Queen's Theatre, Adelaide

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Queen's Theatre, Playhouse Lane Queen's Theatre, Adelaide.JPG
Queen's Theatre, Playhouse Lane

The Queen's Theatre is a building of historic importance in Playhouse Lane, Adelaide, South Australia. It is the oldest intact theatre in mainland Australia, having originally been built in 1840, the only earlier one in Australia being the still-operational Theatre Royal in Hobart, Tasmania (completed in 1836). It was not the first theatre to open in Adelaide however; there were two earlier, less sophisticated earlier venues created in 1838–39. In this theatre there is many ghosts some of old Burger King employees and some of McDonald's employees. There is even rumored to be a Wendy's employee floating down the halls of Queen'sTheatre.

Contents

The Queen's original incarnation only lasted for a couple of years before a recession forced closure, and the building was turned to other uses. The New Queen's Theatre operated in the billiard room of the tavern next door between 1846 and 1850, until the Queen's refurbishment and re-opening as the Royal Victoria Theatre in 1850. "The Victoria", as it was known locally, was Adelaide's only theatre until 1868, when competition from the new Theatre Royal in Hindley Street led to its closure. After a series of other uses, Heritage SA bought the building in the 1980s, and it was eventually restored and reopened as a performance venue in the 1996 Adelaide Festival.

History

Background

By the early 1800s, live performance was increasing in popularity in Australia, although no entertainment venues existed to house performances. In the 1830s, both Sydney and Hobart received two theatres, the first in the Australian colonies. [1] The first theatre to open in Adelaide was the Theatre Royal in 1838, on the first floor of the Adelaide Tavern in Franklin Street, one of Adelaide's main hotels, just two years after the colony was founded. On 23 November 1839, Samson Cameron, an actor and theatre company manager, opened the Royal Victoria Theatre on North Terrace near Morphett Street in a converted warehouse. [2] [3]

First Queen's

Attempts to build a more substantial theatre in an increasingly prosperous Adelaide were made, with a declaration by the South Australian Register stating "...Mr Solomon, of Currie Street, is about to make an important addition to the quarter of Gilles Arcade, by the erection of a spacious and handsome edifice which he ends to fit up as a theatre". [1]

It was built for ex-convicts Emanuel Solomon (1800–1873), who moved to Adelaide in 1837, and his Sydney-based brother Vaiben Solomon (1802–1860) [4] in 1840 [5] for £3000 [6] with seating for over 1000 people. [7] The project had dire predictions of failure from the press [8] and opened with Othello on 11 January 1841, [9] the manager John Lazar in the title role, to "mixed reviews". [10]

Unfortunately, public appetite for entertainment had waned with a financial recession brought on by Governor Grey's fiscally responsible regime following the prosperity of Governor Gawler's rule, when huge sums were invested in public infrastructure. After months of losing money, Lazar dismissed his company and converted the seating to something more appropriate to public meetings, [11] and some use was made of the theatre for public meetings and lectures, but did not renew his lease. Solomon offered the government use of the theatre gratis if they would prohibit the building of further taverns in the vicinity (his Shakspere Tavern, [12] subsequently named Temple Tavern, was adjacent). This was rejected, but in 1843 the government signed a contract with Solomon for three years' rental at £200 per annum for use as Resident Magistrates Court, Supreme Court and offices for the Registrar General, the Advocate General, the Assistant Crown Solicitor and Assistant to the Bench of Magistrates. [13]

Between 1846 and 1847 Solomon, whose nephew Judah Moss Solomon (1818–1880) was an occasional partner, attempted to sell the theatre and tavern by lottery, but it was never fully subscribed so he refunded to the punters their stakes.[ citation needed ]

Reopened as Royal Victoria

The building was reopened as a theatre, re-using the name Royal Victoria Theatre, under the management of John Lazar and George Coppin on 23 December 1850. [14]

In 1861 it closed for refurbishment and substantial remodelling, and reopened in July with A.J. Solomon the new lessee and Robert MacGowan the stage manager [15] of what was Adelaide's only theatre until the opening of the Theatre Royal at 28 Hindley Street on 13 April 1868, [16] which spelled the demise of the "Victoria".

