Salomé is an oil painting on canvas, by Moretto da Brescia, executed c. 1540. It is kept in the collection of the Pinacoteca Tosio Martinengo in Brescia.
The Deaf-Mute Filippo Viotti's Vision of the Virgin Mary is an oil on canvas painting by Moretto da Brescia, executed c. 1534, displayed in the Santuario della Madonna at Paitone in the Province of Brescia, Italy. It is first recorded in 1648 by Carlo Ridolfi, who wrote that "in the church atop Monte Paitone one can still admire a miraculous image of the Virgin which Moretto made at the request of that town for such a miracle".
Supper in the House of Simon the Pharisee is a 1544 oil on canvas painting by Moretto da Brescia, now in the Chiesa della Pietà in Venice, Italy.
Christ with Moses and Solomon is a 1541-1542 oil on canvas painting by Moretto da Brescia, displayed on the altar of the Most Holy Sacrament in the collegiate church of Santi Nazaro e Celso in Brescia, the artist's home town. It has been the altarpiece for that altar throughout the historical record, from Bernardino Faino's mention of it in 1630 to the present day.
Madonna and Child with Saint Roch and Saint Sebastian is an oil on canvas painting on one of the side altars of the church of Sant'Andrea in Pralboino, province of Brescia, Italy. It was executed c. 1528 by Moretto da Brescia.
Madonna and Child with Four Doctors of the Church is a 1540-1545 oil on canvas painting by Moretto da Brescia, now in the Städelsches Kunstinstitut in Frankfurt. From left to right it shows Saint Ambrose, Gregory the Great, Saint Jerome and Augustine of Hippo.
Mystic Marriage of Saint Catherine is an oil on canvas painting by Moretto da Brescia, executed c. 1543, on display on a side altar in the Church of San Clemente in Brescia. In the upper register are Catherine of Alexandria, the Madonna and Child and Catherine of Siena, whilst below are Paul and Jerome.
The Orzinuovi Altarpiece or Enthroned Madonna and Child with Saints Dominic, Joseph, Vincent Ferrer, Lucy and a Commissioner is a 1525–1530 oil on canvas painting by Moretto da Brescia on the wall of the chancel of the church of San Domenico in Orzinuovi.
The Pralboino Altarpiece is a 1540–1545 oil on canvas painting by Moretto da Brescia in the church of Sant'Andrea in Pralboino, Province of Brescia, Italy. The work's upper register shows the Madonna and Child with Francis of Assisi and Saint Joseph, whilst below are saints Jerome, Louis of Toulouse, Anthony of Padua, Clare of Assisi and the painting's commissioner, cardinal Uberto Gambara, member of a local family. It was originally in the same town's Franciscan church of Santa Maria degli Angeli.
The Sant'Eufemia Altarpiece is a 1526-1530 oil on panel painting by Moretto da Brescia, originally on the high altar of Sant'Afra in Brescia and now in the Pinacoteca Tosio Martinengo in the town. The Sant'Afra Reliquary was also based on the painting. The painting's lower register shows saints Benedict of Nursia, Euphemia, Justina and Paterius.
The Rovelli Altarpiece is a 1539 oil on canvas painting by Moretto da Brescia, which since 1899 has been in the Pinacoteca Tosio Martinengo in Brescia, Italy. Strongly influenced by Titian, it is named after the schoolmaster Galeazzo Rovelli who commissioned it for the church of Santa Maria dei Miracoli in Brescia in 1539, where it remained until being removed in the 19th century and replaced by a copy. Its composition was reused by Moroni in his Mystic Marriage of Saint Catherine in the 1560s.
The Assumption Altarpiece was a 1529-1530 multi-panel painting by Moretto da Brescia. It is mainly oil on panel, although the two angels on the cornice are in tempera grassa verniciata.
Portrait of Fortunato Martinengo Cesaresco is a 1542 oil on canvas painting by Moretto da Brescia, now in the National Gallery, London. The use of X-ray photography during a 1973 restoration showed a table in front of the man with an open book on it.
Portrait of a Gentleman with a Letter is a 1535–1540 painting by Moretto da Brescia, now in the Pinacoteca Tosio Martinengo in Brescia, to which it was given in 1854. No record of it before that dates survives, though some art historians have identified it with a lost Portrait of Pietro Aretino recorded in correspondence.
Portrait of a Man is an oil on canvas painting by Moretto da Brescia, dated of 1526, now in the National Gallery, London, which acquired it in 1876 from the Fenaroli Avogadro Collection, from Brescia. It is held to be the first surviving standing life-size portrait in art history, predating those of Titian.
St Antony the Abbot is a 1530-1534 oil on canvas painting of Antony the Great by Moretto da Brescia on display on one of the side-altars in the Santuario della Madonna della Neve in Auro, Casto, Province of Brescia, Italy.
St Anthony of Padua with Two Saints is a c. 1530 oil on canvas painting by Moretto da Brescia, now in the Pinacoteca Tosio Martinengo in Brescia. The other two saints shown are Antony the Great and Nicholas of Tolentino.
St Margaret of Antioch with Two Saints is a 1530 oil on panel painting by Moretto da Brescia on display on the side-altar of St Jerome in the church of San Francesco in Brescia. To the left of Margaret of Antioch is shown Saint Jerome, whilst to the right is Francis of Assisi.
The Dead Christ Adored by Saint Jerome and Saint Dorothy or Saint Jerome and Saint Dorothy Adoring Christ in the Tomb is a 1520-1521 tempera verniciata on canvas painting by Moretto da Brescia. It is on show above the left-hand side door to the church of Santa Maria in Calchera in Brescia, though it is not thought to have originally been produced for that church as neither Jerome nor Dorothy had an active cult in that parish and they rarely appear in art together.
Massacre of the Innocents is an oil painting by Moretto da Brescia, executed in 1531–1532, originally painted on panel but later transferred to canvas. It is on display on a side altar in San Giovanni Evangelista church in Brescia.
