"Preciosa" | |
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Single by Rafael Hernández Marín | |
Released | 1937 |
Recorded | 1937 |
Genre | bolero |
Length | 3:36 [1] |
Label | Sony Discos |
Songwriter(s) | Rafael Hernández Marín [2] |
"Preciosa" (English: Precious) is a 1937 patriotic composition by Puerto Rican composer Rafael Hernández Marín. [3]
In 1937, Hernández Marin wrote "Preciosa", while in Mexico. [4] Years later, in 1947, he returned to Puerto Rico and became orchestra director at the government-owned WIPR Radio. [5] His music became an important part of Puerto Rican culture. [6] Hernandez formed Cuarteto Victoria (Victoria Quartet) with Pedro Ortiz Dávila, Rafael Rodríguez, and Francisco López Cruz with whom he recorded the song. [7] A Puerto Rican group led by Manuel A. Jiménez (“Canario”) recorded Hernández's Preciosa, which, together with Lamento Borincano became unofficial national anthems of Puerto Rico. [8]
Preciosa expresses feelings of love and nostalgia for Puerto Rico. It is considered one of the unofficial National Anthems of Puerto Rico [9] The work includes a celebration of the three historical sociological traits that Puerto Ricans attribute to making their current culture and nationalism; the blend of Spanish, African and Taino. The song makes reference to a tyrant who mistreats Puerto Rico and the song became an expression of autonomist patriotism. However, all Puerto Ricans, regardless of their personal beliefs towards the political status of the island, celebrate when hearing the song. [10]
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Following is a partial listing of recordings of the song by artists, alphabetically (incomplete).
Rafael Hernández Marín was a Puerto Rican songwriter and the author of hundreds of popular songs in the Latin American repertoire. He specialized in Cuban styles, such as the canción, bolero and guaracha. Among his most famous compositions are "Lamento Borincano,” "Capullito de alhelí,” "Campanitas de cristal,” "Cachita,” "Silencio,” "El cumbanchero,” "Ausencia,” and "Perfume de gardenias.”
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Raphy Leavitt was a Puerto Rican composer and founder of the salsa orchestra, La Selecta.
Pedro Ortiz Dávila, better known as Davilita, was a popular Puerto Rican singer of boleros and patriotic songs. He was the first artist to record the Rafael Hernández standard "Lamento Borincano".
Luis Felipe Rodríguez, better known as Felipe "La Voz" Rodríguez, born in Caguas, Puerto Rico, was a singer of boleros. He is regarded as the most popular Puerto Rican male singer of the 1950s based on record sales and live audience records. Many of Rodríguez's recordings are often considered to be classics in Puerto Rico.
Ángel Santos Vega Colon, aka Santitos Colón, was a Puerto Rican bolero and mambo singer, born in Sabana Grande, Puerto Rico and raised in Mayagüez. He was also known by the moniker: "The Man with The Golden Voice".
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Emilio S. Belaval was a lawyer and Supreme Judge and writer from Puerto Rico. He graduated from the University of Puerto Rico. His 1935 work Los cuentos de la Universidad, including the essay Los problemas de la cultura puertorriqueña, dealt with ideas of Puerto Rican identity with Beleval favoring one centering on "its own geography" rather than any universalism. This aspect is said to place his views at variance to Antonio S. Pedreira's Insularismo, despite the works having some similarities and being published close together in time. Some of the works by Belaval were made into theater productions by his countryman, playwright Leopoldo Santiago Lavandero.
"Lamento Borincano" is Rafael Hernández Marín's acclaimed composition in Puerto Rico's patriotic tradition. It takes its name from the free musical form Lament, and from Borinquen, an indigenous name for the island. Hernández released the song in 1929 to illustrate the economic precariousness that had engulfed the Puerto Rican farmer since the late-1920s' Puerto Rico. It became an instantaneous hit in Puerto Rico and its popularity soon followed in many Latin American countries. Renowned international artists have sung it and featured it in their repertoire.
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