Salomé is an oil painting on canvas, by Moretto da Brescia, from 1540.
Lament over the Dead Christ is a 1526–1530 oil on canvas painting by Moretto da Brescia, now in the National Gallery of Art in Washington. Two copies of the work are in Italian private collections, whilst a third is in the parish church of San Giovanni Battista in Coccaglio in the Province of Brescia.
Enthroned Madonna and Child with Saint James the Great and Saint Jerome is a c.1517 oil on canvas painting by Moretto da Brescia, now in the High Museum of Art in Atlanta, which acquired it in 1950. It is one of the painter's earliest known works.
Christ with the Eucharist and Saints Cosmas and Damian is a c.1540 oil on canvas painting by Moretto da Brescia, still in the church dedicated to the two saints in Marmentino and now on its high altar.
Christ with the Eucharist and Saints Bartholomew and Roch is a c.1545 oil on canvas painting by Moretto da Brescia, still in the church of San Bartolomeo in Castenedolo in the Province of Brescia, Italy.
Christ in Glory with Saint Peter and Saint Paul is a c.1540 oil on canvas painting by Moretto da Brescia, displayed on the altar dedicated to St Peter in the abbey church of San Nicola in Rodengo-Saiano, where it has been since its production. It shows Christ handing the keys of the kingdom to Saint Peter and the book of doctrine to Paul of Tarsus. It was probably commissioned by one or more of the Olivetan monks of the church, probably by Tommaso da Gussago, as referred to by Luigi Fé d'Ostiani in 1886 on the basis of an unidentified document
Madonna and Child with Saint Roch and Saint Sebastian is a c.1528 oil on canvas painting on one of the side altars of the church of Sant'Andrea in Pralboino, Province of Brescia, Italy. It was originally painted for the church of San Rocco in the town, where it was seen by Francesco Paglia in 1660. There is then no further mention of it in the written record until the 19th century, in studies by Carl Ransonnet in 1845 and by Stefano Fenaroli in 1875, which state it was by then in the church of Sant'Andrea - it had probably moved between 1782 and 1790 when the parish church was rebuilt in its present form.
Madonna and Child with Four Doctors of the Church is a 1540-1545 oil on canvas painting by Moretto da Brescia, now in the Städelsches Kunstinstitut in Frankfurt. From left to right it shows Gregory the Great, Saint Jerome, Saint Ambrose and Augustine of Hippo.
Mystic Marriage of Saint Catherine is a c.1543 oil on canvas painting by Moretto da Brescia, on display on a side altar in the church of San Clemente in Brescia. In the upper register are Catherine of Alexandria, the Madonna and Child and Catherine of Siena, whilst below are Paul and Jerome.
The Orzinuovi Altarpiece or Enthroned Madonna and Child with Saints Dominic, Joseph, Vincent Ferrer, Lucy and a Commissioner is a 1525–1530 oil on canvas painting by Moretto da Brescia on the wall of the chancel of the church of San Domenico in Orzinuovi.
The Pralboino Altarpiece is a 1540-1545 oil on canvas painting by Moretto da Brescia in the church of Sant'Andrea in Pralboino, Province of Brescia, Italy. The work's upper register shows the Madonna and Child with Francis of Assisi and Saint Joseph, whilst below are saints Jerome, Louis of Toulouse, Anthony of Padua, Clare of Assisi and the painting's commissioner, cardinal Uberto Gambara, member of a local family. It was originally in the same town's Franciscan church of Santa Maria degli Angeli.
The Sant'Eufemia Altarpiece is a 1526-1530 oil on panel painting by Moretto da Brescia, originally on the high altar of Sant'Afra in Brescia and now in the Pinacoteca Tosio Martinengo in the town. The Sant'Afra Reliquary was also based on the painting. The painting's lower register shows saints Benedict of Nursia, Euphemia, Justina and Paterius.
The Rovelli Altarpiece is a 1539 oil on canvas painting by Moretto da Brescia, which since 1899 has been in the Pinacoteca Tosio Martinengo in Brescia, Italy. Strongly influenced by Titian, it is named after the schoolmaster Galeazzo Rovelli who commissioned it for the church of Santa Maria dei Miracoli in Brescia in 1539, where it remained until being removed in the 19th century and replaced by a copy. Its composition was reused by Moroni in his Mystic Marriage of Saint Catherine in the 1560s.
The Assumption Altarpiece was a 1529-1530 multi-panel painting by Moretto da Brescia. It is mainly oil on panel, although the two angels on the cornice are in tempera grassa verniciata.
Portrait of Fortunato Martinengo Cesaresco is a 1542 oil on canvas painting by Moretto da Brescia, now in the National Gallery, London. X-ray photography during a 1973 restoration showed a table in front of the man with an open book on it.
St Antony the Abbot is a 1530-1534 oil on canvas painting of Antony the Great by Moretto da Brescia on display on one of the side-altars in the Santuario della Madonna della Neve in Auro, Casto, Province of Brescia, Italy.
St Anthony of Padua with Two Saints is a c.1530 oil on canvas painting by Moretto da Brescia, now in the Pinacoteca Tosio Martinengo in Brescia. The other two saints shown are Antony the Great and Nicholas of Tolentino.
St Margaret of Antioch with Two Saints is a 1530 oil on panel painting by Moretto da Brescia on display on the side-altar of St Jerome in the church of San Francesco in Brescia. To the left of Margaret of Antioch is shown Saint Jerome, whilst to the right is Francis of Assisi.
St Justina of Padua with a Donor is a c.1530 oil on panel painting by Moretto da Brescia, now in the Kunsthistorisches Museum in Vienna, to which it was transferred in the late 19th century soon after the Museum's opening. It shows Justina of Padua.
The Standard of Our Lady of Mercy is a 1520-1522 oil on canvas painting by Moretto da Brescia, now in the Tempio Canoviano in Possagno. It is made up of two canvases, now separated one showing Our Lady of Mercy and the other shows The Prophets Enoch and Elijah.
