Villamagna Altarpiece is a 1521 oil on panel painting by Rosso Fiorentino, produced for Pieve dei Santi Giovanni Battista e Felicita, Villamagna's parish church, where it remained until the mid 1860s. It is now in the Diocesan Museum in Volterra. The artist's second commission in Volterra after Deposition , it is signed and dated in the lower left-hand corner. To the left of the Madonna and Child is John the Baptist in his camel-skin tunic and holding a cross, whilst to the left is Saint Bartholomew holding an open book and the knife used to flay him. [1]
Compared to his earlier Spedalingo Altarpiece and his later Dei Altarpiece, the work uses a simple symmetrical composition derived from 15th century Florentine traditions. The background, the Madonna's pose (with knee thrust out and the Christ Child clinging to her neck) and the male saint with an open book recall Andrea del Sarto's Madonna of the Harpies . [2]
Volterra is a walled mountaintop town in the Tuscany region of Italy. Its history dates from before the 8th century BC and it has substantial structures from the Etruscan, Roman, and Medieval periods.
Giovanni Battista di Jacopo, known as Rosso Fiorentino, or Il Rosso, was an Italian Mannerist painter who worked in oil and fresco and belonged to the Florentine school.
The Madonna and Child with Saints, also known as the Pucci Altarpiece, is a painting by the Italian late Renaissance painter Jacopo Pontormo, executed in 1516. It is housed in the church of San Michele Visdomini in Florence.
Mariotto di Nardo di Cione was a Florentine painter in the Florentine Gothic style. He worked at the Duomo of Florence, the church of Santa Maria Maggiore, and the Orsanmichele. He created both frescoes and panel paintings, and was also active as a manuscript illuminator.
San Donnino is a Romanesque-style, Roman Catholic pieve church located in the frazione of Villamagna, in the territory of the commune of Bagno a Ripoli in the metropolitan city of Florence, region of Tuscany, Italy. The church was founded in the 8th century and rebuilt prior to the 14th century.
The Madonna of Loreto is a c.1507 oil on panel painting by Perugino, now in the National Gallery, London, which bought it in 1879. It shows the Madonna and Child flanked by Jerome (left) and Francis of Assisi (right). Two angels hover over Mary's head holding a crown. It reuses the low parapet from Madonna and Child with St Rose and St Catherine (1492) and probably also involved the master's studio assistants.
The Santa Maria dei Fossi Altarpiece is a 1496-1498 painting by Pinturicchio, now in the Galleria nazionale dell'Umbria in Perugia. Unusually for an altarpiece, it is painted on canvas stretched over wooden panels.
Holy Family with the Infant Saint John the Baptist is an unfinished c.1521 oil on panel painting by Rosso Fiorentino, produced early in his stay in Volterra. The work is now in the Walters Art Museum in Baltimore.
The Spedalingo Altarpiece' or Ognissanti Altarpiece is a 1518 oil on panel painting by Rosso Fiorentino, now in the Uffizi in Florence, which acquired it in 1900. It was commissioned by Leonardo Buonafede, "spedalingo" of the Hospital of Santa Maria Nuova in Florence. The contract was dated 30 January 1518. The painting was intended for the St John the Baptist chapel in Ognissanti according to the will of Francesca de Ripoi, a Catalan widow.
The Madonna of the Baldacchino is a c.1506-1508 oil on canvas holy conversation-style painting by Raphael, now in the Galleria Palatina in Florence.
Giovanni di Lorenzo Larciani was an Italian painter. He was originally referred to as the Maestro dei paesaggi Kress.
Massacre of the Innocents is an oil on panel painting by Daniele da Volterra, created in 1548. It is held in the Uffizi, in Florence, one of a number of works by the artist in its collections.
Assumption of the Virgin is a fresco by Rosso Fiorentino in the Chiostro dei Voti of the Basilica della Santissima Annunziata in Florence.
The Dei Altarpiece is an oil on panel painting by Rosso Fiorentino, commissioned in 1509 by the Dei family and completed in 1522. It is now in Florence's Galleria Palatina, whilst the Uffizi holds a preparatory drawing which may be the original idea for the work.
The Infant Saint John the Baptist is a c.1521 oil on panel painting by Rosso Fiorentino, now in a private collection in Florence. Stylistically close to the artist's Volterra Deposition, its nervy contour lines and gaunt brushstrokes are also similar to his Holy Family with the Infant Saint John the Baptist.
Portrait of a Man in Black or Man in Black in Profile is a c.1520-1522 oil on panel painting by Rosso Fiorentino, now in the Galleria Palatina in Florence. Vasari's Life of Rosso Fiorentino briefly states that he saw several portraits by the artist in homes in Florence, probably produced before Rosso left for Volterra in 1521. How Man entered the Medici-Lorraine collections is unknown, since the first definite mention of the work is an 1815 inventory placing it in the Galleria's Sala dell'Iliade.
Portrait of a Young Man is an oil on wood painting by Rosso Fiorentino, executed c. 1517–1518, now in the Gemäldegalerie, Berlin.
Portrait of a Man is a c.1522 oil on panel painting by Rosso Fiorentino, now in the National Gallery of Art in Washington.
Portrait of a Young Man Holding a Letter is an oil-on-panel painting by Rosso Fiorentino, executed in 1518, now in the National Gallery, London. It is dated 22 June 1518 on the letter held by the unidentified young man in black hat and clothes.
Madonna and Child with the Infant Saint John the Baptist is an oil on panel painting by Pontormo, now in the Uffizi, whose Gabinetto dei Disegni e delle Stampe also houses a preparatory drawing for the work. The two theories on its dating are 1534-1536 and Antonio Natali's theory of 1529–1530.