Quibble (plot device)

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In terms of fiction, a quibble is a plot device, used to fulfill the exact verbal conditions of an agreement in order to avoid the intended meaning. Typically quibbles are used in legal bargains and, in fantasy, magically enforced ones (for example prophecies). [1]

Contents

Examples

A pact with the Devil often contains clauses that allow the devil to quibble over what he grants, and equally commonly, the maker of the pact finds a quibble to escape the bargain. [1]

In Norse mythology, Loki, having bet his head with Brokk and lost, forbids Brokk to take any part of his neck, saying he had not bet it; to avenge himself Brokk instead sews Loki's lips shut. [1]

When Croesus consulted the Pythia, he was told that going to war with Cyrus the Great would destroy a great empire. Croesus assumed that the seer meant that the Persian Empire would be destroyed and Croesus would triumph. He proceeded to attack the Persians, believing victory was assured. In the end, however, the Persians were victorious, and the empire destroyed was not Cyrus's but Croesus's.

In literature

The Old Testament contains examples of legalistic quibbles. In Genesis 18, Abraham gets God to acknowledge that killing many righteous people alongside the sinners in Sodom would be wrong, and then works his way down to sparing the city for the sake of a single righteous one.

William Shakespeare used a quibble in The Merchant of Venice . Portia saves Antonio in a court of law by pointing out that the agreement called for a pound of flesh, but no blood, and therefore Shylock can collect only if he sheds no blood, which is not physically possible. He also uses one in Macbeth where Macbeth is killed by Macduff, despite it being prophesied by the Three Witches that "none of woman born" shall vanquish him, as the latter character was born by Caesarean section. In a second prophecy, Macbeth is told that he has nothing to fear until Great Birnam Wood comes to Dunsinane Hill. He feels safe since he knows that forests cannot move, but is overcome when the English army, shielded with boughs cut from Birnam Wood to hide their numbers, advances on his stronghold at Dunsinane.

When the hero of the Child ballad, The Lord of Lorn and the False Steward , is forced to trade places with an impostor and swear never to reveal the truth to anyone, he tells his story to a horse while he knows that the heroine is eavesdropping. In the similar fairy tale, The Goose Girl , the princess pours out her story to an iron stove, unaware that the king is listening. [2]

In The Lord of the Rings , the prophecy of Elf Glorfindel states, "not by the hand of man will the Witch-king of Angmar fall." The Witch-king is slain by Éowyn, a woman, during the battle of the Pelennor Fields, aided by Merry, a male hobbit [1] . While distracted, Éowyn kills him with a Númenorean blade (created by a long-deceased man), as the Ringwraiths are harmed by such swords.

In Terry Pratchett's Moving Pictures , a book is said to inflict terrible fates on any man opening it, but causes only mild annoyance to the Librarian, who is in fact an orangutan. [1]

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The Lord of the Nazgûl, also called the Witch-king of Angmar, the Pale King, or Black Captain, is a fictional character in J. R. R. Tolkien's fantasy novel The Lord of the Rings. He was one of the Nine among Men that the dark lord Sauron gave Rings of Power, becoming Nazgûl or Ringwraiths. His ring gives him great power, but enslaves him to Sauron and makes him invisible. As a wraith, he had once established himself King of Angmar in the north of Eriador. In the events of the Lord of the Rings, he stabs the bearer of the One Ring, the Hobbit Frodo Baggins, with a Morgul-knife which would reduce its victim to a wraith. Much later, in his final battle, the Lord of the Nazgûl attacks Éowyn with a mace. The Hobbit Merry Brandybuck stabs him with an ancient enchanted Númenórean blade, allowing Éowyn to kill him with her sword.

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<span class="mw-page-title-main">Battle of Dunsinane</span> Battle in Scotland in 1054

The Battle of Dunsinane, also known as the Battle of the Seven Sleepers, was fought between the forces of Macbeth, King of Scotland and forces led by Siward, Earl of Northumbria and Malcolm Canmore on 27 July 1054. The battle was part of a campaign launched by Siward in support of Malcolm's claim to the Scottish throne, which Macbeth had gained after killing Malcolm's father, Duncan I of Scotland, at the Battle of Pitgaveny in 1040. Ending in victory for Siward and Malcolm the battle of Dunsinane was fought in Perthshire, traditionally on Dunsinane Hill.

J. R. R. Tolkien derived the characters, stories, places, and languages of Middle-earth from many sources. Shakespeare's influence on Tolkien was substantial, despite Tolkien's professed dislike of the playwright. Tolkien disapproved in particular of Shakespeare's devaluation of elves, and was deeply disappointed by the prosaic explanation of how Birnam Wood came to Dunsinane Hill in Macbeth. Tolkien was influenced especially by Macbeth and A Midsummer Night's Dream, and he used King Lear for "issues of kingship, madness, and succession". He arguably drew on several other plays, including The Merchant of Venice, Henry IV, Part 1, and Love's Labour's Lost, as well as Shakespeare's poetry, for numerous effects in his Middle-earth writings. The Tolkien scholar Tom Shippey suggests that Tolkien may even have felt a kind of fellow-feeling with Shakespeare, as both men were rooted in the county of Warwickshire.

References

  1. 1 2 3 4 5 John Grant and John Clute, The Encyclopedia of Fantasy, "Quibbles" p 796 ISBN   0-312-19869-8
  2. Maria Tatar, The Annotated Brothers Grimm, p 320 W. W. Norton & company, London, New York, 2003 ISBN   0-393-05848-4