Other uses

It then became successively a dance hall designated the "Prado", [17] the headquarters for the City Mission, [18] Formby's Horse Bazaar (1877–c.1900) [3] [19] From 1908 until 1928, John Shannon occupied the premises for use as sales yards, livery, stables and forge. [20]

Between 1933 and 1973, it was occupied by McPherson's Store and Warehouse, Dalgety's Factory and Store, and McPherson's Showroom, in that order. [21]

20th–21st centuries

The partially restored interior, now used as a performance space, during a History Month tour in 2014 Queen's Theatre, Adelaide, interior.JPG
The partially restored interior, now used as a performance space, during a History Month tour in 2014

In the 1980s the building was at risk of demolition, until parts of the original theatre were discovered, which sparked protests from the public (including from Barry Humphries) to conserve the building. [3] These features included dressing rooms and the orchestra pit. The South Australian Government, upon acquiring the property after negotiations in the 1990s, initiated efforts to conserve its surviving heritage architecture. As of 2019 the shell of the original theatre still stands within the 1850s facade of the Royal Victoria Theatre. [21]

Excavation also revealed historically significant remains and numerous artefacts, including clay pipes, bottles, plates, buttons, props and costumes, shoes, candlesticks and stage decorations, the most significant treasure being a gold and ruby earring featuring dangling ivy leaves, which is now in a collection managed by the History Trust of South Australia. Most of the artefacts were transferred to the South Australian Museum in 2016. [22]

The Queen's Theatre was reopened as a performance venue at the 1996 Adelaide Festival of Arts, with a performance of The Magic Flute by Opera Australia. Following essential refurbishments, it was reopened for the launch of the 1998 Festival by Robyn Archer.[ citation needed ] The theatre is still used as a performance space and function venue, but with stringent conditions intended to preserve as far as possible, the old character of the building. [3]

The Theatre was managed by Arts South Australia from 2010 to 2018, before being taken over by GWB McFarlane Theatres. [21]

New Queen's Theatre (1846−c.1850)

A new theatre was built in 1846 for George Coppin on nearby land on Light Square belonging to Solomon and managed by John Lazar, designed architect Thomas Price. [23] The hall held 700 and had the distinction of prohibiting smoking in the boxes. [24] In January 1850, the New Queen's Theatre was described by the South Australian Register as "a hotbed of demoralization" and that "no man can sit out a performance without being disgusted; no lady can enter the impure precincts without contamination". [25] This article was the subject of a successful libel case against editor John Stephens in March 1850. [26]

The Adelaide Garrick Club [27] may have been the last company to mount plays there, with productions of three Thomas Morton comedies, the last in September 1850. [28] There is no newspaper reference to this theatre after November 1850.

Related Research Articles

<span class="mw-page-title-main">Vaiben Louis Solomon</span> Australian politician

Vaiben Louis Solomon was the 21st Premier of South Australia and a member of the first Australian Commonwealth parliament. He was generally known by his full name.

<span class="mw-page-title-main">George Coppin</span> Australian politician

George Selth Coppin was a comic actor, a theatrical entrepreneur, a politician and a philanthropist, active in Australia.

John Lazar was an actor and theatre manager in Australia. He was Mayor of Adelaide from 1855 to 1858.

<span class="mw-page-title-main">Currie Street</span> Street in Adelaide, South Australia

Currie Street is a main street in the Adelaide city centre, South Australia. It runs east–to–west from King William Street, through Light Square, to West Terrace on the western edge of the city centre.

John Stephens was a writer, polemicist and editor in England who became an editor and newspaper owner in the early days of South Australia.

Samuel Moss Solomon was an early Jewish settler in Australia, amongst whose descendants many achieved a degree of notability. The relationship between these descendants is complicated by three factors: the duplication of names, not only within a family line but across lines; the number of intra-family marriages; and marriages to people with the same surname but not closely related. This list is not exhaustive but includes most family members likely to be found in Wikipedia and Australian newspapers.

Walter Lewis Bridgland was a prominent South Australian businessman and a Lord Mayor of Adelaide.

