Soul Rotation | ||||
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Studio album by | ||||
Released | April 14, 1992 | |||
Genre | Punk, comedy rock | |||
Length | 42:45 | |||
Label | Hollywood | |||
Producer | Ted Niceley | |||
The Dead Milkmen chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Calgary Herald | B [2] |
Chicago Tribune | [3] |
The Encyclopedia of Popular Music | [4] |
The Indianapolis Star | [5] |
Spin | [6] |
Telegram & Gazette | [7] |
Soul Rotation is the sixth studio album by the Dead Milkmen, released in 1992. [8] [9] It was their first album to be released on Hollywood Records. [10] [11] The album was digitally re-released in 2013, after being out of print for many years.
The album peaked at No. 16 on Billboard's Heatseekers Albums chart. [12]
Soul Rotation was produced by Ted Niceley. [13] It marked the first time the band cut an entire album using digital recording methods. [14] The band, heeding past criticism of their albums, decided to focus as much on the instrumentation as the lyrics. The Dead Milkmen improvised more in the studio, and are collectively credited with writing the songs. [15] The band employed a horn section, The Uptown Horns, on several tracks. [14]
Trouser Press called Soul Rotation "the first genuinely good album of [the band's] career," writing that "the gentleness of the band’s adult humor is well-served by equally unprepossessing eclectic pop-rock that makes varied use of the Uptown Horns and Rodney’s keyboard sideline." [13] The Tulsa World deemed it "funny ... even when it's dealing with serious subjects." [15] The Indianapolis Star wrote: "Somewhere along the line, the Dead Milkmen lost their playful sense of humor. Despite the strong music, their ironic lyrics seem flat without the punchlines." [5]
The Ottawa Citizen wrote that "the arrangements here are carefully conceived and comparatively hook-laden." [16] The Chicago Tribune judged it "a sprightly little pop album," writing that the "Philadelphia foursome is moving away from constant jokiness and concentrating more on melody and groove, even if it hasn't forsaken its tongue-in-cheek lyrics, amateurish vocals and unvarnished pep." [3] The Gazette decided that the "smartass Philly thrash-soul-punkers make the big time with a major-label album that finds all of the humor intact ... even if the punk part sounds more like a frat affectation now." [17]
Congregation is the third studio album by American alternative rock band The Afghan Whigs. It was released on January 31, 1992, by Sub Pop and followed two years of the band's touring in support of their first album for the label, Up in It (1990).
The Dead Milkmen is an American punk rock band formed in 1983 in Philadelphia. Their original lineup consisted of vocalist and keyboardist Rodney Linderman, guitarist and vocalist Joe Genaro, bassist Dave Schulthise and drummer Dean Sabatino.
Dirty Mind is the third studio album by the American singer-songwriter and musician Prince. It was released on October 8, 1980, by Warner Bros. Records.
Rodney Linderman, also known by his stage name Rodney Anonymous, is an American musician, journalist, and humorist currently based in Philadelphia. He is best known as the lead vocalist, keyboardist and co-songwriter of the satirical punk rock band The Dead Milkmen.
Eternally Yours is the second album by Australian punk rock band The Saints, released in 1978. Produced by band members Chris Bailey and Ed Kuepper, the album saw the band pursue a bigger, more R&B-driven sound, augmented by a horn section. The album also saw the introduction of bass guitarist Algy Ward, who replaced the band's previous bass player, Kym Bradshaw in mid-1977.
Beelzebubba is the fourth studio album by the American satirical punk rock band the Dead Milkmen, released in 1988. It peaked at No. 101 on the Billboard 200. The album contains perhaps the band's best-known song, "Punk Rock Girl".
Big Lizard in My Backyard is the debut album by the Dead Milkmen, released by Restless Records in 1985.
Eat Your Paisley! is the second studio album by The Dead Milkmen, released on Restless Records in 1986.
Bucky Fellini is the third studio album by The Dead Milkmen. It was released in 1987 by Enigma. The album peaked at No. 163 on the Billboard 200.
"Punk Rock Girl" is a song by American rock band the Dead Milkmen. It was the first single released from the band's fourth album Beelzebubba (1988). Released in December 1988, the track was primarily composed by guitarist and vocalist Joe Genaro and bassist Dave Schulthise, though it is credited to all four band members. The idea behind the song was to create a punk rock nursery rhyme; as such, it is a simple love song, written from the perspective of a sheltered boy dreaming of a rowdy, delinquent girlfriend. Lyrically, it depicts the duo bonding over record-shopping and eating pizza.
Not Richard, But Dick is the seventh studio album by the Dead Milkmen, released in 1993 via Hollywood Records. Like Soul Rotation, the album was a commercial disappointment. After being out of print for years, Hollywood Records released the album for digital download on April 2, 2013. The title of the album is not a reference to "Tricky" Dick Nixon, but rather a person by the name of Richard J. "Dick" Latch, who preferred to be addressed as "Not Richard, but Dick."
Stoney's Extra Stout (Pig) is the eighth studio album by the Dead Milkmen. It was released by Restless Records in 1995. The Dead Milkmen had decided to break up prior to its release; the band (minus deceased bass player Dave Schulthise) would not record again until 2011's The King in Yellow.
Metaphysical Graffiti is the fifth studio album by the Dead Milkmen, released by Enigma Records in 1990. The album title and cover art, the latter designed by the band's drummer Dean Clean, parody the 1975 album Physical Graffiti by Led Zeppelin. Two tracks appear on Death Rides a Pale Cow.
Burn Witch Burn were an American Celtic rock/goth/Appalachian/Gypsy/folk/punk rock band based in Philadelphia, Pennsylvania and active between 1994-2001. The band was a side project of Dead Milkmen singer and keyboardist Rodney Linderman.
"Bitchin' Camaro" is a song by American rock band the Dead Milkmen, released on their debut album Big Lizard in My Backyard (1985). The song was written by vocalist Rodney Linderman, guitarist and vocalist Joseph Genaro, bassist Dave Schulthise, and drummer Dean Sabatino. The track contains an extended, nonsensical intro of two characters having a conversation, after which the song shifts into a hardcore punk song about the bitchin' Chevrolet Camaro.
"(We Don't Need This) Fascist Groove Thang" is a song by British synth-pop band Heaven 17. It was their debut single, released on 6 March 1981, and the lead single from their debut studio album, Penthouse and Pavement (1981). It was a minor hit in the UK in 1981, despite being banned by the BBC. It was also a minor dance hit in the US. It developed from an instrumental, "Groove Thang", that Martyn Ware and Ian Craig Marsh created earlier that year for Music for Stowaways, an album they released as British Electric Foundation.
The King in Yellow is the ninth studio album by the Dead Milkmen. It was their first studio album in 16 years. It was released digitally on the band's website in 2011; a CD release followed shortly thereafter.
Chaos Rules: Live at the Trocadero is a live album by the punk band the Dead Milkmen. It was released by Restless Records on November 8, 1994.
Junkfuel is the debut album by the English alternative rock band Fretblanket, released in 1994.
The Mekons Honky Tonkin' is an album by the British band the Mekons, released in 1987. It was their first album to be released in the United States and the band's third country music-influenced album. The band supported the album with a North American tour.