Portrait of Ferdinand VII | |
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Artist | Francisco Goya |
Year | 1814–1815 |
Type | Oil on canvas, portrait |
Dimensions | 208 cm× 142.5 cm(82 in× 56.1 in) |
Location | Museo del Prado, Madrid |
Portrait of Ferdinand VII is an 1815 portrait painting by Francisco Goya depicting Ferdinand VII of Spain. [1] [2] It depicts the King wearing his robes of state.
From 1808 to 1813 Ferdinand had been a prisoner of the French Empire, held at the Château de Valençay after being deposed in favour of Napoleon's brother Joseph Bonaparte. A popular guerilla insurgency and the intervention of British forces under Lord Wellington eventually drove the French occupiers out during the Peninsular War. In late 1813 Ferdinand was released and was restored to the Spanish throne in Madrid. [3]
While popular with the rural communities that made up the majority of the population, Ferdinand was soon in dispute with the Liberals who had issued the Constitution of 1812. The previous year Goya painted Ferdinand in the uniform of a Captain General of the Spanish Army. [4] Today the work is in the collection of the Prado in Madrid. [5]
Francisco José de Goya y Lucientes was a Spanish romantic painter and printmaker. He is considered the most important Spanish artist of the late 18th and early 19th centuries. His paintings, drawings, and engravings reflected contemporary historical upheavals and influenced important 19th- and 20th-century painters. Goya is often referred to as the last of the Old Masters and the first of the moderns.
The Peninsular War (1807–1814) was the military conflict fought in the Iberian Peninsula by Portugal, Spain and the United Kingdom against the invading and occupying forces of the First French Empire during the Napoleonic Wars. In Spain, it is considered to overlap with the Spanish War of Independence.
Ferdinand VII was King of Spain during the early 19th century. He reigned briefly in 1808 and then again from 1813 to his death in 1833. Before 1813 he was known as el Deseado, and after, as el Rey Felón.
Charles IV was King of Spain and ruler of the Spanish Empire from 1788 to 1808.
The Museo del Prado, officially known as Museo Nacional del Prado, is the main Spanish national art museum, located in central Madrid. It houses collections of European art, dating from the 12th century to the early 20th century, based on the former Spanish royal collection, and the single best collection of Spanish art. Founded as a museum of paintings and sculpture in 1819, it also contains important collections of other types of works. The numerous works by Francisco Goya, the single most extensively represented artist, as well as by Hieronymus Bosch, El Greco, Peter Paul Rubens, Titian, and Diego Velázquez, are some of the highlights of the collection. Velázquez and his keen eye and sensibility were also responsible for bringing much of the museum's fine collection of Italian masters to Spain, now one of the largest outside of Italy.
Francisco Javier Castaños Aragorri, 1st Duke of Bailén was a Spanish Army officer, politician and nobleman who served during the French Revolutionary and Napoleonic Wars. He presided over the Regency Council of Spain and the Indies, in 1810. From July to September 1834, Castaños served as the first president of the Senate of Spain, at that time called the House of Peers.
The Third of May 1808 in Madrid is a painting completed in 1814 by the Spanish painter Francisco Goya, now in the Museo del Prado, Madrid. In the work, Goya sought to commemorate Spanish resistance to Napoleon's armies during the occupation of 1808 in the Peninsular War. Along with its companion piece of the same size, The Second of May 1808, it was commissioned by the provisional government of Spain at Goya's own suggestion shortly after the ousting of the French occupation and the restoration of King Ferdinand VII.
Afrancesado refers to the Spanish and Portuguese partisan of Enlightenment ideas, Liberalism, or the French Revolution, that supported Napoleon's occupation as a mean to implant these ideas in Spain.
The Second of May 1808, by Goya, also known as The Charge of the Mamelukes, is a painting by the Spanish painter Francisco Goya. It is a companion to the painting The Third of May 1808 and is set in the Calle de Alcalá near Puerta del Sol, Madrid, during the Dos de Mayo Uprising. It depicts one of the many people's rebellions against the French occupation of Spain that sparked the Peninsular War.
La maja vestida is an oil painting on canvas created between 1800 and 1807 by the Spanish Romantic painter and printmaker Francisco Goya. It is a clothed version of the earlier La maja desnuda, which was created between 1795 and 1800. The identity of the model and that of the commissioner have not been confirmed. However, art historians and scholars have suggested she is María Cayetana de Silva or Godoy's mistress Pepita Tudó.
The Dos de Mayo or Second of May Uprising took place in Madrid, Spain, on 2–3 May 1808. The rebellion, mainly by civilians, with some isolated military action by junior officers, was against the occupation of the city by French troops, and was violently repressed by the French Imperial forces, with hundreds of public executions.
The Treaty of Valençay was a proposed peace agreement between France and Spain, signed on 8 December 1813, aimed at ending the Peninsular War. It was drafted by Antoine René Mathurin for the French Empire and José Miguel de Carvajal y Manrique for the Spanish Crown. Named after the Château de Valençay, owned by former French foreign minister Charles Maurice de Talleyrand, the treaty sought to restore Ferdinand VII of Spain, who had been imprisoned by Napoleon since 1808, to the Spanish throne, which had been occupied by Joseph Bonaparte.
Napoleonic Spain was the part of Spain loyal to Joseph I during the Peninsular War (1808–1813), forming a Bonapartist client state officially known as the Kingdom of Spain after the country was partially occupied by forces of the First French Empire.
Judith and Holofernes is the name given to one of the 14 Black Paintings painted by Francisco de Goya between 1819 and 1823. By this time, Goya was in his mid 70s and deeply disillusioned. In mental and physical despair, he painted the private works on the interior walls of his home—applying oils directly on plaster—known as the Quinta del Sordo, which he had purchased in 1819. Judith and Holofernes was likely painted on the first floor, beside Saturn Devouring His Son. The picture is a personal reinterpretation of the narrative of the Book of Judith, in which the protagonist saves Israel from the assault of the general Holofernes by seducing and beheading him. Judith is the only historical figure who can be identified with certainty among the Black Paintings.
Bullfight is an 1824 oil painting by Goya owned since 1992 by the J. Paul Getty Museum. When the museum bought the painting at auction in 1992, it shattered the artist's previous auction record. This piece shows Goya’s favorite form of entertainment: the controversial contest of bullfighting.
Andres Rossi was a Spanish artist. He worked as a painter, draughtsman, print maker, sculptor and writer in Madrid and Seville.
Self-Portrait at 69 Years is an oil painting by the Spanish painter Francisco Goya. Two original versions of this work have been preserved. One of the paintings, painted on canvas, is housed in the collections of the Prado Museum. The other, created on wood panel, is located in the Real Academia de Bellas Artes de San Fernando in Madrid. Both paintings were created in 1815, in the post-war period, and depict a very similar image of the artist. This is one of the most sincere and direct self-portraits of the painter.
The Captaincy General of Aragon was an administrative district of the Spanish Empire created to replace the Kingdom of Aragon after the Nueva Planta decrees in 1711.
Josefa Bayeu or Leocadia Zorrilla is an oil painting by the Spanish painter Francisco Goya. It is currently housed in the Museo del Prado.
The Spanish Bullfight is an 1808 satirical cartoon by the British caricaturist James Gillray which presents the ongoing Napoleonic Wars as a bullfight. It was inspired by the Dos de Mayo Uprising in Madrid and other uprisings across Spain against French occupation which triggered the Peninsular War. Spain, previously an enemy of Britain, rapidly became an ally. It is known with the subtitle The Corsican Matador in Danger.