Quentin Buvelot | |
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Born | 1969 (age 54–55) Utrecht, the Netherlands |
Alma mater | University of Utrecht |
Occupation(s) | art historian, author, curator |
Quentin Buvelot (born 1969 in Utrecht) is a Dutch art historian. [1] He works as the chief curator at the Mauritshuis in The Hague, and is regarded as a specialist in the painting of the Dutch Golden Age. [2] [3] [4]
Buvelot studied art history and archaeology at Utrecht University from 1987 to 1993. Subsequently, he worked there as a junior lecturer in 1994. From June 1994 to May 1995, he served as a guest curator for the Koninklijk Paleis in Amsterdam, where he prepared an exhibition on the architect Jacob van Campen. From 1996 to 1998, he worked for the Parisian Fondation Custodia, where he compiled a catalog of Dutch and Flemish paintings in the Musée Fabre in Montpellier.
Buvelot has been a curator at the Mauritshuis in The Hague since 1996. Since then, he has organized numerous exhibitions, often in collaboration with art historians from international partner museums. [5] [6] He has published numerous texts on these and other topics. He is a board member of the art foundation Vereniging Rembrandt, a board member of the RKD – Netherlands Institute for Art History, and chair of the program committee of CODART, an international network of curators of Dutch and Flemish art. [7]
Aelbert Jacobszoon Cuyp or Cuijp was one of the leading Dutch Golden Age painters, producing mainly landscapes. The most famous of a family of painters, the pupil of his father, Jacob Gerritszoon Cuyp (1594–1651/52), he is especially known for his large views of Dutch riverside scenes in a golden early morning or late afternoon light. He was born and died in Dordrecht.
The Rijksmuseum is the national museum of the Netherlands dedicated to Dutch arts and history and is located in Amsterdam. The museum is located at the Museum Square in the borough of Amsterdam South, close to the Van Gogh Museum, the Stedelijk Museum Amsterdam, and the Concertgebouw.
The Mauritshuis is an art museum in The Hague, Netherlands. The museum houses the Royal Cabinet of Paintings which consists of 854 objects, mostly Dutch Golden Age paintings. The collection contains works by Johannes Vermeer, Rembrandt van Rijn, Jan Steen, Paulus Potter, Frans Hals, Jacob van Ruisdael, Hans Holbein the Younger, and others. Originally, the 17th-century building was the residence of Count John Maurice of Nassau. The building is now the property of the government of the Netherlands and is listed in the top 100 Dutch heritage sites.
Jan Havickszoon Steen was a Dutch Golden Age painter, one of the leading genre painters of the 17th century. His works are known for their psychological insight, sense of humour and abundance of colour.
Carel Pietersz. Fabritius was a Dutch painter. He was a pupil of Rembrandt and worked in his studio in Amsterdam. Fabritius, who was a member of the Delft School, developed his own artistic style and experimented with perspective and lighting. Among his works are A View of Delft, The Goldfinch (1654), and The Sentry (1654).
Jan van Huysum is the most notable member of the Van Huysum family of artists working in Dutch Golden Age of the 17th and 18th centuries; "by common consent, Jan van Huysum has been held to be the best painter of flowers." Trained in decoration from a young age, he "gradually developed an execution of details of the utmost beauty and finish" creating "wonderful flower pieces whereon drops of water and crawling ants could be seen without a magnifying glass."
The Laughing Cavalier (1624) is a portrait by the Dutch Golden Age painter Frans Hals in the Wallace Collection in London. It was described by art historian Seymour Slive as "one of the most brilliant of all Baroque portraits". The title is an invention of the Victorian public and press, dating from its exhibition in the opening display at the Bethnal Green Museum in 1872–1875, just after its arrival in England, after which it was regularly reproduced as a print, and became one of the best known old master paintings in Britain. The unknown subject is in fact not laughing, but can be said to have an enigmatic smile, much amplified by his upturned moustache.
