Portrait of William Harrison Ainsworth | |
---|---|
Artist | Daniel Maclise |
Year | c.1834 |
Type | Oil on canvas, portrait painting |
Dimensions | 91.4 cm× 70.5 cm(36.0 in× 27.8 in) |
Location | National Portrait Gallery, London |
Portrait of William Harrison Ainsworth is a c.1834 portrait painting by the Irish artist Daniel Maclise depicting the English author William Harrison Ainsworth. [1] [2] [3] Ainsworth was a popular author of historical novels and a contemporary and friend of Dickens.
It is very similar to an illustration by Maclise that appeared in Fraser's Magazine in July 1834. If so it was produced the same year as his breakthrough novel Rookwood was published. Two years later an engraving of it was used to illustrate the frontispiece of the fourth edition of the novel. Today the painting is in the collection National Portrait Gallery in London, having been acquired in 1949. [4]
This article contains information about the literary events and publications of 1834.
William Harrison Ainsworth was an English historical novelist born at King Street in Manchester. He trained as a lawyer, but the legal profession held no attraction for him. While completing his legal studies in London he met the publisher John Ebers, at that time manager of the King's Theatre, Haymarket. Ebers introduced Ainsworth to literary and dramatic circles, and to his daughter, who became Ainsworth's wife.
Events from the year 1839 in art.
Daniel Maclise was an Irish history painter, literary and portrait painter, and illustrator, who worked for most of his life in London, England.
Sir Edwin Henry Landseer was an English painter and sculptor, well known for his paintings of animals – particularly horses, dogs, and stags. His best-known works are the lion sculptures at the base of Nelson's Column in Trafalgar Square.
Irish art is art produced in the island of Ireland, and by artists from Ireland. The term normally includes Irish-born artists as well as expatriates settled in Ireland. Its history starts around 3200 BC with Neolithic stone carvings at the Newgrange megalithic tomb, part of the Brú na Bóinne complex which still stands today, County Meath. In early-Bronze Age Ireland there is evidence of Beaker culture and widespread metalworking. Trade-links with Britain and Northern Europe introduced La Tène culture and Celtic art to Ireland by about 300 BC, but while these styles later changed or disappeared elsewhere under Roman subjugation, Ireland was left alone to develop Celtic designs: notably Celtic crosses, spiral designs, and the intricate interlaced patterns of Celtic knotwork.
Bernard Mulrenin, was an Irish painter best known for his miniatures.
The Miser's Daughter is a novel by William Harrison Ainsworth serially published in 1842. It is a historical romance that describes a young man pursuing the daughter of a miserly rich man during the 18th century.
Jack Sheppard is a novel by William Harrison Ainsworth serially published in Bentley's Miscellany from 1839 to 1840, with illustrations by George Cruikshank. It is a historical romance and a Newgate novel based on the real life of the 18th-century criminal Jack Sheppard.
The novel Guy Fawkes first appeared as a serial in Bentley's Miscellany, between January and November 1840. It was subsequently published as a three-volume set in July 1841, with illustrations by George Cruikshank. The first of William Harrison Ainsworth's seven "Lancashire novels", the story is based on the Gunpowder Plot of 1605, an unsuccessful attempt to blow up the Houses of Parliament. Ainsworth relied heavily on historical documents describing the trial and execution of the conspirators, of whom Fawkes was one, but he also embellished the known facts. He invented the character of Viviana Radcliffe, daughter of the prominent Radcliffe family of Ordsall Hall – who becomes Fawkes's wife – and introduced gothic and supernatural elements into the story, such as the ability of the alchemist, John Dee, to raise the spirits of the dead.
The Tower of London is a novel by William Harrison Ainsworth serially published in 1840. It is a historical romance that describes the history of Lady Jane Grey from her short-lived time as Queen of England to her execution.
Old St. Paul's, also titled Old Saint Paul's: A Tale of the Plague and the Fire, is a novel by William Harrison Ainsworth serially published in 1841. It is a historical romance that describes the events of the Great Plague of London and the Great Fire of London. It was the basis for the 1914 silent film Old St. Paul's.
Rookwood is a novel by William Harrison Ainsworth published in 1834. It is a historical and gothic romance that describes a dispute over the legitimate claim for the inheritance of Rookwood Place and the Rookwood family name.
The Death of Nelson is a wall painting in the Royal Gallery of the Palace of Westminster by the Irish artist Daniel Maclise. A finished study for it, in the form of a painting, is in the Walker Art Gallery in Liverpool, Merseyside.
James Fraser (1804-1841) was a Scottish publisher, now known particularly for his association with Thomas Carlyle.
Charles Dickens in His Study is an oil on canvas painting by English artist William Powell Frith, created in 1859. The painting is signed and dated at the lower left, 'W P Frith fecit 1859'. It is held at the Victoria and Albert Museum, in London.
Crichton is an 1837 historical novel by the British writer William Harrison Ainsworth. It was published in three volumes by Richard Bentley. It is inspired by the life of the sixteenth century Scottish polymath James Crichton, known as the "Admiral Chrichton". It was Ainsworth's follow-up to the 1834 bestselling novel Rookwood.
Old Court is an 1867 novel by the British writer William Harrison Ainsworth. It was initially serialised in Bentley's Miscellany before being published in three volumes by Chapman and Hall of London. It was the first of three novels in a row with present-day settings, in contrast to the historical novels for which the author was known for.
Portrait of Sir Robert Peel is an 1838 portrait painting by the English artist John Linnell of the British politician Sir Robert Peel.
Portrait of Charles Dickens is an 1839 portrait painting by the Irish artist Daniel Maclise depicting the English novelist Charles Dickens. Dickens debut novel The Pickwick Papers had been a popular success, which he had followed up with Nicholas Nickelby. He was around twenty seven when he sat for the painting, which is sometimes known as Young Dickens. The painting depicts him sitting at a writing table and was generally considered a "good likeness". It was used for the frontispiece of his third novel Nicholas Nickleby. Today it is in the collection of the National Portrait Gallery in London, having been transferred from the Tate Galleries in 2012. An engraving based on the painting was produced by Edward Francis Finden.