Portrait of Luca Pacioli | |
---|---|
Artist | Attributed to Jacopo de' Barbari |
Year | c. 1495–1500 |
Medium | Tempera on panel |
Dimensions | 99 cm× 120 cm(39 in× 47 in) |
Location | Capodimonte Museum, Naples |
The Portrait of Luca Pacioli is a painting attributed to the Italian Renaissance artist Jacopo de' Barbari, dating to around 1500 and housed in the Capodimonte Museum, Naples, southern Italy. The painting portrays the Renaissance mathematician Luca Pacioli and may have been (at least partially) painted by his collaborator Leonardo da Vinci. The person on the right has not been identified conclusively, but could be the German painter Albrecht Dürer, whom Barbari met between 1495 and 1500.
The painting is mentioned for the first time in a 1631 inventory of the Ducal Palace of Urbino. It was later moved to Florence through Vittoria della Rovere-Medici, belonging to both the reigning dynasties of Urbino and Tuscany. The painting reappeared in the 19th century, as a property of the Ottaviano branch of the Medicis. It was subsequently acquired by the Italian state to prevent its being sold to England.[ citation needed ]
The painting has been generally attributed to Jacopo de' Barbari due to the presence of a cartouche with the inscription IACO.BAR. VIGENNIS. P. 1495, but the attribution to the Venetian painter has been questioned. [1] Some attribute the painting to Leonardo da Vinci, who began collaborating with Pacioli when the latter moved to Milan in 1496. [1] [2] For the next two years, [3] Leonardo illustrated Archimedean solids, including the rhombicuboctahedron, in Pacioli's Divina proportione . [4] According to one scholar, in the rhombicuboctahedron featured in the portrait "we surely see the ineffable left hand of Leonardo da Vinci, who drew the superb pictures for De divina proportione, which, moreover, hang from a string in the originals." [3] The same source points out that the dodecahedron in the portrait seems to be drawn by a less-skilled hand, implying that the portrait was created over multiple sittings and possibly by more than one artist. [3] Leonardo records that on 3 August 1504, "Jacopo the German came to live with me in the house." [5]
The painting portrays the friar and mathematician with a table filled with geometrical tools: slate, chalk, compass, a dodecahedron model. A rhombicuboctahedron, half-filled with water and characterized by a detailed triple reflection effect of the Ducal Palace of Urbino, is suspended from the ceiling. Pacioli is demonstrating a theorem by Euclid written in an open book. The closed book, with the inscription LI.RI.LUC.BUR. ('Liber reverendi Luca Burgensis') is supposed to be his Summary of arithmetic, geometry, proportions and proportionality (1494). [6]
The person on the right has not been identified conclusively; he could be the German painter Albrecht Dürer. As early as his first trip to Italy (1494–1495), Dürer became aware of theories of proportion put forth by Barbari. [7] According to Dürer's notes, he met Barbari sometime between 1495 and 1500; Barbari in turn led Dürer to Luca Pacioli's work on mathematics and art. [6] [3] Dürer wrote in October 1506 (during his second trip to Italy) that he planned to ride from Venice "to Bologna to learn the secrets of the art of perspective, which a man is willing to teach me." [3] [2] Some of Dürer's drawings are similar to that of Pacioli's master Piero della Francesca, [3] but Dürer may have simply encountered both artists by way of Pacioli's book Divina proportione , which Leonardo da Vinci illustrated. [3] Some of the figures in Leonardo's Treatise on Human Proportion also inspired Dürer's Christ among the Doctors , painted in Venice in 1506. [7]
The researcher Glori in 2020 published her ten-years research focused on the cartouche with the inscription IACO.BAR.VIGENNIS P.1495, where she summarizes the methodological path followed in order to prove the scientificity of the decryption of the mysterious cryptogram (see External link to Academia edu).
Fra Luca Bartolomeo de Pacioli was an Italian mathematician, Franciscan friar, collaborator with Leonardo da Vinci, and an early contributor to the field now known as accounting. He is referred to as the father of accounting and bookkeeping and he was the first person to publish a work on the double-entry system of book-keeping on the continent. He was also called Luca di Borgo after his birthplace, Borgo Sansepolcro, Tuscany.
In geometry, the rhombicuboctahedron, or small rhombicuboctahedron, is a polyhedron with eight triangular, six square, and twelve rectangular faces. There are 24 identical vertices, with one triangle, one square, and two rectangles meeting at each one. If all the rectangles are themselves square, it is an Archimedean solid. The polyhedron has octahedral symmetry, like the cube and octahedron. Its dual is called the deltoidal icositetrahedron or trapezoidal icositetrahedron, although its faces are not really true trapezoids.
