Holy Family with the Infant Saint John the Baptist is an unfinished c. 1521 oil on panel painting by Rosso Fiorentino, produced early in his stay in Volterra. The work is now in the Walters Art Museum in Baltimore.
Portrait of a Young Man Seated on a Carpet is a c. 1525–1527 oil on panel painting by Rosso Fiorentino, now in the National Museum of Capodimonte. The identity of its subject is unknown.
The Risen Christ in Glory is an oil on panel painting by Rosso Fiorentino, created c. 1528-1530. OIt is held in the Diocesan Museum in the Città di Castello. It shows the risen Christ with Mary Magdalene, the Virgin Mary, Saint Anne and Mary of Egypt.
Bacchus, Venus and Cupid is a 1531–1532 oil-on-canvas painting attributed to the Italian Mannerist painter Rosso Fiorentino, now in the National Museum of History and Art in Luxembourg.
The Dead Christ with Angels or Four Angels Lamenting the Dead Christ is an oil on panel painting by Rosso Fiorentino, executed c. 1525–1526, now in the Museum of Fine Arts in Museum of Fine Arts, in Boston.
Death of Cleopatra is a c. 1525 oil on panel painting by Rosso Fiorentino, now in the Herzog Anton Ulrich-Museum, in Braunschweig.
Moses Defends Jethro's Daughters is an oil on canvas painting attributed to Italian artist Rosso Fiorentino, created c. 1523–1524, now held in the Uffizi in Florence, which acquired it in 1632. It depicts the Biblical episode when Moses defended the seven daughters of Jethro, who would be his father-in-law.
The Dei Altarpiece is an oil on panel painting by Rosso Fiorentino, commissioned in 1509 by the Dei family and completed in 1522. It is now in Florence's Galleria Palatina, whilst the Uffizi holds a preparatory drawing which may be the original idea for the work.
Villamagna Altarpiece is a 1521 oil on panel painting by Rosso Fiorentino, produced for Pieve dei Santi Giovanni Battista e Felicita, Villamagna's parish church, where it remained until the mid 1860s. It is now in the Diocesan Museum in Volterra. The artist's second commission in Volterra after Deposition, it is signed and dated in the lower left-hand corner. To the left of the Madonna and Child is John the Baptist in his camel-skin tunic and holding a cross, whilst to the left is Saint Bartholomew holding an open book and the knife used to flay him.
Cherub Playing a Lute or Musical Cherub is a 1521 oil on panel painting by Rosso Fiorentino, now in the Uffizi in Florence. It is signed "Rubeus Florentinus" and dated - though the date is unclear it probably reads 1521.
Pietà is a c.1537-1540 oil painting by Rosso Fiorentino, originally painted on panel and later transferred to canvas. Now in the Louvre in Paris, it is the only securely-identified original painting by the artist known to have been produced for a courtier of Francis I of France. X-ray examination has shown an initial composition under the bodies of Christ and St John.
The Infant Saint John the Baptist is a c.1521 oil on panel painting by Rosso Fiorentino, now in a private collection in Florence. Stylistically close to the artist's Volterra Deposition, its nervy contour lines and gaunt brushstrokes are also similar to his Holy Family with the Infant Saint John the Baptist.
Portrait of a Man in Black or Man in Black in Profile is a c. 1520-1522 oil on panel painting by Rosso Fiorentino, now in the Galleria Palatina in Florence.
Portrait of a Young Man with a Helmet is a c.1520 oil on panel painting by Rosso Fiorentino, now in the Walker Art Gallery in Liverpool. It is signed "Rubeus faciebat" on the edge of the armrest. Its subject is unknown, but may be the count of Anguillara, in whose home Rosso probably stayed in summer 1524.
Portrait of a Young Man is an oil on wood painting by Rosso Fiorentino, executed c. 1517–1518, now in the Gemäldegalerie, in Berlin.
Portrait of a Man is an oil on panel painting by Rosso Fiorentino, created c. 1522. it is held in the National Gallery of Art, in Washington, DC.
Portrait of a Young Man Holding a Letter is an oil-on-panel painting by Rosso Fiorentino, executed in 1518, now in the National Gallery, London. It is dated 22 June 1518 on the letter held by the unidentified young man in black hat and clothes.
Portrait of a Young Man in Black is an oil on panel painting by Rosso Fiorentino, executed c. 1520, now in the Uffizi in Florence. Its present attribution was assigned by Antonio Natali, director of the Uffizi, replacing a previous attribution to Domenico Puligo.
Portrait of a Young Woman is a c. 1510 oil on canvas painting, usually attributed to Rosso Fiorentino, though Giovanni Larciani has also recently been suggested as its artist. It is now in the Uffizi in Florence. It is usually thought to be an early work by Rosso, produced before the frescos of the Chiostrino dei Voti at Santissima Annunziata, Florence, though its sharp style makes it hard to give a definite attribution to Rosso.
Saint Louis of Toulouse is a fresco fragment of 1460 by Piero della Francesca, removed from its original wall in the former Palazzo Pretorio in Sansepolcro, Tuscany, in the mid-19th century, and now in the Museo Civico in the same town. The detachment destroyed a Latin inscription recording Ludovico Acciaioli as the commissioner and 1460 as the work's date, on the occasion of the town's revival of the role of gonfaloniere of justice.
