole is a 1931 French comedy drama film directed by André Berthomieu and starring Max Dearly, Danielle Darrieux and Gabrielle Fontan. It was based on a 1926 novel of the same title by Alfred Machard. The film's sets were designed by the art director Jean d'Eaubonne.
Azaïs is a 1931 French comedy film directed by René Hervil and starring Max Dearly, Simone Rouvière and Jeanne Saint-Bonnet. It is based on a play of the same title by Georges Berr and Louis Verneuil. The film's sets were designed by the art director Jean d'Eaubonne.
When Midnight Strikes is a 1936 French-Dutch crime drama film directed by Léo Joannon and starring Marie Bell, Pierre Renoir and Roger Karl. It was adapted by Alfred Machard from his own novel of the same title. The film's sets were designed by the art director Jacques-Laurent Atthalin. A separate Dutch-language version Klokslag twaalf was also produced.
Vertigo is a 1935 French drama film directed by Paul Schiller and starring Alice Field, André Burgère and Jean Toulout. It is based on a 1922 play of the same title by Charles Méré, which had previously been made into the 1926 silent film Le Vertige directed by Marcel L'Herbier. The film's sets were designed by the art director René Renoux. It was produced and distributed by the French subsidiary of Fox Film.
Number 33 is a 1933 French spy drama film directed by Karl Anton and starring André Luguet, Edwige Feuillère and Abel Tarride. The film's sets were designed by the art director Henri Menessier.
Primerose is a 1934 French drama film directed by René Guissart and starring Madeleine Renaud, Henri Rollan and Marguerite Moreno. It was produced by the French subsidiary of the German company Tobis Film at the Epinay Studios in Paris. The film's sets were designed by the art director Lazare Meerson.
Mannequins is a 1933 French comedy film directed by René Hervil and starring Noël-Noël, Gaby Basset and Paul Amiot. It was based on the 1925 operetta of the same name by Henri Falk and Jacques Bousquet. The film's sets were designed by the art director Jean d'Eaubonne.
The Case of Doctor Brenner is a 1933 American-French drama film directed by John Daumery and starring Jean Marchat, Simone Genevois and Maurice Rémy. It is a French-language remake of the 1932 American film Alias the Doctor, itself based on a play by Imre Földes. It was produced by the French subsidiary of Warner Brothers.
Dainah the Mulatto is a 1932 French drama film directed by Jean Grémillon and starring Charles Vanel, Habib Benglia and Gaston Dubosc. Location shooting took place around Nice and Corsica. The film's sets were designed by the art director Jean Lafitte. The original length was of 90 minutes, but it was cut down by the distribution company Gaumont to a shorter 51 minute version for release. This is the only version that survives in film archives.
Monsieur Breloque Has Disappeared is a 1938 French comedy film directed by Robert Péguy and starring Lucien Baroux, Junie Astor and Suzy Pierson. It is an adaptation of the 1923 stage farce Dicky by Paul Armont, Marcel Gerbidon and Jean Manoussi. The film's sets were designed by the art director Émile Duquesne.
White Nights in Saint Petersburg is a 1938 French drama film directed by Jean Dréville and starring Gaby Morlay, Jean Yonnel and Pierre Renoir. It is an adaptation of the 1889 novella The Kreutzer Sonata by Leo Tolstoy. It is sometimes known by this title, and should not be confused with the 1937 German film The Kreutzer Sonata directed by Veit Harlan. The film's sets were designed by the art directors Lucien Carré, Alexandre Lochakoff and Vladimir Meingard while the costume design was overseen by Boris Bilinsky.
Simone Is Like That is a 1933 French comedy film directed by Karl Anton and starring Meg Lemonnier, Henri Garat and Pierre Etchepare. It was produced by the French subsidiary of Paramount Pictures at the company's Joinville Studios in Paris. It was voted as one of the most popular releases of the year by readers of Pour Vous film magazine.
The Woman from the End of the World is a 1938 French drama film directed by Jean Epstein and starring Charles Vanel, Jean-Pierre Aumont and Germaine Rouer. It is based on a novel of the same title by Alain Serdac. Location shooting took place on the island of Ushant off Brittany. The film's sets were designed by the art director Roger Berteaux.
