Utagawa Kuniyoshi was one of the last great masters of the Japanese ukiyo-e style of woodblock prints and painting. He was a member of the Utagawa school.
Richard Samuel was an English portrait painter who won several prestigious medals in the 1770s in London. He is known for a small number of paintings including what came to be known as The Nine Living Muses of Great Britain of 1778 in which he painted the nine leading blue stocking women of his time.
Dr. Lucy Peltz is Head of Collection Displays and Senior Curator 18th Century Collections at the National Portrait Gallery, London.
Conversation Piece at the Royal Lodge, Windsor is an oil-on-canvas painting by Herbert James Gunn. It is part of the collection of the National Portrait Gallery (NPG) in London. The painting depicts King George VI and Queen Elizabeth and their daughters, Princesses Elizabeth and Margaret, taking tea in the Royal Lodge in Windsor Great Park. It was commissioned by the NPG in 1950.
The House of Commons, 1833 is a large history painting by the British artist George Hayter. It depicts the first meeting of the House of Commons following the 1832 Great Reform Act and the subsequent general election that produced a landslide majority for the ruling Whig Government. In the Victorian era the painting was often known as The First Reformed Parliament.
The Portrait of Lord Hawkesbury is a work by the English artist Thomas Lawrence depicting the British politician and future Prime Minister Lord Hawkesbury, then in his mid-twenties. It is also known as the Portrait of Lord Liverpool, referring to the title he inherited in 1808 and by which he is better known. It is in the style of Romanticism.
The House of Commons, 1793–94 is a large history painting by the Austrian artist Anton Hickel. It was first exhibited in 1795 in the Haymarket. It depicts the House of Commons of the Parliament of Great Britain around the time of the country's first involvement in the French Revolutionary Wars. It shows the Prime Minister William Pitt the Younger at the despatch box engaged in debate. A large number of other political figures of the era are also depicted including opposition Whig leader Charles James Fox.
England: Richmond Hill, on the Prince Regent's Birthday is an 1819 painting by the English artist J. M. W. Turner. It was displayed at the 1819 Royal Academy Summer Exhibition at Somerset House, the largest work that Turner had yet presented. It depicts a real event on Richmond Hill hosted by Lady Cardigan at Cardigan House on 12 August 1817 to celebrate the birthday of the Prince Regent. Petersham Meadows by the bend in the River Thames is in the background. Just across the river in Twickenham was Turner's own house Sandycombe Lodge. Ham House is also visible in the distance. The work appears to show the Regent just off the canvas as several of the guests turn to look. Turner's biographer James Hamilton describes it as featuring "flighty Watteauesque figures, ideal evanescent trees, and a horizon so extended as to be unreal". It may have been an attempt to secure the Regent's patronage. He did subsequently receive his only royal commission for the naval painting The Battle of Trafalgar in 1822.
Portrait of the Earl of Sandwich is a 1783 painting by the English artist Thomas Gainsborough depicting a full-length view of John Montagu, 4th Earl of Sandwich. Sandwich had recently left the post of First Lord of the Admiralty which he had held three times since 1748, having overseen British naval operations during the American War of Independence. Sandwich is shown against the backdrop of Greenwich Hospital and holds a plan of James Stuart's design for the infirmary completed in the 1760s during Sandwich's earlier term as First Lord.
Portrait of David Garrick is a 1770 painting by the British artist Thomas Gainsborough. A half-length portrait of the celebrated English actor-manager David Garrick it was exhibited at the Royal Academy's Summer Exhibition. Diarist Horace Walpole described it as "very like". Garrick, owner and star performer at the Theatre Royal, Drury Lane, was at the height of his fame when Gainsborough painted him. It was painted in Bath.
Sir Walter Scott is a portrait painting by the English artist Thomas Lawrence of the Scottish writer Sir Walter Scott. Begun in 1820, it was completed in 1826 and exhibited at the 1827 Royal Academy Summer Exhibition. Lawrence was Britain's foremost society portraitist of the Regency era and was commissioned by George IV, a regular patron of the artist for whom he supplied various paintings for the Waterloo Chamber, to depict Scott for a fee of three hundred guineas.
The Marquess of Wellesley is a portrait painting by the English artist Thomas Lawrence of the Irish statesman Richard Wellesley, 1st Marquess Wellesley. Wellesley was a senior politician in Britain where he served as Foreign Secretary from 1809 to 1812 and was regarded as a potential future Prime Minister. Lawrence was the leading portraitist of the Regency era, depicting prominent figures from Britain and it's European Allies during the Napoleonic Wars. It is also known as the Portrait of Lord Wellesley.
The Portrait of Marc Isambard Brunel is a portrait painting by the English artist James Northcote depicting the French-born British engineer Marc Isambard Brunel. Brunel was a pioneering engineer of the Regency era known particularly for his creation of a block-making machine during the Napoleonic Wars and his later construction of the Thames Tunnel, a project which also involved his son Isambard Kingdom Brunel.
The Portrait of Lord Mansfield is a 1783 portrait painting by the Anglo-American artist John Singleton Copley. It depicts the Scottish politician and lawyer William Murray, 1st Earl of Mansfield who was serving as Lord Chief Justice at the time. He is shown in his robes as a member of the House of Lords where he sat as the Earl of Mansfield.
Portrait of Horatio Gates is a portrait painting by the American artist Gilbert Stuart. It depicts the British-American soldier Horatio Gates.
Portrait of Sir John Moore is a portrait painting by the British artist Thomas Lawrence of the Scottish army officer Sir John Moore, painted between 1800 and 1804.
Portrait of Lord Melbourne is a portrait painting by the English artist Thomas Lawrence portraying the British Whig politician and future Prime Minister Lord Melbourne. It is also known as the Portrait of William Lamb as he had not yet inherited the title from his father when it was painted. It is today in the National Portrait Gallery in London.
Portrait of the Duke of Cumberland is an 1828 portrait painting by the English artist George Dawe depicting Ernest Augustus, Duke of Cumberland. The younger brother of the British monarchs George IV and William IV, he became King of Hanover in 1837.
Coronation Portrait of George III is a portrait painting of 1762 by the Scottish artist Allan Ramsay depicting the British monarch George III in his coronation robes. George's coronation had taken place on 22 September 1761 at Westminster Abbey, where he was crowned alongside his wife Queen Charlotte. The new king had inherited the crown from his grandfather George II in 1760 at the age of twenty-two.
Portrait of Lord Palmerston is an 1845 portrait painting of the British politician and Prime Minister Lord Palmerston by the artist John Partridge. Along with Partridge's Portrait of Lord Melbourne and a painting of Lord Aberdeen the painting was likely done in preparation for the artist's work The Fine Arts Commissioners. Today it is in the collection of the National Portrait Gallery in London having been acquired in 1896.
