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Pulotu is the resting place of those passed on in the Polynesian narrative of Tonga and Samoa, the world of darkness "lalo fonua" (as opposed to the human world of light).
The term is related to Fijian Burotu. It goes back to Proto-Polynesian *pulotu, from Proto-Central Pacific *burotu.
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In the Tongan narrative, Pulotu is presided over by Havea Hikuleʻo. In Tongan cosmology the sky, the sea, and Pulotu existed from the beginning, and the gods lived there. The first land they made for the people was Touiaʻifutuna "trapped in Futuna", which was only a rock. There are suggestions that for Tonga and Samoa, Pulotu refers to a real country, in fact Matuku Island in the Lau Islands. The old name of Matuku Island is Burotu. However, there is no signs of underwater civilization in the Matuku waters where they said that Burotu once laid. But new evidence suggest Pulotu is situated in Moturiki belonging to Fiji’s Lomaiviti Archipelago.
After the independence struggle by Hikuleʻo and his cousins Maui Motuʻa and Tangaloa ʻEiki, they renamed Touiaʻifutuna into Tongamamaʻo. Only after that the other islands were made (the volcanic islands by Hikuleʻo and the coral islands by Maui). Finally, Tongamamaʻo was renamed, for the last time, as Tonga.
Hikuleʻo is supposed to have married a daughter of Tangaloa ʻEiki.
In the mythology of Samoa, Pulotu is presided over by the god Saveasi'uleo (also referred to as Elo), whose name reveals a similarity to the Tongan god Havea Hikuleʻo. Saveasi'uleo is the father of Nafanua the Goddess of War in Samoa, from the village of Falealupo, the site of the entryway into Pulotu. [1]
Polynesian mythology encompasses the oral traditions of the people of Polynesia together with those of the scattered cultures known as the Polynesian outliers. Polynesians speak languages that descend from a language reconstructed as Proto-Polynesian – probably spoken in the Tonga and Samoa area around 1000 BC.
Māui or Maui is the great culture hero and trickster in Polynesian mythology. Very rarely was Māui actually worshipped, being less of a deity (Demigod) and more of a folk hero. His origins vary from culture to culture, but many of his main exploits remain relatively similar.
Tangaroa is the great atua of the sea, lakes, rivers, and creatures that live within them, especially fish, in Māori mythology. As Tangaroa-whakamau-tai he exercises control over the tides. He is sometimes depicted as a whale.
Samoan culture tells stories of many different deities. There were deities of the forest, the seas, rain, harvest, villages, and war. There were two types of deities, atua, who had non-human origins, and aitu, who were of human origin.
Tongan narrative is a variant of a more general Polynesian narrative in Tonga.
In the Melanesian mythology of Fiji, Burotu is the paradise-underworld. Newly dead souls are judged by Degei, and a few go to Burotu. The rest go to Murimuria.
In the mythology of Tonga, Havea Hikuleʻo is the goddess of the world, Pulotu. The islands of Kao, Tofua, Hunga Haʻapai, Hunga Tonga, Late and Fonualei came from stones thrown down from the skies by Hikuleʻo. They are all volcanic islands. The other, (coral) islands were fished up by her brother or cousin Maui.
In the Polynesian mythology of Tonga, Laufakanaʻa was a primordial creator god his home was ʻAta.
In the Polynesian mythology of the Tongan island of ʻAta, the god Tamapoʻuliʻalamafoa is the king of the heavens. He is the one who ordered the sub-god Laufakanaʻa to become ruler of that island.
Haʻamonga ʻa Maui is a stone trilithon located in Tonga, on the eastern part of the island of Tongatapu, in the village of Niutōua, in Heketā. It was built in the 13th century by King Tuʻitātui in honor of his two sons. The monument is sometimes called the "Stonehenge of the Pacific".
The Tuʻi Tonga Empire, or Tongan Empire, are descriptions sometimes given to Tongan expansionism and projected hegemony in Oceania which began around 950 CE, reaching its peak during the period 1200–1500.
Nafanua was a historical ali'i (chief/queen) and toa (warrior) of Samoa from the Sā Tonumaipe'ā clan, who took four pāpā (district) titles, the leading ali'i titles of Samoa. After her death she became a goddess in Polynesian religion.
Tangaloa was an important family of gods in Tongan mythology. The first Tangaloa was the cousin of Havea Hikuleʻo and Maui, or in some sources the brother or son or father of them. He was Tangaloa ʻEiki, and was assigned by his father, Taufulifonua, the realm of the sky to rule.
The Tu'i Pulotu is believed to be the head of an ancient group of people that settled in Pulotu (Fiji) during the Lapita period. It was said that the Tui Pulotu originally came from the Fiji Islands and led the Pacific Islands from the early BC era to the first 800 years AD. Many people tried to associate Pulotu with Burotukula because of the different pronunciations within Tonga, Samoa and Fiji. And many people knows that Burotu in Fiji was the Burotukula which used to be seen near Matuku in Lau,but has no evidence of civilization on its seafloor.
The Rotumans are a Polynesian ethnic group native to Rotuma, an island group forming part of Fiji. The island itself is a cultural melting pot at the crossroads of the Micronesian, Melanesian and Polynesian divisions of the Pacific Ocean, and due to the seafaring nature of traditional Pacific cultures, the indigenous Rotuman have adopted or share many aspects of its multifaceted culture with its Melanesian, Micronesian and Polynesian neighbours.
The title Tui Manuʻa was the title of the ruler or paramount chief of the Manuʻa Islands in present-day American Samoa.
Saveasiʻuleo is the God of Pulotu the underworld of spirits or Hades in Samoan mythology.
Taema is the name of a female figure referred to in different legends in Samoan mythology.
Though it is no longer practised today, Tonga's ancient religion was practised for over 2,000 years. Missionaries arrived and persuaded King George Tupou I to convert to Christianity; he ordered and strictly enforced that all Tongans become Christian and no longer practise the ancient polytheistic religion with its supreme god Tangaloa.
Tongan kava ceremonies play an integral part of Tongan society and governance. Ranging from informal “faikava” or kava “parties” to the highly stratified, ancient, and ritualized Taumafa Kava, or Royal Kava Ceremony, Tongan kava ceremonies continue to permeate Tongan society both in Tonga and diaspora, strengthening cultural values and principles, while solidifying traditional ideals of duty and reciprocity, reaffirming societal structures, and entrenching the practice of pukepuke fonua, or tightly holding on to the land, a Tongan cultural ideal to maintain, preserve, and live traditional Tongan culture.