Frederik Johannes "Frits" Lugt, was a self-taught collector and connoisseur of Dutch drawings and prints and a selfless and tireless compiler of essential reference tools documenting Northern European prints and drawings, collectors' stamps and sale catalogues. An authority on Rembrandt's drawings, he collected all of the known etchings made by Rembrandt during his career.
Pieter Claeszoon van Ruijven has been known as Johannes Vermeer's main patron for the better part of the artist's career, but in 2023 his wife Maria de Knuijt was identified by the curators of the 2023 exhibition of Vermeer's works at the Rijksmuseum, in Amsterdam as the main patron due to her long-standing and supportive relationship with the artist. He built a sizeable estate from inheritances he and his wife received and fruitful investments. In 1669, he became the Lord of Spalant when he purchased land owned by Willem, Baron van Renesse.
Christ in the House of Martha and Mary is an oil painting finished in 1655 by the Dutch Golden Age painter Johannes Vermeer. It is now in the Scottish National Gallery in Edinburgh. It is the largest painting by Vermeer and one of the very few with an overt religious subject. The story of Christ visiting the household of the two sisters Mary of Bethany and Martha goes back to the New Testament. The work has also been called Christ in the House of Mary and Martha.
The Allegory of Faith, also known as Allegory of the Catholic Faith, is a Dutch Golden Age painting by Johannes Vermeer from about 1670–1672. It has been in the Metropolitan Museum of Art in New York since 1931.
Diana and Her Companions is a painting by Dutch artist Johannes Vermeer completed in the early to mid-1650s, now at the Mauritshuis museum in The Hague. Although the exact year is unknown, the work may be the earliest painting of the artist still extant, with some art historians placing it before Christ in the House of Martha and Mary and some after.
Jacob Vrel was a Dutch, Flemish, or Westphalian painter of interiors and urban street scenes during the Dutch Golden Age (1588–1672). He was likely most active from 1654 to 1662.
Sir Christopher John White CVO FBA is a British art historian and curator. He is the son of the artist and art administrator Gabriel White. He has specialized in the study of Rembrandt and Dutch Golden Age painting and printmaking.
The Goldfinch is a painting by the Dutch Golden Age artist Carel Fabritius of a life-sized chained goldfinch. Signed and dated 1654, it is now in the collection of the Mauritshuis in The Hague, Netherlands. The work is a trompe-l'œil oil on panel measuring 33.5 by 22.8 centimetres that was once part of a larger structure, perhaps a window jamb or a protective cover. It is possible that the painting was in its creator's workshop in Delft at the time of the gunpowder explosion that killed him and destroyed much of the city.
Walter Arthur Liedtke, Jr. was an American art historian, writer and Curator of Dutch and Flemish Paintings at the Metropolitan Museum of Art. He was known as one of the world's leading scholars of Dutch and Flemish paintings. He died in the 2015 Metro-North Valhalla train crash.
Smiling Girl, a Courtesan, Holding an Obscene Image, also known in Dutch as Een Laggende Vrouw met een naakte Pourtraitje in de Hand, waar onder divisje staat or Jonge vrouw met een medaillon, is an oil painting on canvas by Gerard van Honthorst, created in 1625. It is held in the Saint Louis Art Museum where it is on view in Gallery 236.
Old Woman Reading, also known as Old Woman Reading a Lectionary, is an oil painting by the Dutch painter Gerrit Dou, made c. 1631–1632. In the past the work was attributed to Rembrandt and was titled Rembrandt's Mother, but this attribution has long been rejected. The portrait has been part of the collection of the Rijksmuseum, in Amsterdam, since November 1912.
Ariane van Suchtelen is a Dutch art historian and museum curator, currently at the Mauritshuis.
Charlotte Rulkens is a Dutch art historian, researcher, and curator specializing in seventeenth-century Dutch art, particularly the work of Rembrandt and his painting techniques, and sixteenth-century Flemish still life painting.