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St Antony the Abbot is a 1530-1534 oil on canvas painting of Antony the Great by Moretto da Brescia on display on one of the side-altars in the Santuario della Madonna della Neve in Auro, Casto, Province of Brescia, Italy. [1] [2]
The first possible reference to the work [3] is by Francesco Paglia in 1675 - in writing of Casto he states generally that in "Val Sabria beyond these are seen in some little churches works by Romanino and Moretto". [4] It is impossible definitively to link this reference to specific paintings, but the only one still in this area is Moretto's St Antony the Abbot. [3] Its commissioner is unknown, but was probably the town of Casto - the Santuario was built from 1527 onwards after a vision of the Virgin Mary and the canvas dates to the years immediately after this. [1] [3] There is no mention in later sources of the work being moved and so it seems to be on its original site. [3]
Assumption of the Virgin is a 1524-1526 oil on canvas painting by Moretto da Brescia, displayed as the high altarpiece in the Old Cathedral in Brescia.
Supper in the House of Simon the Pharisee is a 1544 oil on canvas painting by Moretto da Brescia, now in the Chiesa della Pietà in Venice, Italy.
Lament over the Dead Christ is a 1526–1530 oil on canvas painting by Moretto da Brescia, now in the National Gallery of Art in Washington. Painted late in the painter's youth, it shows strong similarities to the central panel of Paolo Caylina the Younger's Deposition Altarpiece from around the same time, though there are also notable differences in their use of color, such as the brighter and clearer colors used by Moretto. Some of the elements reused by Moretto in Lament recurred later in his career, so the work gives a clear idea of Moretto's training and education as an artist.
Christ with Moses and Solomon is a 1541-1542 oil on canvas painting by Moretto da Brescia, displayed on the altar of the Most Holy Sacrament in the collegiate church of Santi Nazaro e Celso in Brescia, the artist's home town. It has been the altarpiece for that altar throughout the historical record, from Bernardino Faino's mention of it in 1630 to the present day.
Christ in Glory with Saint Peter and Saint Paul is an oil on canvas painting by Moretto da Brescia, executed c. 1540, displayed on the altar dedicated to St Peter in the abbey church of San Nicola in Rodengo-Saiano, where it has been since its production. It shows Christ handing the keys of the kingdom to Saint Peter and the book of doctrine to Paul of Tarsus. It was probably commissioned by one or more of the Olivetan monks of the church, probably by Tommaso da Gussago, as referred to by Luigi Fé d'Ostiani in 1886 on the basis of an unidentified document.
Madonna and Child with Saint Roch and Saint Sebastian is an oil on canvas painting on one of the side altars of the church of Sant'Andrea in Pralboino, province of Brescia, Italy. It was executed c. 1528 by Moretto da Brescia.
Madonna and Child with Four Doctors of the Church is a 1540-1545 oil on canvas painting by Moretto da Brescia, now in the Städelsches Kunstinstitut in Frankfurt. From left to right it shows Saint Ambrose, Gregory the Great, Saint Jerome and Augustine of Hippo.
Madonna and Child with Saint Martin and Saint Catherine is an oil on canvas painting by Moretto da Brescia, executed c. 1530, now on the high altar in the church of San Martino in Porzano, Province of Brescia. It is the painter's first mature work and forms an important step towards his Coronation of the Virgin Altarpiece.
The Orzinuovi Altarpiece or Enthroned Madonna and Child with Saints Dominic, Joseph, Vincent Ferrer, Lucy and a Commissioner is a 1525–1530 oil on canvas painting by Moretto da Brescia on the wall of the chancel of the church of San Domenico in Orzinuovi.
The Pralboino Altarpiece is a 1540–1545 oil on canvas painting by Moretto da Brescia in the church of Sant'Andrea in Pralboino, Province of Brescia, Italy. The work's upper register shows the Madonna and Child with Francis of Assisi and Saint Joseph, whilst below are saints Jerome, Louis of Toulouse, Anthony of Padua, Clare of Assisi and the painting's commissioner, cardinal Uberto Gambara, member of a local family. It was originally in the same town's Franciscan church of Santa Maria degli Angeli.
The Sant'Eufemia Altarpiece is a 1526-1530 oil on panel painting by Moretto da Brescia, originally on the high altar of Sant'Afra in Brescia and now in the Pinacoteca Tosio Martinengo in the town. The Sant'Afra Reliquary was also based on the painting. The painting's lower register shows saints Benedict of Nursia, Euphemia, Justina and Paterius.
The Luzzago Altarpiece is a 1542 oil on canvas painting by Moretto da Brescia, now in the Pinacoteca Tosio Martinengo in Brescia. It was recorded in San Giuseppe church in Brescia in 1630 and moved to its present home in 1868. In the lower register Michael the Archangel points the kneeling donor to the Madonna and Child above, whilst Francis of Assisi stands to the right with a cross.
The Rovelli Altarpiece is a 1539 oil on canvas painting by Moretto da Brescia, which since 1899 has been in the Pinacoteca Tosio Martinengo in Brescia, Italy. Strongly influenced by Titian, it is named after the schoolmaster Galeazzo Rovelli who commissioned it for the church of Santa Maria dei Miracoli in Brescia in 1539, where it remained until being removed in the 19th century and replaced by a copy. Its composition was reused by Moroni in his Mystic Marriage of Saint Catherine in the 1560s.
The Assumption Altarpiece was a 1529-1530 multi-panel painting by Moretto da Brescia. It is mainly oil on panel, although the two angels on the cornice are in tempera grassa verniciata.
Portrait of Fortunato Martinengo Cesaresco is a 1542 oil on canvas painting by Moretto da Brescia, now in the National Gallery, London. The use of X-ray photography during a 1973 restoration showed a table in front of the man with an open book on it.
Portrait of a Gentleman with a Letter is a 1535–1540 painting by Moretto da Brescia, now in the Pinacoteca Tosio Martinengo in Brescia, to which it was given in 1854. No record of it before that dates survives, though some art historians have identified it with a lost Portrait of Pietro Aretino recorded in correspondence.
Portrait of a Man is an oil on canvas painting by Moretto da Brescia, dated of 1526, now in the National Gallery, London, which acquired it in 1876 from the Fenaroli Avogadro Collection, from Brescia. It is held to be the first surviving standing life-size portrait in art history, predating those of Titian.
St Anthony of Padua with Two Saints is a c.1530 oil on canvas painting by Moretto da Brescia, now in the Pinacoteca Tosio Martinengo in Brescia. The other two saints shown are Antony the Great and Nicholas of Tolentino.
St Margaret of Antioch with Two Saints is a 1530 oil on panel painting by Moretto da Brescia on display on the side-altar of St Jerome in the church of San Francesco in Brescia. To the left of Margaret of Antioch is shown Saint Jerome, whilst to the right is Francis of Assisi.
St Justina of Padua with a Donor is an oil on panel painting by Moretto da Brescia, executed c. 1530, now in the Kunsthistorisches Museum in Vienna, to which it was transferred in the late 19th century soon after the Museum's opening. It shows Justina of Padua.
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