<span class="mw-page-title-main">Emanuel Solomon</span> Australian businessman and politician

Emanuel Solomon was a businessman and politician in the early days of the Colony of South Australia, representing the seat of West Adelaide in the South Australian Legislative Assembly from 1862 to 1865. He is the brother of Vaiben Solomon and is a part of the larger Solomon family.

Vaiben Solomon was a London Jew who, with his brother Emanuel Solomon, was transported for larceny to New South Wales in 1818. He had further brushes with the law but seized business opportunities and became quite prosperous. He and his brother were then joined by a contingent of brothers and sisters who made their mark in New South Wales and South Australian business and politics.

Lance Vaiben Solomon was an Australian painter, noted for his landscapes, often of subjects viewed as "unpromising" by other artists. He won the prestigious Wynne Prize on two occasions, in 1946 and 1953.

The Garrick Club was the name which could apply to several South Australian amateur theatrical groups, perhaps tenuously related, the most successful being the incarnation which operated from 1892 to 1899.

The Theatre Royal on Hindley Street, Adelaide was a significant venue in the history of the stage and cinema in South Australia. After a small predecessor of the same name on Franklin Street, the Theatre Royal on Hindley Street was built in 1868. It hosted both stage performances and movies, passing through several changes of ownership before it was eventually demolished to make way for a multi-storey car park in 1962.

James Allison was a theatre manager in Sydney, Adelaide and Melbourne. He engaged and managed local and overseas opera, drama, circus, minstrel and variety companies throughout the Australasian colonies.

Edgar Chapman was a brewer and businessman in Adelaide, South Australia, closely associated with the Theatre Royal.

Samuel Lazar was an Australian theatre manager, producer of pantomimes and operas, and occasional actor.

Gabriel Bennett was an auctioneer, stock and cattle salesman and horse breeder in South Australia. He was a founder of the stock and station agents Bennett and Fisher.

Vaiben Louis Solomon, commonly called "Vaib" to distinguish him from his father and others of the same name, was a businessman, better known as the humorous writer "Vaiben Louis".

Eduardo Majeroni was an actor who toured the world with Adelaide Ristori, playing popular Italian dramas in their original language. He and his wife Giulia, a niece of Ristori, left the company in Australia and carved out a career playing the same repertoire in English translations. Giulia was an actress, and their two sons Mario and George had acting careers in America.

Frank Towers (1835–1886) was an English actor, playwright and stage producer.

Mary Gladstane was an Irish-American actress of the 19th-century who had a considerable career in Australia, along with her husband and manager, L. M. Bayless.

