Kubla Khan: or A Vision in a Dream is a poem written by Samuel Taylor Coleridge, completed in 1797 and published in 1816. It is sometimes given the subtitles "A Vision in a Dream" and "A Fragment." According to Coleridge's preface to Kubla Khan, the poem was composed one night after he experienced an opium-influenced dream after reading a work describing Shangdu, the summer capital of the Mongol-led Yuan dynasty of China founded by Kublai Khan. Upon waking, he set about writing lines of poetry that came to him from the dream until he was interrupted by "a person on business from Porlock". The poem could not be completed according to its original 200–300 line plan as the interruption caused him to forget the lines. He left it unpublished and kept it for private readings for his friends until 1816 when, at the prompting of Lord Byron, it was published.
"Dulce et Decorum est" is a poem written by Wilfred Owen during World War I, and published posthumously in 1920. Its Latin title is from a verse written by the Roman poet Horace: Dulce et decorum est pro patria mori. In English, this means "it is sweet and fitting to die for one's country". The poem is one of Owen's most renowned works; it is known for its horrific imagery and its condemnation of war. It was drafted at Craiglockhart in the first half of October 1917 and later revised, probably at Scarborough, but possibly at Ripon, between January and March 1918. The earliest known manuscript is dated 8 October 1917 and is addressed to the poet's mother, Susan Owen, with the note "Here is a gas poem done yesterday ."
"The Love Song of J. Alfred Prufrock" is the first professionally published poem by American-born British poet T. S. Eliot (1888–1965). The poem relates the varying thoughts of its title character in a stream of consciousness. Eliot began writing the poem in February 1910, and it was first published in the June 1915 issue of Poetry: A Magazine of Verse at the instigation of fellow American expatriate Ezra Pound. It was later printed as part of a twelve-poem chapbook entitled Prufrock and Other Observations in 1917. At the time of its publication, the poem was considered outlandish, but the poem is now seen as heralding a paradigmatic shift in poetry from late 19th-century Romanticism and Georgian lyrics to Modernism.
The Prelude or, Growth of a Poet's Mind; An Autobiographical Poem is an autobiographical poem in blank verse by the English poet William Wordsworth. Intended as the introduction to the more philosophical poem The Recluse, which Wordsworth never finished, The Prelude is an extremely personal work and reveals many details of Wordsworth's life.
"Ode on a Grecian Urn" is a poem written by the English Romantic poet John Keats in May 1819, first published anonymously in Annals of the Fine Arts for 1819.
"This Be The Verse" is a lyric poem in three stanzas with an alternating rhyme scheme, by the English poet Philip Larkin (1922–1985). It was written around April 1971, was first published in the August 1971 issue of New Humanist, and appeared in the 1974 collection High Windows.
"Ode on Melancholy" is one of five odes composed by English poet John Keats in the spring of 1819, along with "Ode on a Grecian Urn", "Ode to a Nightingale", "Ode on Indolence", and "Ode to Psyche". The narrative of the poem describes the poet's perception of melancholy through a lyric discourse between the poet and the reader, along with the introduction to Ancient Grecian characters and ideals.
"Ode to Psyche" is a poem by John Keats written in spring 1819. The poem is the first of his 1819 odes, which include "Ode on a Grecian Urn" and "Ode to a Nightingale". "Ode to Psyche" is an experiment in the ode genre, and Keats's attempt at an expanded version of the sonnet format that describes a dramatic scene. The poem serves as an important departure from Keats's early poems, which frequently describe an escape into the pleasant realms of one's imagination. Keats uses the imagination to show the narrator's intent to resurrect Psyche and reincarnate himself into Eros (love). Keats attempts this by dedicating an "untrodden region" of his mind to the worship of the neglected goddess.
"The Hollow Men" (1925) is a poem by the modernist writer T. S. Eliot. Like much of his work, its themes are overlapping and fragmentary, concerned with post–World War I Europe under the Treaty of Versailles, hopelessness, religious conversion, redemption and, some critics argue, his failing marriage with Vivienne Haigh-Wood Eliot. It was published two years before Eliot converted to Anglicanism.
