Posthuman | ||||
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Studio album by | ||||
Released | February 9, 2018 | |||
Recorded | August 2017 | |||
Studio | Graphic Nature Audio (Belleville, New Jersey) | |||
Genre | ||||
Length | 33:57 | |||
Label | Metal Blade | |||
Producer | Will Putney | |||
Harm's Way chronology | ||||
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Review scores | |
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Source | Rating |
Exclaim! | 8/10 [2] |
Metal Injection | 8/10 [3] |
Pitchfork | 6.8/10.0 [4] |
Posthuman is the fourth studio album by the American hardcore band Harm's Way. The album was released on February 9, 2018 and marked the band's first release through Metal Blade Records. [5] Vocalist James Pligge says the album is influenced to a smaller extent by Slipknot, but to a larger extent Triptykon and Machine Head. [6] Harm's Way promoted the album with music videos for "Become a Machine" [7] and "Last Man", [8] and online streams of "Human Carrying Capacity" and "Call My Name". [9]
Critics generally gave Posthuman favorable reviews, with several reviewers noticing an increased emphasis on industrial metal and nu metal over previous releases. [2] [3] [4] [10] In Andy O'Connor's review for Pitchfork, he wrote about what he perceived to be the album's influences, stating: "While still a hardcore record, Posthuman does tip the balance towards Rust's industrial flirtations. 'Temptation' takes Godflesh's rumbling, mechanical bass and sets it to a slinking Jesus Lizard groove, then charts a course that resembles if Deftones went further in on their dream pop influences." [4] Joe Smith-Engelhardt of Exclaim! described the album as a standout in the recent trend of bands blending nu metal and hardcore, elaborating: "In the last few years, a substantial number of hardcore acts have been adopting nu metal influences with mixed results, but Harm's Way have managed to tastefully incorporate a groove element into their music. Songs such as 'Unreality' and 'Dissect Me' intertwine classic nu metal elements with hardcore while avoiding sounding gimmicky or nostalgic." [2]
The publications Exclaim! and Revolver named it one of 2018's best metal and hardcore albums. [11] [12]
Posthuman personnel adapted from CD liner notes.
Metalcore is a fusion genre combining elements of extreme metal and hardcore punk, that originated in the late 1980s. Among other styles blending metal and hardcore, such as crust punk and grindcore, metalcore is noted for its use of breakdowns, which are slow, intense passages conducive to moshing. Other defining instrumentation includes heavy guitar riffs often utilizing percussive pedal tones and double bass drumming. Vocalists in the genre typically perform screaming, more popular bands often combine this with the use of standard singing, usually during the bridge or chorus of a song. However the death growl is also a popular technique within the genre.
Godflesh are an English industrial metal band from Birmingham. The group formed in 1982 under the original title O.P.D. but did not release any complete music until 1988 when Justin Broadrick and B. C. Green (bass) renamed the band and decided to use a drum machine for percussion. Melding heavy metal with industrial music and later with electronic music and dub, Godflesh's sound is widely regarded as a foundational influence on other industrial metal and post-metal acts and as significant to both experimental and extreme metal.
Deathcore is an extreme metal subgenre that combines death metal with metalcore. The genre consists of death metal guitar riffs, blast beats, and metalcore breakdowns. While there are some precursors to the concept of death metal fused with metalcore/hardcore elements seen in the 1990s, deathcore itself emerged in the early 2000s and gained prominence beginning in the mid-2000s within the southwestern United States, especially Arizona and inland southern California, which are home to many notable bands and various festivals.
Pure is the second studio album by English industrial metal band Godflesh. It was released on 13 April 1992 through Earache Records. Though originally labeled only as industrial metal, the album has since been recognised as one of the earliest post-metal releases. Musically, Pure is rhythmically mechanical and features harsh guitars, with protracted songs and an abundance of deliberate repetition. Like much of Godflesh's music, it is regarded as particularly heavy and aggressive, and these elements helped it gain critical acclaim.
Hymns is the sixth studio album by English industrial metal band Godflesh. It was released on 23 October 2001 through Music for Nations and was the band's final album before breaking up in 2002. In 2010, Godflesh reformed and in 2014 released their comeback album A World Lit Only by Fire. Hymns had a troubled production and was intended to be distinct departure from Godflesh's intensely regimented industrial sound to something more traditionally hard rock. It was the band's second and final album to feature a live drummer rather than a drum machine.
