Thomas Gainsborough was an English portrait and landscape painter, draughtsman, and printmaker. Along with his rival Sir Joshua Reynolds, he is considered one of the most important British artists of the second half of the 18th century. He painted quickly, and the works of his maturity are characterised by a light palette and easy strokes. Despite being a prolific portrait painter, Gainsborough gained greater satisfaction from his landscapes. He is credited as the originator of the 18th-century British landscape school. Gainsborough was a founding member of the Royal Academy.
George II was King of Great Britain and Ireland, Duke of Brunswick-Lüneburg (Hanover) and a prince-elector of the Holy Roman Empire from 11 June 1727 (O.S.) until his death in 1760.
Frederick, Prince of Wales was the eldest son and heir apparent of King George II of Great Britain. He grew estranged from his parents, King George and Queen Caroline. Frederick was the father of King George III.
George Vertue was an English engraver and antiquary, whose notebooks on British art of the first half of the 18th century are a valuable source for the period.
Pompeo Girolamo Batoni was an Italian painter who displayed a solid technical knowledge in his portrait work and in his numerous allegorical and mythological pictures. The high number of foreign visitors travelling throughout Italy and reaching Rome during their "Grand Tour" led the artist to specialize in portraits.
John Russell was an English painter renowned for his portrait work in oils and pastels, and as a writer and teacher of painting techniques.
Ozias Humphry was a leading English painter of portrait miniatures, later oils and pastels, of the 18th century. He was elected to the Royal Academy in 1791, and in 1792 he was appointed Portrait Painter in Crayons to the King.
Princess Amelia Sophia Eleonore of Great Britain was the second daughter of King George II of Great Britain and Queen Caroline. Born in Hanover, she moved to England when her grandfather George I became king. Amelia lived a solitary existence and died in 1786, the last surviving child of her parents.
John Raphael Smith was a British painter and mezzotinter. He was the son of Thomas Smith of Derby, the landscape painter, and father of John Rubens Smith, a painter who emigrated to the United States.
Mary of Great Britain was the second-youngest daughter of George II of Great Britain and his wife, Caroline of Ansbach, and Landgravine of Hesse-Kassel as the wife of Frederick II, Landgrave of Hesse-Kassel.
Louis de Silvestre, also known as Louis de Silvestre the Younger, was a French portrait and history painter. He was court painter to King Augustus II of Poland, and director of the Royal Academy of Arts in Dresden. He is sometimes called "the Younger" to distinguish him from his older brother Louis Silvestre the Elder, drawing-master to the Dauphin.
John Shackleton was a British painter and draughtsman who produced history paintings and portraits. His parents and origins are unknown.
The title of Principal Painter in Ordinary to the King or Queen of England or, later, Great Britain, was awarded to a number of artists, nearly all mainly portraitists. It was different from the role of Serjeant Painter, and similar to the earlier role of "King's Painter". Other painters, for example Nicholas Hilliard had similar roles with different titles. "Principal Painter in Ordinary", first used for Sir Anthony Van Dyck, became settled as the usual title with John Riley in 1689.
Philippe Mercier was an artist of French Huguenot descent from the German realm of Brandenburg-Prussia, usually defined to French school. Active in England for most of his working life, Mercier is considered one of the first practitioners of the Rococo style, and is credited with influencing a new generation of 18th-century English artists.
The Equestrian Portrait of Charles I is a large oil painting on canvas by Anthony van Dyck, showing Charles I on horseback. Charles I had become King of England, Scotland and Ireland in 1625 on the death of his father James I, and Van Dyck became Charles's Principal Painter in Ordinary in 1632.
Maria Spilsbury (1776–1820) was a British artist known for her religious paintings and portraiture.
David Morier, was a Swiss-born British painter who specialised in portraits, military subjects and historical scenes around and after the time of the War of the Austrian Succession and the Jacobite rising of 1745.
Lady Agnew of Lochnaw is an oil on canvas portrait painting of Gertrude Agnew, the wife of Sir Andrew Agnew, 9th Baronet. The painting was commissioned in 1892 and completed the same year by the American portrait artist John Singer Sargent. It measures 127 × 101 cm (50.0 × 39.8 in) and is owned by the Scottish National Gallery in Edinburgh, Scotland. The museum acquired it through the Cowan Smith Bequest Fund in 1925.
Conversation Piece at the Royal Lodge, Windsor is an oil-on-canvas painting by Herbert James Gunn. It is part of the collection of the National Portrait Gallery (NPG) in London. The painting depicts King George VI and Queen Elizabeth and their daughters, Princesses Elizabeth and Margaret, taking tea in the Royal Lodge in Windsor Great Park. It was commissioned by the NPG in 1950.
Coronation Portrait of George III is a portrait painting of 1762 by the Scottish artist Allan Ramsay depicting the British monarch George III in his coronation robes. George's coronation had taken place on 22 September 1761 at Westminster Abbey, where he was crowned alongside his wife Queen Charlotte. The new king had inherited the crown from his grandfather George II in 1760 at the age of 22.