Piero della Francesca was an Italian painter of the Early Renaissance. To contemporaries he was also known as a mathematician and geometer. Nowadays Piero della Francesca is chiefly appreciated for his art. His painting is characterized by its serene humanism, its use of geometric forms and perspective. His most famous work is the cycle of frescoes The History of the True Cross in the church of San Francesco in the Tuscan town of Arezzo.
Linear or point-projection perspective is one of two types of graphical projection perspective in the graphic arts; the other is parallel projection. Linear perspective is an approximate representation, generally on a flat surface, of an image as it is seen by the eye. Perspective drawing is useful for representing a three-dimensional scene in a two-dimensional medium, like paper.
The Vitruvian Man is a drawing by the Italian Renaissance artist and scientist Leonardo da Vinci, dated to c. 1490. Inspired by the writings by the ancient Roman architect Vitruvius, the drawing depicts a nude man in two superimposed positions with his arms and legs apart and inscribed in both a circle and square. Described by the art historian Carmen C. Bambach as "justly ranked among the all-time iconic images of Western civilization," the work is a unique synthesis of artistic and scientific ideals and often considered an archetypal representation of the High Renaissance.
The cultural and artistic events of Italy during the period 1400 to 1499 are collectively referred to as the Quattrocento from the Italian word for the number 400, in turn from millequattrocento, which is Italian for the year 1400. The Quattrocento encompasses the artistic styles of the late Middle Ages, the early Renaissance, and the start of the High Renaissance, generally asserted to begin between 1495 and 1500.
Events from the year 1504 in art.
Jacopo de' Barbari, sometimes known or referred to as de'Barbari, de Barberi, de Barbari, Barbaro, Barberino, Barbarigo or Barberigo, was an Italian painter, printmaker and miniaturist with a highly individual style. He moved from Venice to Germany in 1500, thus becoming the first Italian Renaissance artist of stature to work in Northern Europe. His few surviving paintings include the first known example of trompe-l'œil since antiquity. His twenty-nine engravings and three very large woodcuts were also highly influential.
The decade of the 1490s in art involved some significant events.
Events from the year 1509 in art.
Divina proportione, later also called De divina proportione is a book on mathematics written by Luca Pacioli and illustrated by Leonardo da Vinci, completed by February 9th, 1498 in Milan and first printed in 1509. Its subject was mathematical proportions and their applications to geometry, to visual art through perspective, and to architecture. The clarity of the written material and Leonardo's excellent diagrams helped the book to achieve an impact beyond mathematical circles, popularizing contemporary geometric concepts and images.
Mathematics and art are related in a variety of ways. Mathematics has itself been described as an art motivated by beauty. Mathematics can be discerned in arts such as music, dance, painting, architecture, sculpture, and textiles. This article focuses, however, on mathematics in the visual arts.
La Bella Principessa, also known as Portrait of Bianca Sforza, Young Girl in Profile in Renaissance Dress and Portrait of a Young Fiancée, is a portrait in coloured chalks and ink, on vellum, of a young lady in fashionable costume and hairstyle of a Milanese of the 1490s. Some scholars have attributed it to Leonardo da Vinci but the attribution and the work's authenticity have been disputed.
The Leonardeschi were the large group of artists who worked in the studio of, or under the influence of, Leonardo da Vinci. They were artists of Italian Renaissance painting, although his influence extended to many countries within Europe.
Galeazzo da Sanseverino, known as the son of Fortuna, was an Italian-French condottiere and Grand Écuyer de France; Marquis of Bobbio, Count of Caiazzo, Castel San Giovanni, Val Tidone and Voghera. He was first the favorite of Ludovico il Moro and Beatrice d'Este, then of Louis XII and Francis I of France, as well as a sworn enemy of Gian Giacomo Trivulzio.
On the other hand the Duke of Milan
called and gave the general cane
to Maria Galeazo, and captain
did it of his people on the saddle,
who riding then from hand to hand,
with the banner in the wind of the snake,
honor and glory of Lombardy,
with many great gentlemen in company.
Summa de arithmetica, geometria, proportioni et proportionalita is a book on mathematics written by Luca Pacioli and first published in 1494. It contains a comprehensive summary of Renaissance mathematics, including practical arithmetic, basic algebra, basic geometry and accounting, written for use as a textbook and reference work.
Leonardo is a historical drama created by Frank Spotnitz and Steve Thompson. The series was produced by Italian Lux Vide in collaboration with Rai Fiction, Sony Pictures Entertainment, with Frank Spotnitz's Big Light Productions and Freddie Highmore's Alfresco Pictures in association with France Télévisions and RTVE.
The Museo Leonardiano di Vinci, or Leonardian Museum of Vinci, is a museum dedicated to Leonardo da Vinci, located in Vinci, Leonardo's birthplace, in the province of Florence, Italy.
Saturday morning the 3rd of August, 1504, Jacopo the German came to live with me in the house, and agreed with me that I should charge him a carlino a day.