Born in the 1980s in Hong Kong,[2] Chan grew up immersed in Asian pop culture such as manga. She would often read Chinese-translated versions of Shonen Jump. Then, at the age of 6, she and her family migrated to Australia.[3] Where she discovered American comic strips such as Garfield and Calvin and Hobbes.
As a teen, she regularly traveled back to Hong Kong keep up with the newest releases and by 17, she started to draw her own manga stories after reading Rurouni Kenshin.[4] Her works are heavily inspired by the "manga-style".
On March 25th, 2025, she graduated from Macquarie University and received her PhD on Comic Studies. Her thesis discusses effects of neoliberalism on global creative labour through the lens of South Korean “Webtoons”, dissects an existing case study of an activist digital comic, and produce a comic-game hybrid that attempts an intersectional approach to critiquing neoliberalism.[5][6]
Career
Queenie Chan started publishing her own web comics before she considered submitting her work to Tokyopop in 2005, where she successfully published her three volume series The Dreaming.
Bill Sherman, reviewing Chan's work on The Dreaming praised her work stating she was a "skillful visual storyteller, capable of slathering on the atmosphere".[7]
Awards and Accomplishments
2025, Doctor of Philosophy (PhD), University of Macquarie – Research on capitalism and digital comics (Webtoons)
2024, The Dreaming vol. 1-3 – Australian Library & Information Association (ALIA) 2024 Graphics Notables (YA)
2023, Women Who Were Kings #4: Catherine the Great – ALIA 2023 Graphics Notables (YA)
2021, Women Who Were Kings #3: Elizabeth I – Shortlisted for Ledger Awards (Now CAAA)
2017, Fabled Kingdom vol. 2 – Shortlisted for Ledger Awards
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