Hendrik Jan van Eikema Hommes was a noted Dutch legal scholar and successor to Herman Dooyeweerd in the post of philosopher and judicial scholar at Vrije Universiteit, Amsterdam, Netherlands.
Bartholomeus van der Helst was a Dutch painter. Considered to be one of the leading portrait painters of the Dutch Golden Age, his elegant portraits gained him the patronage of Amsterdam's elite as well as the Stadtholder's circle. Besides portraits, van der Helst painted a few genre pictures as well as some biblical scenes and mythological subjects.
Ferdinand Bol was a Dutch painter, etcher and draftsman. Although his surviving work is rare, it displays Rembrandt's influence; like his master, Bol favored historical subjects, portraits, numerous self-portraits, and single figures in exotic finery.
Amsterdam Impressionism was an art movement in late 19th-century Holland. It is associated especially with George Hendrik Breitner and is also known as the School of Allebé.
Jan Six was an important cultural figure in the Dutch Golden Age.
Adriaen Hanneman was a Dutch Golden Age painter best known for his portraits of the exiled British royal court. His style was strongly influenced by his contemporary, Anthony van Dyck.
The Trippenhuis is a neoclassical canal mansion in the centre of Amsterdam. It was built in 1660–1662 for the wealthy Amsterdam weapons traders Louis and Hendrick Trip. Many references to weaponry can be seen on its facade. Since 1887 it has been the seat of the Royal Netherlands Academy of Arts and Sciences (KNAW).
Portrait of Sara Wolphaerts van Diemen is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted around 1630–1633 and now in the Rijksmuseum, in Amsterdam. It is considered a pendant to the portrait of Sara's husband Nicolaes Hasselaer.
The pendant portraits of Maerten Soolmans and Oopjen Coppit are a pair of full-length wedding portraits by Rembrandt. They were painted on the occasion of the marriage of Maerten Soolmans and Oopjen Coppit in 1634. Formerly owned by the Rothschild family, they became jointly owned by the Louvre Museum and the Rijksmuseum in 2015 after both museums managed to contribute half of the purchase price of €160 million, a record for works by Rembrandt.
Cornelis Hoogendijk was a Dutch art collector.
Still Life with Flowers on a Marble Slab is a 1716 floral painting by Rachel Ruysch. It is in the collection of the Rijksmuseum, in Amsterdam.
Lucretia Johanna van Winter was a Dutch art collector.
Portrait of Elisabeth Bas is a portrait by Ferdinand Bol of the Dutch businesswoman Elisabeth Bas, commissioned by her grand-daughter Maria Rey, from the 1640s. It is in the collection of the Rijksmuseum Amsterdam, where it is known as Elisabeth Bas and attributed to Ferdinand Bol, though the identity of the sitter is held in doubt by the Rijksmuseum.
Self-Portrait is a c. 1669 oil on canvas painting by Ferdinand Bol, now in the Rijksmuseum, in Amsterdam. Showing the artist in an embroidered robe leaning on a small sculpture of Cupid, it is thought to have been painted on the occasion of his second marriage to Anna van Erckel in 1669.
Portrait of a Man is a 1663 oil on canvas painting by Ferdinand Bol, now in the Rijksmuseum in Amsterdam.
Portrait of the Trip Sisters, also known as Portrait of Margarita Trip as Minerva Teaching Her Sister Anna Maria Trip, is an oil on canvas painting by Dutch artist Ferdinand Bol, created in 1663. It is in the collection of the Rijksmuseum, in Amsterdam, but is currently displayed at the Royal Netherlands Academy of Arts and Sciences, also in Amsterdam. It is signed and dated 'fBol 1663'.
Portrait of Michiel de Ruyter is a 1667 oil on canvas painting of Michiel de Ruyter by Ferdinand Bol, with a marine landscape in the background thought to be by Willem van de Velde (II) including de Ruyter's flagship De Zeven Provinciën.
Maria Ida Adriana Hoogendijk (1874-1942) was a Dutch painter and art collector, best known today for her bequest of 50 paintings to the Rijksmuseum as representative of the heirs of Cornelis Hoogendijk.
The Standard Bearer is a three-quarter-length self-portrait by Rembrandt formerly in the Paris collection of Elie de Rothschild, and purchased by the Rijksmuseum for 175 million euros with assistance from the Dutch state and Vereniging Rembrandt in 2021. It was painted on the occasion of the artist's move from Leiden to Amsterdam and is seen as an important early work that "shows Rembrandt's ambition to paint a group portrait for the Amsterdam militia, at the time the most valued commission a painter could be awarded."
Johanna Aleida Budde was a Dutch painter and draughtswoman.
