The Dead Milkmen is an American punk rock band formed in 1983 in Philadelphia. Their original lineup consisted of vocalist and keyboardist Rodney Linderman, guitarist and vocalist Joe Genaro, bassist Dave Schulthise and drummer Dean Sabatino.
Deacon Blue are a Scottish pop rock band formed in Glasgow during 1985. The line-up of the band consists of vocalists Ricky Ross and Lorraine McIntosh, keyboard player James Prime and drummer Dougie Vipond. The band released their debut album, Raintown, on 1 May 1987 in the United Kingdom and in the United States in February 1988. Their second album, When the World Knows Your Name (1989), topped the UK Albums Chart for two weeks, and included "Real Gone Kid" which became their first top ten single in the UK Singles Chart and reached number one in Spain.
Gaze is the eighth studio album by the rock band The Beautiful South. It was released in 2003 on Mercury Records. The release was accompanied by the Gaze With The Beautiful South tour. This was also the band debut for Allison Wheeler who replaced the departing Jacqui Abbott. All songs were written by Paul Heaton and Dave Rotheray.
"Oh! You Pretty Things" is a song written by English singer-songwriter David Bowie, released on his 1971 album Hunky Dory. It was the first song he wrote for the album. Bowie recorded the song as a demo before giving it to singer Peter Noone, lead singer of Herman's Hermits, who decided to release it as his debut solo single. Featuring Bowie on piano, Noone's recording was produced by Mickie Most and featured structural and lyrical differences from Bowie's later version. Released by RAK Records in April 1971 under the title "Oh! You Pretty Thing", the single peaked at number 12 in the UK, becoming Bowie's biggest success as a songwriter since his own single "Space Oddity" two years earlier.
Heat Wave is the second studio album released by American Motown girl group Martha and the Vandellas. Released in 1963 on Motown's Gordy imprint, intended to capitalize on the success of the title track, which rose to number four on the pop singles chart and number one on the R&B singles chart. The album was produced by Holland–Dozier–Holland and William "Mickey" Stevenson. This was the last album to feature original Vandella Annette Beard.
"Children of the Revolution" is a song by T. Rex, written by Marc Bolan. It was a UK No. 2 hit single in September 1972. The song broke their sequence of four official single releases all reaching No. 1 on the UK Singles Chart. It did not receive a regular album release.
"(At Your Best) You Are Love" is a song by the Isley Brothers, originally a radio hit in 1976. It was originally dedicated to their mother.
"Don't Bring Me Down" is the ninth and final track on the English rock band the Electric Light Orchestra's 1979 album Discovery. It is their highest-charting hit in the United States to date.
Beelzebubba is the fourth studio album by the American satirical punk rock band the Dead Milkmen, released in 1988. It peaked at No. 101 on the Billboard 200. The album contains perhaps the band's best-known song, "Punk Rock Girl".
Big Lizard in My Backyard is the debut album by the Dead Milkmen, released by Restless Records in 1985.
Eat Your Paisley! is the second studio album by The Dead Milkmen, released on Restless Records in 1986.
Bucky Fellini is the third studio album by The Dead Milkmen. It was released in 1987 by Enigma. The album peaked at No. 163 on the Billboard 200.
"Witchy Woman" is a song written by Don Henley and Bernie Leadon, and recorded by the American rock band Eagles. Released as the second single from the band's debut album Eagles, it reached No. 9 on the Billboard pop singles chart.
Passage is the eighth studio album by American popular music duo the Carpenters. Released in 1977, it produced the hit singles "All You Get from Love Is a Love Song", "Calling Occupants of Interplanetary Craft" and "Sweet, Sweet Smile". The Carpenters' "Sweet, Sweet Smile" was picked up by Country radio and put the duo in the top ten of Billboard's Country chart in the spring of 1978.
...More Unchartered Heights of Disgrace is the sixth studio album by rock band The Dogs D'Amour, released in 1993 following the band's reformation. Guitarist Darrell Bath plays on this album in place of Jo Almeida, who later rejoined. It entered the UK Albums Chart at #30.
"Lovers in Japan" is a song by British rock band Coldplay. It was written by all members of the band for their fourth studio album, Viva la Vida or Death and All His Friends. The song is built around an introductory tack piano sound, then followed by chiming guitars and soaring choruses, supported by the pianos and rhythms that accompany the song's lyrics. The album version of "Lovers in Japan" shares the track with the song "Reign of Love".
"Miss Nothing" is a song by American rock band The Pretty Reckless from their debut studio album, Light Me Up (2010). It was released on August 18, 2010, as the album's second single.
"Listen to a Country Song" is a song written by Al Garth and Jim Messina. It was originally recorded by Loggins and Messina on their 1971 album Sittin' In. Drummer Merel Bregante is using brushes on his drum kit rather than sticks, which helps to reflect the country feel of the song, Al Garth is playing violin and Michael Omartian is playing both tack piano and grand piano.
"From Time" is a song recorded by Canadian recording artist Drake for his third studio album, Nothing Was the Same (2013). The song was written by Drake and its producers Chilly Gonzales and Noah "40" Shebib, while American singer-songwriter Jhené Aiko provided additional vocals and writing. "From Time" is the second collaboration between Drake and Aiko, during which she wrote to the music Drake provided for her.
"Brooklyn Baby" is a song recorded by American singer-songwriter Lana Del Rey for her third studio album Ultraviolence (2014). It was written by Del Rey, and Barrie O'Neill, while production was handled by Dan Auerbach. The song was released on June 8, 2014, by Polydor Records and Interscope Records. The song's lyrical content is notable for its satirical elements targeting the New York hipster subculture: its chorus highlights "a stable of cliches about hipsters, Brooklyn, millennials and other things Del Rey herself is known to idolize".
[1] 
[3] 
