Portrait of an Ecclesiastic is an oil on canvas painting by Moretto da Brescia, executed c. 1545, now in the Alte Pinakothek in Munich, Germany. [1] It was acquired in 1838 in Venice by marquess Canova. [2]
Portrait of an Ecclesiastic is an oil on canvas painting by Moretto da Brescia, executed c. 1545, now in the Alte Pinakothek in Munich, Germany. [1] It was acquired in 1838 in Venice by marquess Canova. [2]
The Alte Pinakothek is an art museum located in the Kunstareal area in Munich, Germany. It is one of the oldest galleries in the world and houses a significant collection of Old Master paintings. The name Alte (Old) Pinakothek refers to the time period covered by the collection—from the fourteenth to the eighteenth century. The Neue Pinakothek, re-built in 1981, covers nineteenth-century art, and Pinakothek der Moderne, opened in 2002, exhibits modern art. All three galleries are part of the Bavarian State Painting Collections, an organization of the Free state of Bavaria.
The Neue Pinakothek is an art museum in Munich, Germany. Its focus is European Art of the 18th and 19th centuries, and it is one of the most important museums of art of the nineteenth century in the world. Together with the Alte Pinakothek and the Pinakothek der Moderne, it is part of Munich's "Kunstareal".
The Canigiani Holy Family or Canigiani Madonna is an oil on wood painting by the Italian High Renaissance artist Raphael, executed circa 1507–1508.
Leo von Klenze was a German neoclassicist architect, painter and writer. Court architect of Bavarian King Ludwig I, Leo von Klenze was one of the most prominent representatives of Greek revival style.
The Portrait of Charles V is an oil on canvas portrait of Charles V, Holy Roman Emperor by Titian, painted in 1548. As with the Equestrian Portrait of Charles V, it was commissioned by Charles during Titian's stay at the imperial court at Augsburg. It is now in the Alte Pinakothek in Munich, Germany.
Vanity is an oil painting by the Italian late Renaissance painter Titian, dated to around 1515 and now held at the Alte Pinakothek in Munich, Germany.
The Paumgartner altarpiece is an early triptych painting by Albrecht Dürer, commissioned by the Paumgartner family of Nuremberg. The central panel depicts a nativity scene, while the wings depict Saint George (left) and Saint Eustace (right). The saint's faces are donor portraits of the brothers Stephan and Lukas Paumgartner, respectively. Other members of the Paumgartner family are depicted as small figures in the center panel.
The Descent from the Cross is a 1633 painting of the Descent from the Cross by Rembrandt. It is now in the Alte Pinakothek in Munich. It is a companion piece to Rembrandt's later The Raising of the Cross.
Helena Fourment or Hélène Fourment was the second wife of Baroque painter Peter Paul Rubens. She was the subject of a few portraits by Rubens, and also modeled for other religious and mythological paintings.
The Great Last Judgement is an oil on canvas altarpiece, painted by the Flemish artist Peter Paul Rubens between 1614 and 1617. He created the composition and final touches and his is the only signature on the work, though it is believed between nine and nineteen studio assistants also worked on it. Its name distinguishes it from the same artist's The Small Last Judgement of 1619 and his The Fall of the Damned of 1620.
The Rape of the Daughters of Leucippus is a 1618 painting by Peter Paul Rubens and Jan Wildens. It is displayed at the Alte Pinakothek in Munich.
The Lion Hunt is a 1621 painting by Peter Paul Rubens, now held in the Alte Pinakothek in Munich. It shows two lions attacked by hunters on horseback and on foot. It marks the end of an intensive creative phase for Rubens centered on the theme of hunting. It has the dimensions of 377 by 249 cm
The Suicide of Lucretia is an oil on lime panel painting by Albrecht Dürer, signed and dated 1518, in the collection of the Alte Pinakothek, Munich. It shows the Ancient Romean heroine Lucretia, wife of Lucius Tarquinius Collatinus, in a tall and narrow framing, in the act of killing herself rather than face the shame of being raped by her cousin Sextus Tarquinius. Lucretia stands in front of a cramped and harshly lit room containing the bridal bed on which she was raped. She looks to the sky, as if asking the gods to witness her suicide. Her face betraying feelings of disgrace, as she stabs herself with a sword to the belly. The panel is Dürer's second treatment of Lucretia, following a very similar 1508 drawing. The earlier composition, drawn in ink with wash on paper, is in the Albertina museum, Vienna.
The Crowning with Thorns or Christ Crowned with Thorns is an oil on canvas painting by Titian, executed in 1576, now in the Alte Pinakothek in Munich. It is a typical composition from his final period. and can be compared with an earlier 1542 work of his on the same subject.
The Life of Christ is a series of seven paintings in tempera and gold on panel, attributed to Giotto and dating to around 1320–1325. Depicting the Nativity and Passion of Christ, and Pentecost, they are now housed in a number of museums: three are in the Alte Pinakothek in Munich, and the Metropolitan Museum of Art in New York, the Isabella Stewart Gardner Museum in Boston, the Berenson Collection in Settignano and the National Gallery in London all have one each.
Holy Family with the Infant Saint John the Baptist is an oil on canvas painting by Domenico Beccafumi, executed c. 1521–1522, now in the Alte Pinakothek in Munich, which it entered in 1850. It was previously acquired from the casa Marsili in Siena in 1816 for 975 scudi for Prince Ludwig.
Maria Gertrud Metz(born 1746 in Bonn, died 1793 in London), also known as Gertrude or Gertrudis Metz, was a German still life painter.
Children Eating a Tart is a c. 1670-1675 oil on canvas painting by Bartolomé Esteban Murillo, measuring 123 by 102 cm and now in the Alte Pinakothek in Munich.
Children Eating Grapes and a Melon is a 1645-1650 oil on canvas painting by Bartolomé Esteban Murillo, now in room XIII of the Alte Pinakothek in Munich. Along with religious works, realistic and naturalistic genre scenes like this form one of the most oft-repeated themes in the artist's oeuvre, often centred on children, as also seen in Children Playing Dice and The Young Beggar.
Susanna and the Elders is an oil on wood painting by Albrecht Altdorfer, created in 1526, now held in the Alte Pinakothek in Munich.The subject is the Old Testament story of Susanna bathing.
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