Briggflatts is a long poem by Basil Bunting published in 1966. The work is subtitled "An Autobiography". The title "Briggflatts" comes from the name of Brigflatts Meeting House, a Quaker Friends meeting house near Sedbergh in Cumbria, England. Bunting visited Brigflatts as a schoolboy when the family of one of his schoolfriends lived there, and it was at this time that he developed a strong attachment to his friend's sister, Peggy Greenbank, to whom the poem is dedicated. It was first read in public on 22 December 1965 in the medieval Morden Tower, part of Newcastle town wall, and published in 1966 by Fulcrum Press. Bunting also wrote another poem with "Briggflatts" in its title, the short work "At Briggflatts meetinghouse" (1975).
"Ode: Intimations of Immortality from Recollections of Early Childhood" is a poem by William Wordsworth, completed in 1804 and published in Poems, in Two Volumes (1807). The poem was completed in two parts, with the first four stanzas written among a series of poems composed in 1802 about childhood. The first part of the poem was completed on 27 March 1802 and a copy was provided to Wordsworth's friend and fellow poet, Samuel Taylor Coleridge, who responded with his own poem, "Dejection: An Ode", in April. The fourth stanza of the ode ends with a question, and Wordsworth was finally able to answer it with seven additional stanzas completed in early 1804. It was first printed as "Ode" in 1807, and it was not until 1815 that it was edited and reworked to the version that is currently known, "Ode: Intimations of Immortality".
The Bridge, first published in 1930 by the Black Sun Press, is Hart Crane's first, and only, attempt at a long poem.
"The Taill of the Cok and the Jasp" is a Middle Scots version of Aesop's Fable The Cock and the Jewel by the 15th-century Scottish poet Robert Henryson. It is the first in Henryson's collection known as the Morall Fabillis of Esope the Phrygian. The Cok and the Jasp is framed by a prologue and a moralitas, and as the first poem in the collection it operates on a number of levels, and in all its parts, to introduce the larger cycle.
In 1819, John Keats composed six odes, which are among his most famous and well-regarded poems. Keats wrote the first five poems, "Ode on a Grecian Urn", "Ode on Indolence", "Ode on Melancholy", "Ode to a Nightingale", and "Ode to Psyche" in quick succession during the spring, and he composed "To Autumn" in September. While the exact order in which Keats composed the poems is unknown, some critics contend that they form a thematic whole if arranged in sequence. As a whole, the odes represent Keats's attempt to create a new type of short lyrical poem, which influenced later generations.
Burnt Norton is the first poem of T. S. Eliot's Four Quartets. He created it while working on his play Murder in the Cathedral, and it was first published in his Collected Poems 1909–1935 (1936). The poem's title refers to the manor house Eliot visited with Emily Hale in the Cotswolds. The manor's garden serves as an important image within the poem. Structurally, the poem is based on Eliot's The Waste Land, with passages of the poem related to those excised from Murder in the Cathedral.
"A slumber did my spirit seal" is a poem that was written by William Wordsworth in 1798 and first published in volume II of the 1800 edition of Lyrical Ballads. It is part of a series of poems written about a mysterious woman named Lucy, whom scholars have not been able to identify and are not sure whether she was real or fictional. Although the name Lucy is not directly mentioned in the poem, scholars nevertheless believe it to be part of the "Lucy poems" due to the poem's placement in Lyrical Ballads.
"Mariana" is a poem by Alfred, Lord Tennyson, published in 1830. The poem follows a common theme in much of Tennyson's work—that of despondent isolation. The subject of "Mariana" is a woman who continuously laments her lack of connection with society. The isolation defines her existence, and her longing for a connection leaves her wishing for death at the end of every stanza. The premise of "Mariana" originates in William Shakespeare's Measure for Measure, but the poem ends before Mariana's lover returns. Tennyson's version was adapted by others, including John Everett Millais and Elizabeth Gaskell, for use in their own works. The poem was well received by critics, and it is described by critics as an example of Tennyson's skill at poetry.
"The Deserted House" is a poem written by Alfred, Lord Tennyson in 1830, as part of his collection Poems, Chiefly Lyrical. The poem is characterised by its reliance on short lines which alternate in rhyme and meter to prevent a felicitous feel. In the poem, Tennyson uses the image of a dark house as a metaphor for a dead body.
"Laughing Song" is a poem published in 1789 by the English poet William Blake. This poem is one of nineteen in Blake's collection Songs of Innocence.
Poetic devices are a form of literary device used in poetry. Poems are created out of poetic devices via a composite of: structural, grammatical, rhythmic, metrical, verbal, and visual elements. They are essential tools that a poet uses to create rhythm, enhance a poem's meaning, or intensify a mood or feeling.