The English industrial metal band Godflesh have released eight studio albums and six extended plays along with a number of singles, compilations and remix and live albums. The group formed in 1982 under the name Fall of Because, but they did not release any music until 1988 when Justin Broadrick and B. C. Green changed the project's name to Godflesh and recorded a self-titled debut EP. That EP, released through the independent label Swordfish, was met with underground success and has since been recognised as one of the first industrial metal releases, if not the first.
Code Orange is an American metalcore band that formed in Pittsburgh, Pennsylvania in 2008, while the members of the band were still in high school.
Harm's Way is an American straight edge hardcore punk band from Chicago, Illinois, formed in 2006. The band started as a side project, but ended up becoming a more serious and full-time band in their later years. Harm's Way has since released four studio albums: Reality Approaches (2009), Isolation (2011) and Rust (2015) and several EPs. On February 9, 2018, the band released their critically acclaimed Metal Blade Records debut, titled Posthuman. They have been recognized for their unique blend of metal, industrial, and hardcore music.
Rust is the third studio album by the American hardcore band Harm's Way. Released on March 10, 2015 through Deathwish Inc., Rust—like the preceding EP, Blinded—was produced by Andy Nelson of the powerviolence band Weekend Nachos. The album was sonically influenced by Godflesh, Helmet and Celtic Frost, and Harm's Way promoted its release with a stream for "Law of the Land" and music videos for "Amongst the Rust" and "Left to Disintegrate."
Forever is the third studio album by the American hardcore punk band Code Orange and its first on a major label, Roadrunner Records, following a stint on the indie label Deathwish Inc. It was released on January 13, 2017.
The Dusk in Us is the ninth studio album by American metalcore band Converge. It was released on November 3, 2017, via Epitaph Records and Deathwish Inc, and is the band's first studio album in five years since 2012's All We Love We Leave Behind. The album was produced by Converge guitarist Kurt Ballou and the artwork was created by the band's singer Jacob Bannon.
Nothing Is Free is the debut EP of JK Flesh, a pseudonym of English musician Justin Broadrick, and was self-released digitally by Avalanche Recordings on a pay what you want basis on 7 September 2015. It is Broadrick's third release under the JK Flesh title, following the debut studio album, Posthuman (2012), and a split album with Prurient, Worship Is the Cleansing of the Imagination (2012).
Post Self is the eighth studio album by English industrial metal band Godflesh. It was released on 17 November 2017 through frontman Justin Broadrick's own record label, Avalanche Recordings, and was the band's second album since reforming in 2010. The single "Post Self" was released for streaming on 31 October 2017, and a second track, "Be God", was released for streaming on 11 November 2017, six days in advance of the full release. Godflesh avoided interviews in the wake of Post Self, hoping to retain some of the album's purity and give listeners a chance to digest the music in a vacuum.
"Post Self" is a song by English industrial metal band Godflesh, taken from their 2017 album of the same name. It was released ahead of Post Self on 31 October 2017 through frontman Justin Broadrick's own label, Avalanche Recordings, as a digital download.
Vein.fm is an American hardcore punk band from Boston that formed in 2013. They are known for their frequent tours and have performed shows with groups such as Code Orange and Twitching Tongues while in Europe. In 2017 the band was signed onto Closed Casket Activities, who would issue their first full-length work Errorzone to positive reception among critics, even appearing on Revolver's early "Best Albums of 2018" list. The album also managed to peak at number 21 on Billboard's Hard Rock album chart. In July 2020, after the release of their remix album, the band announced it changed its name to Vein.fm.
Errorzone is the debut studio album by American hardcore punk band Vein, which was released on June 22, 2018, through Closed Casket Activities. Noted by critics for taking influence from nu metal, mathcore, and screamo, the album has gained praise for its genre-bending style. To promote the record, music videos were produced for the tracks "Virus://Vibrance" and "Demise Automation". The album peaked at number 21 on the hard rock Billboard chart within its first week of release.
Unloved is the second studio album by Scottish band Frontierer. On 27 July 2018, it was released independently through the group's Bandcamp account. The album drew critical attention for its harshness and unrelenting tone. Unloved was preceded by the digital singles titled, "Tumoric" and "Glitcher" in May and June respectively.
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Higher Power are an English hardcore punk band formed in Leeds, West Yorkshire in 2014. They have released two full-length studio albums, one EP, one live album and one demo. Their second album, 27 Miles Underwater, was their major label debut through Roadrunner Records. In a 2020 poll by Revolver magazine, they were voted the most likely contemporary band to breakthrough into the mainstream. They are a part of the New Wave of British Hardcore.
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