References

  1. 1 2 Marsden, Susan; Stark, Paul; Sumerling, Patricia (1989). Heritage of the City of Adelaide: an illustrated guide. Corporation of the City of Adelaide and the National Library of Australia. ISBN   0-909866-30-9.
  2. ↑ "Royal Victoria Theatre". South Australian Register . Adelaide: National Library of Australia. 16 November 1839. p. 3. Archived from the original on 20 March 2021. Retrieved 10 August 2012.
  3. 1 2 3 4 "Queen's Theatre". Adelaide Writer. 29 January 2017. Archived from the original on 20 March 2021. Retrieved 3 August 2019.
  4. ↑ Two of Vaiben's brothers lived in Adelaide: Emanuel and Isaac. The more famous Vaiben Louis Solomon was his great uncle, son of Judah Moss Solomon, son of Moss Solomon, who was the eldest brother of Emanuel, Vaiben and Isaac.
  5. ↑ "Gilles Arcade". South Australian Register . Adelaide: National Library of Australia. 14 March 1840. p. 4. Archived from the original on 20 March 2021. Retrieved 10 August 2012.
  6. ↑ "Adelaidenow.com.au | Subscribe to The Advertiser for exclusive stories". www.adelaidenow.com.au. Archived from the original on 20 March 2021. Retrieved 7 April 2018.
  7. ↑ "Our Notable Pioneers". The Mail . Adelaide: National Library of Australia. 7 November 1936. p. 4 Section: Magazine. Archived from the original on 20 March 2021. Retrieved 8 August 2012.
  8. ↑ "The Queen's Theatre". Southern Australian . Adelaide: National Library of Australia. 29 December 1840. p. 3. Archived from the original on 20 March 2021. Retrieved 8 August 2012.
  9. ↑ "The Queen's Theatre". The Australian . Sydney: National Library of Australia. 28 January 1841. p. 2. Archived from the original on 20 March 2021. Retrieved 8 August 2012.
  10. ↑ "The Queen's Theatre". Adelaide Chronicle and South Australian Literary Record . Vol. II, no. LVIII. South Australia. 13 January 1841. p. 3. Archived from the original on 20 March 2021. Retrieved 18 June 2017– via National Library of Australia.
  11. ↑ "Theatricals in Adelaide". Southern Australian . Vol. IV, no. 237. South Australia. 27 August 1841. p. 2. Archived from the original on 20 March 2021. Retrieved 18 June 2017– via National Library of Australia.
  12. ↑ "Advertising". South Australian Register . Adelaide: National Library of Australia. 7 February 1849. p. 2. Archived from the original on 20 March 2021. Retrieved 10 August 2012.
  13. ↑ "South Australia". The Australian . Sydney: National Library of Australia. 24 July 1843. p. 3. Archived from the original on 20 March 2021. Retrieved 8 August 2012.
  14. ↑ "The Theatre". South Australian Register . Adelaide: National Library of Australia. 24 December 1850. p. 3. Archived from the original on 20 March 2021. Retrieved 9 August 2012.
  15. ↑ "Victoria Theatre". South Australian Register . Adelaide: National Library of Australia. 15 July 1861. p. 3. Archived from the original on 20 March 2021. Retrieved 30 August 2012.
  16. ↑ "Old-Time Theatres". The Register . Adelaide: National Library of Australia. 6 January 1921. p. 5. Archived from the original on 20 March 2021. Retrieved 9 August 2012.
  17. ↑ "The Dancing Saloons and Night-Houses". South Australian Register . Adelaide: National Library of Australia. 28 June 1870. p. 6. Archived from the original on 20 March 2021. Retrieved 9 August 2012.
  18. ↑ "The City Mission". South Australian Register . Adelaide: National Library of Australia. 15 August 1872. p. 4. Archived from the original on 20 March 2021. Retrieved 9 August 2012.
  19. ↑ "Early Experiences on South Australia". The Register . Adelaide: National Library of Australia. 27 March 1901. p. 7. Archived from the original on 20 March 2021. Retrieved 9 August 2012.
  20. ↑ "Gilles Arcade". The Register . Adelaide: National Library of Australia. 14 July 1928. p. 13. Archived from the original on 20 March 2021. Retrieved 9 August 2012.
  21. 1 2 3 "About". Queens Theatre. Archived from the original on 20 March 2021. Retrieved 3 August 2019.
  22. ↑ "Unlocking the heritage of the Queen's Theatre". Government of South Australia. Department for Environment and Water. 20 April 2016. Archived from the original on 20 March 2021. Retrieved 3 August 2019.
  23. ↑ "Our Colonial Review". Adelaide Observer . Vol. IV, no. 176. South Australia. 7 November 1846. p. 4. Archived from the original on 20 March 2021. Retrieved 10 February 2018– via National Library of Australia. Price, active 1845–50, had offices in Hindley Street
  24. ↑ "Advertising". The South Australian . Adelaide: National Library of Australia. 23 October 1846. p. 2. Archived from the original on 20 March 2021. Retrieved 8 August 2012.
  25. ↑ "A Licentious Stage". South Australian Register . 16 January 1850. Archived from the original on 20 March 2021. Retrieved 2 December 2017.
  26. ↑ "Law and Police Courts : Lazar vs Stephens". Adelaide Observer . 9 March 1850. Archived from the original on 20 March 2021. Retrieved 2 December 2017.
  27. ↑ "Local Intelligence". South Australian Register . Vol. XIV, no. 1068. South Australia. 14 March 1850. p. 2. Archived from the original on 20 March 2021. Retrieved 19 February 2017– via National Library of Australia.
  28. ↑ "Advertising". Adelaide Times . Vol. II, no. 254. South Australia. 18 September 1850. p. 2. Retrieved 27 October 2023– via National Library of Australia.

Bibliography

Further reading

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