Eat Your Paisley! | ||||
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Studio album by | ||||
Released | 1986 | |||
Recorded | 1986 | |||
Genre | Punk rock, alternative rock | |||
Length | 41:22 | |||
Label | Restless | |||
Producer | Dave Reckner, The Dead Milkmen, John Wicks | |||
The Dead Milkmen chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Robert Christgau | B− [2] |
The Encyclopedia of Popular Music | [3] |
MusicHound Rock: The Essential Album Guide | [4] |
Eat Your Paisley! is the second studio album by The Dead Milkmen, released on Restless Records in 1986. [5] [6]
"The Thing That Only Eats Hippies" and "Beach Party Vietnam" were included on the 1997 compilation Death Rides a Pale Cow: The Ultimate Collection ; "Hippies" appeared on the 1998 compilation Cream of the Crop.
The album was produced by John Wicks, Dave Reckner, and the band. [4] A video was shot for the single, "The Thing That Only Eats Hippies"; it was the band's first video. [7]
In "The Thing That Only Eats Hippies", the band chides "Bob and Greg and Grant, you should beware," a reference to Hüsker Dü's Bob Mould, Greg Norton, and Grant Hart. [8]
Trouser Press wrote that "the group’s wacky observations of stereotypes and artifacts are vague but astute; the music is expendable but never less than presentable." [9] The Globe and Mail wrote that the band "play okay" but "sing execrably." [10] People wrote that the band "produces rough, ragged rock ‘n’ roll with lyrics that express disdain for anything the adult world holds sacred and with music that purposefully negates the slickly produced synthesizer sounds of pretty boys such as Duran Duran and Howard Jones." [11]
The Ottawa Citizen called the album "an intentionally tasteless, and occasionally funny, attack on the love generation of the '60s." [12] The Philadelphia Inquirer called "the funny songs" funnier than the ones on the debut, and wrote that "the semi-serious songs evince a delirious surrealism that makes them truly powerful rock-and-roll." [13] The Toronto Star deemed Eat Your Paisley! "nearly brilliant." [14] The Chicago Tribune called it "more punky, brash, snotty and frequently funny rock." [15]
All tracks by Dead Milkmen
The Dead Milkmen is an American punk rock band formed in 1983 in Philadelphia. Their original lineup consisted of vocalist and keyboardist Rodney Linderman, guitarist and vocalist Joe Genaro, bassist Dave Schulthise and drummer Dean Sabatino.
Metal Circus is an EP by American punk rock band Hüsker Dü, released in 1983 by SST Records. As one of their early records, it was largely rooted in the band's initial hardcore punk style. However, signs of a new, poppier influence emerge on Metal Circus, particularly in the songs sung by Grant Hart. It also features some of Bob Mould's most passionate singing and shows further development in his guitar playing. Harmonic, chorus-type effects applied to Mould's guitar are more prominent. The change from the furious hardcore moments of Land Speed Record and Everything Falls Apart towards increasing melodicism hints at the groundbreaking new approach that was to be seen on the band's next release, Zen Arcade.
Flip Your Wig is the fourth album by American band Hüsker Dü, released in September 1985. It was the best-selling album to that point for the band's label SST Records, and the last they made for that label. As the band's first self-produced album, they spent months in the studio to achieve higher-quality production for its melodic power pop songs.
Ferment is the debut studio album by English alternative rock band Catherine Wheel, released 9 June 1992 by Fontana Records. Produced by Tim Friese-Greene and John Lee, the album combined aspects of shoegazing, alternative rock and neo psychedelia. Ferment is the only album to contain the neo psychedelia element of the bands discography. Their next album, Chrome, produced with famed alternative rock producer Gil Norton, shifted the musical direction of the band. While Ferment was originally not all that successful in the charts, the album continues to be well received by critics and fans, even 30 years after its release.
Beelzebubba is the fourth studio album by the American satirical punk rock band the Dead Milkmen, released in 1988. It peaked at No. 101 on the Billboard 200. The album contains perhaps the band's best-known song, "Punk Rock Girl".
Big Lizard in My Backyard is the debut album by the Dead Milkmen, released by Restless Records in 1985.
Bucky Fellini is the third studio album by The Dead Milkmen. It was released in 1987 by Enigma. The album peaked at No. 163 on the Billboard 200.
"Punk Rock Girl" is a song by American rock band the Dead Milkmen. It was the first single released from the band's fourth album Beelzebubba (1988). Released in December 1988, the track was primarily composed by guitarist and vocalist Joe Genaro and bassist Dave Schulthise, though it is credited to all four band members. The idea behind the song was to create a punk rock nursery rhyme; as such, it is a simple love song, written from the perspective of a sheltered boy dreaming of a rowdy, delinquent girlfriend. Lyrically, it depicts the duo bonding over record-shopping and eating pizza.
Soul Rotation is the sixth studio album by the Dead Milkmen, released in 1992. It was their first album to be released on Hollywood Records. The album was digitally re-released in 2013, after being out of print for many years.
Not Richard, But Dick is the seventh studio album by the Dead Milkmen, released in 1993 via Hollywood Records. Like Soul Rotation, the album was a commercial disappointment. After being out of print for years, Hollywood Records released the album for digital download on April 2, 2013.
Stoney's Extra Stout (Pig) is the eighth studio album by the Dead Milkmen. It was released by Restless Records in 1995. The Dead Milkmen had decided to break up prior to its release; the band (minus deceased bass player Dave Schulthise) would not record again until 2011's The King in Yellow.
Metaphysical Graffiti is the fifth studio album by the Dead Milkmen, released by Enigma Records in 1990. The album title and cover art, the latter designed by the band's drummer Dean Clean, parody the 1975 album Physical Graffiti by Led Zeppelin. Two tracks appear on Death Rides a Pale Cow.
Dean Sabatino is an American musician, best known as Dean Clean, the drummer of the satirical punk rock group the Dead Milkmen. Sabatino lives with his family in Media, Pennsylvania, a suburb of Philadelphia. Having earned a degree in commercial art, Clean designed the album covers for the band's releases, including the cover art for their 1985 debut album Big Lizard in My Backyard.
Death Rides a Pale Cow is a greatest hits album by the punk rock band the Dead Milkmen, released in 1997.
Home is the second studio album by the American band Deep Blue Something. It was released by RainMaker Records in 1994, and rereleased on Interscope in 1995. The band supported the album by touring with Duran Duran.
The King in Yellow is the ninth studio album by the Dead Milkmen. It was their first studio album in 16 years. It was released digitally on the band's website in 2011; a CD release followed shortly thereafter.
Chaos Rules: Live at the Trocadero is a live album by the punk band The Dead Milkmen. It was released by Restless Records on November 8, 1994.
Powerful Pain Relief is the second album by the American lounge band Love Jones, released in 1995. The band was considered part of the mid-1990s "Cocktail Nation" trend of retro cocktail lounge groups.
Beautiful Thing is an album by the American rock and roll musician Ben Vaughn, released in 1987. The album's final track, "The Apology Line", is covered on Barrence Whitfield's Ow! Ow! Ow!
Possum Dixon is the debut album by the American band Possum Dixon, released in 1993. The first single, "Watch the Girl Destroy Me", was a minor hit.