Gerbrand van den Eeckhout was a Dutch Golden Age painter and a favourite student of Rembrandt. He was also an etcher, an amateur poet, a collector and an adviser on art.
Ferdinand Bol was a Dutch painter, etcher and draftsman. Although his surviving work is rare, it displays Rembrandt's influence; like his master, Bol favored historical subjects, portraits, numerous self-portraits, and single figures in exotic finery.
Rembrandt Harmenszoon van Rijn, usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker, and draughtsman. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art. It is estimated Rembrandt produced a total of about three hundred paintings, three hundred etchings, and two thousand drawings.
Events from the year 1667 in art.
Nicolaes Eliaszoon Pickenoy was a Dutch painter of Flemish origin. Pickenoy was possibly a pupil of Cornelis van der Voort and presumably Bartholomeus van der Helst was his own pupil.
The Sampling Officials, also called Syndics of the Drapers’ Guild, is a 1662 oil painting by Rembrandt. It is currently owned by the Rijksmuseum in Amsterdam. It has been described as his "last great collective portrait".
Portrait of a Young Man with a Gold Chain is an oil painting usually attributed to the Dutch painter Rembrandt. Signed and dated 1635, it was traditionally regarded as a self-portrait, although contemporary criticism tends to challenge this hypothesis.
The Trippenhuis is a neoclassical canal mansion in the centre of Amsterdam. It was built in 1660–1662 for the wealthy Amsterdam weapons traders Louis and Hendrick Trip. Many references to weaponry can be seen on its facade. Since 1887 it has been the seat of the Royal Netherlands Academy of Arts and Sciences (KNAW).
The dozens of self-portraits by Rembrandt were an important part of his oeuvre. Rembrandt created approaching one hundred self-portraits including over forty paintings, thirty-one etchings and about seven drawings; some remain uncertain as to the identity of either the subject or the artist, or the definition of a portrait.
Self-portrait wearing a white feathered bonnet is an oil painting attributed to the Dutch painter Rembrandt. It is signed and dated 1635. It was traditionally regarded as a Rembrandt self-portrait until 1968, when it was rejected on stylistic grounds in the Rembrandt catalogue raisonné by Horst Gerson. In 2013, art historian Ernst van de Wetering re-attributed the painting as an original Rembrandt. It is one of over 40 painted self-portraits by Rembrandt.
The Serenade is a 1629 oil painting by Judith Leyster in the collection of the Rijksmuseum. It was attributed for centuries to Frans Hals until Wilhelm von Bode saw it in the Six collection in 1883. He noticed the prominent "J" in the signature, and attributed it to Jan Hals. This is one of seven paintings first properly attributed to Leyster by Hofstede de Groot ten years later in 1893.
Portrait of Catharina Hooghsaet (1607–1685) is a 1657 painting by the Dutch Golden Age painter Rembrandt.
Portrait of an Old Woman is a c. 1640 portrait painting painted in the style of Jacob Adriaensz. Backer. It shows an old woman with folded hands. It is in the collection of the Metropolitan Museum of Art.
Three Regentesses of the Leprozenhuis of Amsterdam is a group portrait by Ferdinand Bol representing three regentesses of the leper colony of Amsterdam, painted c. 1668. The painting is held in the Rijksmuseum, in Amsterdam.
Abraham Serving the Three Angels is a 1646 oil-on-panel painting by Rembrandt. The scene depicts Abraham, it is based on an episode from the Book of Genesis and it has Mughal influence. Today it is in a private collection since it was bought in an auction in 1848 for £64. Before that its owners were Ferdinand Bol, a student of Rembrandt, the Dutch art collector and Mayor of Amsterdam, Jan Six as well as Benjamin West, an American artist.
Portrait of a Man is a 1663 oil on canvas painting by Ferdinand Bol, now in the Rijksmuseum in Amsterdam.
Portrait of the Trip Sisters, also known as Portrait of Margarita Trip as Minerva Teaching Her Sister Anna Maria Trip, is an oil on canvas painting by Dutch artist Ferdinand Bol, created in 1663. It is in the collection of the Rijksmuseum, in Amsterdam, but is currently displayed at the Royal Netherlands Academy of Arts and Sciences, also in Amsterdam. It is signed and dated 'fBol 1663'.
Portrait of Johanna de Geer and her Children as Charity or Portrait of Johanna de Geer and her Two Children Cecilia and Laurens Trip as Caritas is an oil on canvas painting by Dutch painter Ferdinand Bol, from c. 1664. It is part of the collection of the Rijksmuseum, but hangs on long-term loan to the Royal Netherlands Academy of Arts and Sciences, also in Amsterdam. The painting is signed at the bottom center 'fBol · fecit ·'. It was probably made c. 1664.
Portrait of Michiel de Ruyter is a 1667 oil on canvas painting of Michiel de Ruyter by Ferdinand Bol, with a marine landscape in the background thought to be by Willem van de Velde (II) including de Ruyter's flagship De Zeven Provinciën.
The Standard Bearer is a three-quarter-length self-portrait by Rembrandt formerly in the Paris collection of Elie de Rothschild, and purchased by the Rijksmuseum for 175 million euros with assistance from the Dutch state and Vereniging Rembrandt in 2021. It was painted on the occasion of the artist's move from Leiden to Amsterdam and is seen as an important early work that "shows Rembrandt's ambition to paint a group portrait for the Amsterdam militia, at the time the most valued commission a painter could be awarded."
