Mannerism, also known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century.
Franciabigio was an Italian painter of the Florentine Renaissance. His true name may have been Francesco di Cristofano, however he also is referred to as either Marcantonio Franciabigio or Francia Bigio.
Jacopo Caraglio, Giovanni Jacopo Caraglio or Gian Giacomo Caraglio known also as Jacobus Parmensis and Jacobus Veronensis was an Italian engraver, goldsmith and medallist, born at Verona or Parma. His career falls easily into two rather different halves: he worked in Rome from 1526 or earlier as an engraver in collaboration with leading artists, and then in Venice, before moving to spend the rest of his life as a court goldsmith in Poland, where he died.
The Deposition from the Cross is an altarpiece, completed in 1528, depicting the Deposition of Christ by the Italian Renaissance painter Jacopo Pontormo. It is broadly considered to be the artist's surviving masterpiece. Painted in oil on canvas, the painting is located above the altar of the Capponi Chapel of the church of Santa Felicita in Florence.
Giovanni Battista di Jacopo, known as Rosso Fiorentino, or Il Rosso, was an Italian Mannerist painter, in oil and fresco, belonging to the Florentine school.
Andrea del Sarto was an Italian painter from Florence, whose career flourished during the High Renaissance and early Mannerism. He was known as an outstanding fresco decorator, painter of altar-pieces, portraitist, draughtsman and colorist. Though highly regarded during his lifetime as an artist senza errori, his renown was eclipsed after his death by that of his contemporaries, Leonardo da Vinci, Michelangelo and Raphael.
Holy Family with the Infant Saint John the Baptist is an unfinished c.1521 oil on panel painting by Rosso Fiorentino, produced early in his stay in Volterra. The work is now in the Walters Art Museum in Baltimore.
Portrait of a Young Man Seated on a Carpet is a c. 1525–1527 oil on panel painting by Rosso Fiorentino, now in the National Museum of Capodimonte. Its subject is unknown.
Giovanni di Lorenzo Larciani was an Italian painter. He was originally referred to as the Maestro dei paesaggi Kress.
Marriage of the Virgin or the Ginori Altarpiece is a 1523 oil on panel painting by Rosso Fiorentino, signed and dated by the artist. It was commissioned by Carlo Ginori for the chapel dedicated to the Virgin Mary and saint Joseph - previously owned by the Masi family that chapel had been acquired by the Ginori family in 1520. It still hangs in the Basilica, whilst a drawn copy attributed to Antonio Circignani is now in the Louvre (n.1592).
Portrait of a Man in Black or Man in Black in Profile is a c.1520-1522 oil on panel painting by Rosso Fiorentino, now in the Galleria Palatina in Florence. Vasari's Life of Rosso Fiorentino briefly states that he saw several portraits by the artist in homes in Florence, probably produced before Rosso left for Volterra in 1521. How Man entered the Medici-Lorraine collections is unknown, since the first definite mention of the work is an 1815 inventory placing it in the Galleria's Sala dell'Iliade.
Portrait of a Young Man is a oil on wood painting by Rosso Fiorentino, executed c. 1517-1518, now in the Gemäldegalerie, Berlin.
Portrait of a Man is a c.1522 oil on panel painting by Rosso Fiorentino, now in the National Gallery of Art in Washington.
Portrait of a Young Man holding a Letter is a oil on panel painting by Rosso Fiorentino, executed in 1518, now in the National Gallery, London. It is dated 22 June 1518 on the letter held by the unidentified young man in black hat and clothes.
Portrait of a Young Man in Black is a oil on panel painting by Rosso Fiorentino, executed c. 1520, now in the Uffizi in Florence. Its present attribution was assigned by Antonio Natali, director of the Uffizi, replacing a previous attribution to Domenico Puligo.
Portrait of a Young Woman is a c.1510 oil on canvas painting, usually attributed to Rosso Fiorentino, though Giovanni Larciani has also recently been suggested as its artist. It is now in the Uffizi in Florence. It is usually thought to be an early work by Rosso, produced before the frescos of the Chiostrino dei Voti at Santissima Annunziata, Florence, though its sharp style makes it hard to give a definite attribution to Rosso.
Supper at Emmaus is a 1525 oil on canvas painting by Pontormo and now in the Uffizi in Florence. It is one of the smallest works signed and dated by the artist, in this case on the abandoned scroll in the foreground.
Portrait of a Halberdier, The Halberdier or Man with a Halberd is a 1529-1530 or 1537 oil painting by Pontormo, originally painted on panel and later transferred to canvas. It is now in the Getty Museum in Los Angeles. A preparatory drawing now in Florence's Gabinetto dei Disegni e delle Stampe shows the figure in a more frontal and less contraposto pose.
Portrait of Maria Salviati is a c.1543-1545 oil on panel painting in the Uffizi, attributed to Pontormo.
Portrait of a Musician is an oil painting on panel by Pontormo in the Uffizi. It is dated on stylistic grounds to c. 1518–1519; the art historian Luciano Berti places it in Pontormo's youthful phase alongside his Pucci Altarpiece, Saint John the Evangelist and Michael the Archangel.
