Franciabigio was an Italian painter of the Florentine Renaissance. His true name may have been Francesco di Cristofano; he is also referred to as either Marcantonio Franciabigio or Francia Bigio.
Giovanni Battista di Jacopo, known as Rosso Fiorentino or Il Rosso, was an Italian Mannerist painter who worked in oil and fresco and belonged to the Florentine school.
Portrait of a Young Man Seated on a Carpet is a c. 1525–1527 oil on panel painting by Rosso Fiorentino, now in the National Museum of Capodimonte. The identity of its subject is unknown.
Marriage of the Virgin or the Ginori Altarpiece is a 1523 oil on panel painting by Rosso Fiorentino, signed and dated by the artist. It was commissioned by Carlo Ginori for the chapel dedicated to the Virgin Mary and Saint Joseph, in the Basilica of San Lorenzo, in Florence, previously owned by the Masi family that chapel had been acquired by the Ginori family in 1520. It still hangs in the Basilica, whilst a drawn copy attributed to Antonio Circignani is now in the Louvre (n.1592).
Bacchus, Venus and Cupid is a 1531–1532 oil-on-canvas painting attributed to the Italian Mannerist painter Rosso Fiorentino, now in the National Museum of History and Art in Luxembourg.
The Sansepolcro Deposition or Sansepolcro Lamentation is a 1528 oil on canvas painting by Rosso Fiorentino, now in San Lorenzo church in Sansepolcro.
Death of Cleopatra is a c. 1525 oil on panel painting by Rosso Fiorentino, now in the Herzog Anton Ulrich-Museum, in Braunschweig.
Moses Defends Jethro's Daughters is an oil on canvas painting attributed to Italian artist Rosso Fiorentino, created c. 1523–1524, now held in the Uffizi in Florence, which acquired it in 1632. It depicts the Biblical episode when Moses defended the seven daughters of Jethro, who would be his father-in-law.
The Dei Altarpiece is an oil on panel painting by Rosso Fiorentino, commissioned in 1509 by the Dei family and completed in 1522. It is now in Florence's Galleria Palatina, whilst the Uffizi holds a preparatory drawing which may be the original idea for the work.
Cherub Playing a Lute or Musical Cherub is a 1521 oil on panel painting by Rosso Fiorentino, now in the Uffizi in Florence. It is signed "Rubeus Florentinus" and dated - though the date is unclear it probably reads 1521.
Portrait of a Man in Black or Man in Black in Profile is a c. 1520-1522 oil on panel painting by Rosso Fiorentino, now in the Galleria Palatina, in Florence.
Portrait of a Young Man with a Helmet is a c.1520 oil on panel painting by Rosso Fiorentino, now in the Walker Art Gallery in Liverpool. It is signed "Rubeus faciebat" on the edge of the armrest. Its subject is unknown, but may be the count of Anguillara, in whose home Rosso probably stayed in summer 1524.
Portrait of a Young Man is an oil on wood painting by Rosso Fiorentino, executed c. 1517–1518, now in the Gemäldegalerie, in Berlin.
Portrait of a Man is an oil on panel painting by Rosso Fiorentino, created c. 1522. it is held in the National Gallery of Art, in Washington, DC.
Portrait of a Young Man Holding a Letter is an oil-on-panel painting by Rosso Fiorentino, executed in 1518, now in the National Gallery, London. It is dated 22 June 1518 on the letter held by the unidentified young man in black hat and clothes.
Portrait of a Young Woman is a c. 1510 oil on canvas painting, usually attributed to Rosso Fiorentino, though Giovanni Larciani has also recently been suggested as its artist. It is now in the Uffizi in Florence. It is usually thought to be an early work by Rosso, produced before the frescos of the Chiostrino dei Voti at Santissima Annunziata, Florence, though its sharp style makes it hard to give a definite attribution to Rosso.
Expulsion from Paradise or the Expulsion of Adam and Eve is an oil on panel painting by Pontormo, now in the Uffizi in Florence, whose Gabinetto Disegni e Stampe also has a preparatory drawing for it. Its dating is also uncertain and varies between c.1519 and c.1543, but is held to be c.1535 by the Uffizi.
Woman with a Basket of Spindles is an oil-on-panel painting, executed c. 1514–1515, now in the Uffizi in Florence. It is attributed to Pontormo or Andrea del Sarto. The work arrived in the Palazzo Pitti's gallery in 1773, as recorded in a note on the reverse, and in 1784 it was hanging in the Sala dell'Ermafrodito. It was last restored in 1996.
Madonna and Child with the Infant Saint John the Baptist is an oil on panel painting by Pontormo, now in the Uffizi, whose Gabinetto dei Disegni e delle Stampe also houses a preparatory drawing for the work. The two theories on its dating are 1534-1536 and Antonio Natali's theory of 1529–1530.
Portrait of a Musician is an oil painting on panel by Pontormo in the Uffizi. It is dated on stylistic grounds to c. 1518–1519; the art historian Luciano Berti places it in Pontormo's youthful phase alongside his Pucci Altarpiece, Saint John the Evangelist and Michael the Archangel.
